Bibliography for SOCI10009: Introduction to the Sociology of Culture BETA

Adorno, T. (1941). On popular music: I. The musical material. Studies in Philosophy and Social Sciences, 9.

Adorno, T. (2001). ‘Culture Industry Reconsidered’. In The culture industry: selected essays on mass culture: Vol. Routledge classics. Routledge. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=242323

Adorno, T. W., & Horkheimer, M. (1997). The Culture Industry: Enlightenment as Mass Deception. In Dialectic of enlightenment: Vol. Verso classics (pp. 120–167). Verso.

Alexander, J. C. (n.d.). Introduction: The Meanings of (Social) Life: On the Origins of a Cultural Sociology. In The meanings of social life: a cultural sociology (pp. 3–9). Oxford University Press. https://bris.on.worldcat.org/oclc/58992173

Alexander, J. C., & et al. (2017). Introduction: Cultural Sociology Today. In J. C. Alexander & et al. (Eds.), The Oxford Handbook of Cultural Sociology (pp. 1–23). https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195377767.001.0001/oxfordhb-9780195377767-e-1

Anderson, C., & Anderson, C. (2006). The long tail: how endless choice is creating unlimited demand. Random House Business Books.

Appadurai, A. (1990). Disjuncture and Difference in the Global Cultural Economy. Theory, Culture & Society, 7(2), 295–310. https://doi.org/10.1177/026327690007002017

Arnold, M. (1993). Chapter 1: Sweetness and Light. In Culture and anarchy and other writings (pp. 58–80). Cambridge University Press. https://www.cambridge.org/core/books/arnold-culture-and-anarchy-and-other-writings/2906E05F75A5DFDD69AABF51CD456B48

Arnold, M. (2013). Culture and Anarchy. In Cultural theory and popular culture: a reader (Fourth edition, pp. 6–11). Pearson Longman.

Atkinson, W. (2011). The context and genesis of musical tastes: Omnivorousness debunked, Bourdieu buttressed. Poetics, 39(3), 169–186. https://doi.org/10.1016/j.poetic.2011.03.002

Avdeef, M. (2012). ‘Technological Engagement and Musical Eclecticism: An Examination of Contemporary Listening Practices’, Participations, 9(2). http://www.participations.org/Volume%209/Issue%202/16%20Avdeeff.pdf

Barbalet, J. (2014). Globalization and cosmopolitanism: Continuity and disjuncture, contemporary and historical. Journal of Sociology, 50(2), 199–212. https://doi.org/10.1177/1440783312448686

Barrett, J. (1996). World Music, Nation and Postcolonialism. Cultural Studies., 237–247.

Barron, L. (2013). The sound of street corner society: UK grime music as ethnography. European Journal of Cultural Studies, 16(5), 531–547. https://doi.org/10.1177/1367549413491937

Barthes, R. (1970). Mythologies (Vol. 10). Éditions du Seuil.

Bartmanski, D., & Woodward, I. (2015). The vinyl: The analogue medium in the age of digital reproduction. Journal of Consumer Culture, 15(1), 3–27. https://doi.org/10.1177/1469540513488403

Baudrillard, J. (2001a). ‘Consumer Society’. In Jean Baudrillard: selected writings (2nd ed, rev.expanded, pp. 32–59). Stanford University Press.

Baudrillard, J. (2001b). Simulacra and Simulations. In Jean Baudrillard: selected writings (2nd ed, rev.expanded, pp. 169–187). Stanford University Press.

Baym, N. K. (2012). "Fans or Friends?: Seeing Social Media Audiences as Musicians Do” Participations 9 (2). 286–316. http://www.participations.org/Volume%209/Issue%202/17%20Baym.pdf

Beer, D. (2008a). THE ICONIC INTERFACE AND THE VENEER OF SIMPLICITY:MP3 players and the reconfiguration of music collecting and reproduction practices in the digital age. Information, Communication & Society, 11(1), 71–88. https://doi.org/10.1080/13691180701858919

Beer, D. (2008b). Making Friends with Jarvis Cocker: Music Culture in the Context of Web 2.0. Cultural Sociology, 2(2), 222–241. https://doi.org/10.1177/1749975508091034

Beer, D. (2010). Mobile Music, Coded Objects and Everyday Spaces. Mobilities. https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/17450101.2010.510331?needAccess=true

