Bibliography for SOCI10009: Introduction to the Sociology of Culture BETA

Adorno, T. (1941) ‘On popular music: I. The musical material’, Studies in Philosophy and Social Sciences, 9.

Adorno, T. (2001) ‘“Culture Industry Reconsidered”’, in The culture industry: selected essays on mass culture. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=242323.

Adorno, T.W. and Horkheimer, M. (1997) ‘The Culture Industry: Enlightenment as Mass Deception’, in Dialectic of enlightenment. London: Verso, pp. 120–167.

Alexander, J.C. (no date) ‘Introduction: The Meanings of (Social) Life: On the Origins of a Cultural Sociology’, in The meanings of social life: a cultural sociology. Oxford: Oxford University Press, pp. 3–9. Available at: https://bris.on.worldcat.org/oclc/58992173.

Alexander, J.C. and et al (2017) ‘Introduction: Cultural Sociology Today’, in J.C. Alexander and et al. (eds) The Oxford Handbook of Cultural Sociology, pp. 1–23. Available at: https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195377767.001.0001/oxfordhb-9780195377767-e-1.

Anderson, Chris and Anderson, C. (2006) The long tail: how endless choice is creating unlimited demand. London: Random House Business Books.

Appadurai, A. (1990) ‘Disjuncture and Difference in the Global Cultural Economy’, Theory, Culture & Society, 7(2), pp. 295–310. Available at: https://doi.org/10.1177/026327690007002017.

Arnold, M. (1993) ‘Chapter 1: Sweetness and Light’, in Culture and anarchy and other writings. Cambridge: Cambridge University Press, pp. 58–80. Available at: https://www.cambridge.org/core/books/arnold-culture-and-anarchy-and-other-writings/2906E05F75A5DFDD69AABF51CD456B48.

Arnold, M. (2013) ‘Culture and Anarchy’, in Cultural theory and popular culture: a reader. Fourth edition. Harlow: Pearson Longman, pp. 6–11.

Atkinson, W. (2011) ‘The context and genesis of musical tastes: Omnivorousness debunked, Bourdieu buttressed’, Poetics, 39(3), pp. 169–186. Available at: https://doi.org/10.1016/j.poetic.2011.03.002.

Avdeef, M. (2012) ‘“Technological Engagement and Musical Eclecticism: An Examination of Contemporary Listening Practices”, Participations, 9(2)’. Available at: http://www.participations.org/Volume%209/Issue%202/16%20Avdeeff.pdf.

Barbalet, J. (2014) ‘Globalization and cosmopolitanism: Continuity and disjuncture, contemporary and historical’, Journal of Sociology, 50(2), pp. 199–212. Available at: https://doi.org/10.1177/1440783312448686.

Barrett, J. (1996) ‘World Music, Nation and Postcolonialism’, Cultural studies., pp. 237–247.

Barron, L. (2013) ‘The sound of street corner society: UK grime music as ethnography’, European Journal of Cultural Studies, 16(5), pp. 531–547. Available at: https://doi.org/10.1177/1367549413491937.

Barthes, R. (1970) Mythologies. Paris: Éditions du Seuil.

Bartmanski, D. and Woodward, I. (2015) ‘The vinyl: The analogue medium in the age of digital reproduction’, Journal of Consumer Culture, 15(1), pp. 3–27. Available at: https://doi.org/10.1177/1469540513488403.

Baudrillard, J. (2001) ‘“Consumer Society”’, in Jean Baudrillard: selected writings. 2nd ed, rev.expanded. Stanford, Calif: Stanford University Press, pp. 32–59.

Baudrillard, Jean (2001) ‘Simulacra and Simulations’, in Jean Baudrillard: selected writings. 2nd ed, rev.expanded. Stanford, Calif: Stanford University Press, pp. 169–187.

Baym, N.K. (2012) ‘"Fans or Friends?: Seeing Social Media Audiences as Musicians Do” Participations 9 (2)’, pp. 286–316. Available at: http://www.participations.org/Volume%209/Issue%202/17%20Baym.pdf.

Beer, D. (2008a) ‘Making Friends with Jarvis Cocker: Music Culture in the Context of Web 2.0’, Cultural Sociology, 2(2), pp. 222–241. Available at: https://doi