Ben Pitcher. (2014). Stories about Race: Knowledge and Form. In Consuming race (pp. 129–143). Routledge, Taylor & Francis Group.

benjamin, walter. (n.d.). The Work of Art in the Age of Mechanical Reproduction.pdf. https://web.mit.edu/allanmc/www/benjamin.pdf

Bennett, A. (1999a). Hip hop am Main: the localization of rap music and hip hop culture. Media, Culture & Society, 21(1), 77–91. https://doi.org/10.1177/016344399021001004

Bennett, A. (1999b). Subcultures or Neo-Tribes? Rethinking the Relationship between Youth, Style and Musical Taste. Sociology, 33(3), 599–617. https://doi.org/10.1177/S0038038599000371

Bennett, A. (2000). The Significance of locality. In Popular music and youth culture: music, identity and place (pp. 52–70). Macmillan.

Bennett, A. (2005a). Culture and everyday life. SAGE. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=334357

Bennett, A. (2005b). Postmodernism. In Culture and everyday life (pp. 32–53). SAGE. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=334357

Bennett, A. (2005c). The Mass Culture Debate. In Culture and everyday life (pp. 11–31). SAGE. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847871039

Bennett, A. (2006). Punk’s Not Dead: The Continuing Significance of Punk Rock for an                Older Generation of Fans. Sociology, 40(2), 219–235. https://doi.org/10.1177/0038038506062030

Bennett, A., & Kahn-Harris, K. (2004). Introduction. In After subculture: critical studies in contemporary youth culture (pp. 1–19). Palgrave Macmillan.

Bennett, A., & Peterson, R. A. (2004). Music scenes: local, translocal and virtual. Vanderbilt University Press.

Bennett, L. (2014). ‘If we stick together we can do anything’: Lady Gaga fandom, philanthropy and activism through social media - 19392397.2013.813778. Celebrity Studies. https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/19392397.2013.813778?needAccess=true

Bennett, T. (2009). Researching Cultural Capital: Questions of Theory and Method. In Culture, class, distinction: Vol. Culture, economy and the social (pp. 24–39). Routledge. https://www-taylorfrancis-com.bris.idm.oclc.org/chapters/mono/10.4324/9780203930571-11/researching-cultural-capital-questions-theory-method-tony-bennett-mike-savage-elizabeth-bortolaia-silva-alan-warde-modesto-gayo-cal-david-wright?context=ubx&refId=11082245-4876-43fd-9c1e-bc35cd8da237

Bennett, T., Savage, M., Silva, E., Warde, A., Gayo-Cal, M., & Wright, D. (n.d.). ‘Cultural Capital and the Cultural Field in Contemporary Britain’ CRESC Working Paper Series Working Paper No. 3. http://hummedia.manchester.ac.uk/institutes/cresc/workingpapers/wp3.pdf

Bennett, T., & Silva, E. (2011). Introduction: Cultural capital, Histories, limits, prospects - main.pdf. Poetics, 39(6). https://www.sciencedirect.com/science/article/pii/S0304422X11000775

Bhabha, H. (1983). ‘The "Other” Question’ Screen 24 (6). http://courses.washington.edu/com597j/pdfs/bhabha_the%20other%20question.pdf

Biddle, I., & Knights, V. (2007). ‘Introduction: National Popular Musics: Betwixt and Beyond the Local and Global’. In Music, national identity and the politics of location: between the global and the local: Vol. Ashgate popular and folk music series (pp. 1–15). Ashgate.

Bignell, J. (n.d.). Signs and Myths. In Media semiotics: an introduction. Manchester University Press.

Bocock, R. (1994). ‘The Emergence of the Consumer Society’. In The Polity reader in cultural theory. Polity Press in association with Blackwell.

Born, G., & Hesmondhalgh, D. (2000). ‘Introduction: On Difference, Representation and Appropriation in Music’. In Western music and its others: difference, representation, and appropriation in music. University of California Press.

Bourdieu, P. (1986). The Forms of Capital. Handbook of Theory of Research for the Sociology of Education. https://www.marxists.org/reference/subject/philosophy/works/fr/bourdieu-forms-capital.htm

Bourdieu, P. (1990). ‘Social Space and Symbolic Power’. In In other words: essays towards a reflexive sociology. Polity Press.

Bourdieu, P. (1993). Chapter 14: ‘The Metamorphosis of Taste’. In Sociology in question: Vol. Theory, culture&society. Sage.

Bourdieu, P. (2010). Chapter 5. In Distinction: a social critique of the judgement of taste: Vol. Routledge classics. Routledge. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4643435

Bourdieu, P., & Johnson, R. (1993). The field of cultural production: essays on art and literature. Polity Press.

Bourdieu, P., & Nice, R. (1980). The production of belief: contribution to an economy of symbolic goods. Media, Culture & Society, 2(3), 261–293. https://doi.org/10.1177/016344378000200305

Boyne, R., & Rattansi, A. (1990). Postmodernism and society: Vol. Communications and culture. Macmillan Education.

Brake, M. (1985). Comparative youth culture: the sociology of youth cultures and youth subcultures in America, Britain and Canada. RKP.

Brooker, W. (2001). Readings of Racism: Interpretation, stereotyping and The Phantom Menace. Continuum, 15(1), 15–32. https://doi.org/10.1080/713657758

Brooks, S., & Conroy, T. (2011). Hip-Hop Culture in a Global Context: Interdisciplinary and Cross-Categorical Investigation. American Behavioral Scientist, 55(1), 3–8. https://doi.org/10.1177/0002764210381723

Bull, M. (2007). Sound moves: iPod culture and urban experience. Routledge.

Burke, P. (2009). Cultural hybridity. Polity Press.

Byrne, D. (1999). MUSIC - Crossing Music’s Borders In Search Of Identity - ‘I Hate World Music’ - NYTimes.com. http://query.nytimes.com/gst/fullpage.html?res=9901EED8163EF930A35753C1A96F958260,&pagewanted=all

Calhoun, C. J., LiPuma, E., & Postone, M. (1993). Bourdieu: critical perspectives. Polity.

Chaney, D. (2004). ‘Fragmented Culture and Subcultures’. In After subculture: critical studies in contemporary youth culture (pp. 36–48). Palgrave Macmillan.

Chessel, M., & Dubuisson-Ouellier, S. (2017). The Making of the Consumer: Historical and Sociological Perspectives. In The SAGE Handbook of Consumer Culture. SAGE Publications. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388

Choi, H., & Burnes, B. (2013). The internet and value co-creation: the case of the popular music industry. Prometheus, 31(1), 35–53. https://doi.org/10.1080/08109028.2013.774595

Clarke et al, J. (2006). Subcultures, Cultures and Class. In Resistance through rituals: youth subcultures in post-war Britain (2nd ed, pp. 3–59). Routledge.

Clarke, G. (1990). ’Defending ski jumpers: a critique of theories of youth and subcultures’. In On record: rock, pop and the written word (pp. 81–96). Routledge. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949

Cohen, P. (2002). ‘Subcultural Conflict and Working Class Community’. In Studying culture: an introductory reader (2nd ed, pp. 95–103). Arnold.

Cohen, S. (1991). Rock culture in Liverpool: popular music in the making. Clarendon Press.

Cohen, S. (2007). ‘Chapter 1: Music and the City: Cultural Diversity in a Global Cosmopolis’. In Decline, renewal and the city in popular music culture: beyond the Beatles: Vol. Ashgate popular and folk music series (pp. 9–40). Ashgate.

Colosi, R. (2010). A return to the Chicago school? From the ‘subculture’ of taxi dancers to the contemporary lap dancer. Journal of Youth Studies, 13(1), 1–16. https://doi.org/10.1080/13676260903214183

Connell, J., & Gibson, C. (2003). Sounds and Scenes: A Place for Music? In Sound tracks: popular music, identity and place: Vol. Critical geographies (pp. 90–116). Routledge. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=180116&ppg=103

Connell, J., & Gibson, C. (2004). World music: deterritorializing place and identity. Progress in Human Geography, 28(3), 342–361. https://doi.org/10.1191/0309132504ph493oa

Connor, S. (1997). Postmodernist culture: an introduction to theories of the contemporary (2nd ed). Blackwell.

Cottrell, S. (n.d.). Critical Thinking Skills. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=684303

Crary, J. (1999). Suspensions of perception: attention, spectacle, and modern culture. MIT Press. http://cognet.mit.edu/book/suspensions-of-perception

Culler, J. (2002). Ch 3: Mythologist. In J. Culler (Ed.), Barthes: a very short introduction ([Rev. ed.], Vol. 56). Oxford University Press.

Culler, J. D. (1986). Saussure (2nd ed). Fontana Press.

de Saussure, F. (1990). Signs and Language. In Culture and society: contemporary debates (pp. 55–63). Cambridge University Press.

Debord, G. (1995). Separation Perfected. In The society of the spectacle (pp. 11–24). Zone Books.

Dedman, T. (2011). Agency in UK hip-hop and grime youth subcultures ? peripherals and purists. Journal of Youth Studies, 14(5), 507–522. https://doi.org/10.1080/13676261.2010.549820

Doreen Massey. (n.d.-a). The Spatial Construction of Youth Cultures. In T. S. G. Valentine (Ed.), Cool Places: Geographies of Youth Culture (pp. 122–130). https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213

Dresser, M., Fleming, P., Burton, E., Hillaby, J., & Maisokwadzo, F. (2007). Bristol: ethnic minorities and the city 1000-2001: Vol. An England’s past for everyone paperback. Phillimore.

Durham, Meenakshi. G., & Kellner, D. M. (Eds.). (n.d.). Media and Cultural Studies: KeyWorks. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=141270&site=ehost-live

Dwyer, C. (1998). Contested identities: challenging dominant representations of young British Muslim Women. In Cool places: geographies of youth cultures (pp. 50–65). https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213

Dyer, R. (1993). Chapter 13. In The matter of images: essays on representations. Routledge.

Dyer, R. (2002). The Role of Stereotypes. In The matter of images: essays on representation (2nd ed, pp. 11–18). Routledge.

Edmond, M. (2014). Here We Go Again. Television & New Media, 15(4), 305–320. https://doi.org/10.1177/1527476412465901

Edwards, T. (2000). Contradictions of consumption: concepts, practices and politics in consumer society. Open University Press.

Erlmann, V. (1996). ‘The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s’, Public Culture 8. 467–487. https://www.amherst.edu/system/files/media/0338/Erlmann%2520-%2520The%2520Aesthetics%2520of%2520the%2520Global%2520Imagination-%2520Reflections%2520on%2520World%2520Music%2520in%2520the%25201990s.pdf

essaywriting.pdf. (n.d.). http://davidgauntlett.com/wp-content/uploads/2018/08/essaywriting.pdf

Ewen, S. (2001). Captains of consciousness: advertising and the social roots of the consumer culture (25th anniversary ed). BasicBooks.

Fanon, F. (2008). ‘The Fact of Blackness’. In Black skin, white masks. Grove Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849644532

Fatsis, L. (2019). Grime: Criminal subculture or public counterculture? A critical investigation into the criminalization of Black musical subcultures in the UK. Crime, Media, Culture: An International Journal, 15(3), 447–461. https://doi.org/10.1177/1741659018784111

Featherstone, M. (1991). Theories of Consumer Culture. In Consumer culture and postmodernism: Vol. Theory, culture&society (pp. 13–27). Sage. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=420926&ppg=42

Fowler, B. (1997). Pierre Bourdieu and cultural theory: critical investigations: Vol. Theory, culture&society. Sage.

Fowler, B. (2000). Reading Bourdieu on society and culture: Vol. Sociological review monographs. Blackwell.

Fraley, T. (2009a). A man’s gotta have a code: Identity, Racial Codes and HBO’s ‘The Wire’ | darkmatter Journal. http://www.darkmatter101.org/site/2009/05/29/a-mans-gotta-have-a-code-identity-racial-codes-and-hbos-the-wire/

Fraley, T. (2009b). I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness. Howard Journal of Communications, 20(1), 37–54. https://doi.org/10.1080/10646170802664979

Frederik Jameson. (1991). The Cultural Logic of Late Capitalism. In Postmodernism, or, The cultural logic of late capitalism. Duke University Press. https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=681874&site=ehost-live

Frith, S. (1986). Art versus technology: the strange case of popular music. Media, Culture & Society, 8(3), 263–279. https://doi.org/10.1177/016344386008003002

Frith, S. (2000). The Discourse of World Music. In Western music and its others: difference, representation, and appropriation in music (pp. 305–322). University of California Press. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=223029&ppg=317

García Canclini, N., Rosaldo, R., Chiappari, C. L., & López, S. L. (1995). Hybrid cultures: strategies for entering and leaving modernity. University of Minnesota Press.

Gendron, B. (1986). ‘Theodore Adorno Meets The Cadillacs’. In Studies in entertainment: critical approaches to mass culture: Vol. Theories of contemporary culture (pp. 18–36). Indiana University Press.

Gibson, M. (2014). "That’s hip-hop to me!”: Race, space, and temporal logics of authenticity in independent cultural production | Elsevier Enhanced Reader. Poetics. https://reader.elsevier.com/reader/sd/pii/S0304422X14000527?token=79D11BC83E2AB2A0BBBFBA147254B063E2BC963CCF0F01AEF700288E2CB16BE3F6FD4385DD4BAD6640D3F9F44E78BD87

Gilman, S. L. (1985). Difference and pathology: stereotypes of sexuality, race, and madness. Cornell University Press.

Gilroy, P. (1991). Sounds Authentic: Black Music, Ethnicity, and the Challenge of a ‘Changing’ Same. Black Music Research Journal, 11(2). https://doi.org/10.2307/779262

Gilroy, P. (1993). The black Atlantic: modernity and double consciousness. Verso.

Gilroy, P. (2002). Ali G and the Oscars | openDemocracy. https://www.opendemocracy.net/node/459/pdf

Glevarec, H., & Pinet, M. (2012). Tablatures of musical tastes in contemporary France: distinction without intolerance. Cultural Trends, 21(1), 67–88. https://doi.org/10.1080/09548963.2012.641776

Goodwin, A. (1990). ‘Sample and hold: pop music in the digital age of reproduction’. In On record: rock, pop and the written word (pp. 258–273). Routledge. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949

Goodwin, A. (1991). Popular music and postmodern theory. Cultural Studies, 5(2), 174–190. https://doi.org/10.1080/09502389100490151

Grazian, D. (2019). Demystifying Authenticity in the Sociology of Culture’. In L. Grindstaff, M. M. Lo, & J. R. Hall (Eds.), Routledge handbook of cultural sociology (Second edition, pp. 191–200). Routledge. https://bris.on.worldcat.org/oclc/1061147821

Hall, S. (n.d.). The Work of Representation.pdf. Sage Publishing. https://uk.sagepub.com/sites/default/files/upm-binaries/66880_The_Work_of_Representation.pdf

Hall, S. (1980). Encoding/decoding. In Culture, media, language: working papers in cultural studies, 1972-79. Hutchinson. https://www-taylorfrancis-com.bris.idm.oclc.org/books/e/9780203381182/chapters/10.4324/9780203381182-18

Hall, S. (1992). New Ethnicities. In ‘Race’, culture and difference (pp. 252–259). Sage.

Hall, S. (1996). What is this black in black popular culture? In Stuart Hall: critical dialogues in cultural studies: Vol. Comedia (pp. 465–475). Routledge. https://www-taylorfrancis-com.bris.idm.oclc.org/chapters/edit/10.4324/9780203993262-35/black-black-popular-culture-stuart-hall?context=ubx&refId=6377201b-68fe-4642-998a-e78fa8f963d9

Hall, S. (2013). The Work of Representation. In Representation: Vol. Culture, media and identities (2nd ed, pp. 1–47). Open University/ SAGE.

Harker, R. K., Mahar, C., & Wilkes, C. (1990). An introduction to the work of Pierre Bourdieu: the practice of theory. Macmillan.

Hayes, D. (2006). Take Those Old Records Off the Shelf’: Youth and Music Consumption in the Postmodern Age. Popular Music & Society. https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/03007760500167370?needAccess=true

Haynes, J. (2005). World music and the search for difference. Ethnicities, 5(3), 365–385. https://doi.org/10.1177/1468796805054961

Haynes, J. (2010). In the Blood:The Racializing Tones of Music Categorization. Cultural Sociology, 4(1), 81–100. https://doi.org/10.1177/1749975509356862

Haynes, J. (2013). Music Affinity. In Music, difference and the residue of race: Vol. Routledge research in race and ethnicity (pp. 113–144). Routledge. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1075023&ppg=120

Haynes, J. (2019). Embodied minstrelsy, racialization and redemption in reggae. European Journal of Cultural Studies. https://doi.org/10.1177/1367549419847111

Haynes, J., & Marshall, L. (2018a). Beats and tweets: Social media in the careers of independent musicians. New Media & Society, 20(5), 1973–1993. https://doi.org/10.1177/1461444817711404

Haynes, J., & Marshall, L. (2018b). Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry. The British Journal of Sociology, 69(2), 459–482. https://doi.org/10.1111/1468-4446.12286

Health, J. (2001). The structure of hip consumerism. Philosophy & Social Criticism, 27(6), 1–17. https://doi.org/10.1177/019145370102700601

Heath, J., & Potter, A. (2006). Chapter 7: 'From Status Seeking to Coolhunting’. In The rebel sell: how the counterculture became consumer culture. Capstone.

Hebdige, D. (1979). Style. In Subculture: the meaning of style: Vol. New accents (pp. 100–112). Methuen. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=169053&ppg=107

Hebdige, D. (2012). Contemporizing ‘subculture’: 30 years to life. European Journal of Cultural Studies, 15(3), 399–424. https://doi.org/10.1177/1367549412440525

Herson, B. (2011). A Historical Analysis of Hip-Hop’s Influence in Dakar from 1984 - 2000. American Behavioral Scientist, 55(1), 24–35. https://doi.org/10.1177/0002764210381727

Hesmondhalgh, D. (2005). Subcultures, Scenes or Tribes? None of the Above. Journal of Youth Studies, 8(1), 21–40. https://doi.org/10.1080/13676260500063652

Hesmondhalgh, D. (2007). ‘Digitalisation, Music and Copyright’, CRESC Working Paper Series, Working Paper No. 30. http://hummedia.manchester.ac.uk/institutes/cresc/workingpapers/wp30.pdf

Hodkinson, P. (2002). Chapter 2: ‘Reworking subculture’ in Goth: identity, style and subculture. In Goth: identity, style and subculture: Vol. Dress, body, culture. Berg.

Hodkinson, P. (2011). Chapter 12. In Media, culture and society: an introduction. SAGE.

Hodkinson, P. (2013). Spectacular Youth Cultures and Ageing: Beyond Refusing to Grow Up. Sociology Compass, 7(1), 13–22. https://doi.org/10.1111/soc4.12008

Holly Kruse. (1993). Subcultural Identity in Alternative Music Culture. Popular Music, 12(1), 33–41. http://www.jstor.org/stable/931257?Search=yes&resultItemClick=true&searchText=(%27Subcultural&searchText=Identity&searchText=in&searchText=Alternative&searchText=Music&searchText=Culture)&searchText=AND&searchText=jid:(j100590)&searchUri=%2Faction%2FdoBasicSearch%3Ffilter%3Djid%253A10.2307%252Fj100590%26amp%3BQuery%3D%25E2%2580%2598Subcultural%2BIdentity%2Bin%2BAlternative%2BMusic%2BCulture&refreqid=search%3Aac7a86563007bf56650f51ba2a7aafd1&seq=1#page_scan_tab_contents

hooks, bell. (2015). Black looks: race and representation. Routledge. https://www.taylorfrancis.com/books/9781315743226

Hosokawa, S. (1984). The walkman effect - walkman_effect.pdf. Popular Music, 4. https://www-cambridge-org.bris.idm.oclc.org/core/services/aop-cambridge-core/content/view/88BE235E3BF397CADFECEC5BEFF47035/S0261143000006218a.pdf/walkman_effect.pdf

Hughes, J., & Lang, K. R. (2003). If I had a song: The culture of digital community networks and its impact on the music industry. International Journal on Media Management, 5(3), 180–189. https://doi.org/10.1080/14241270309390033

Hutnyk, J. (n.d.). Hybridity. Ethnic and Racial Studies. https://www.tandfonline.com/doi/pdf/10.1080/0141987042000280021

Hyder, R. (2014). Black Music and Cultural Exchange in Bristol. In J. Stratton & N. Zuberi (Eds.), Black popular music in Britain since 1945: Vol. Ashgate popular and folk music series (pp. 85–99). Ashgate.

Hyder, R., & Henning, M. . (2015). ‘Chapter 7: 'Locating the Bristol Sound: archiving the music as everyday life’. In S. Cohen, R. Knifton, M. Leonard, & L. Roberts (Eds.), Sites of popular music heritage: memories, histories, places: Vol. Routledge studies in popular music. Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1775344

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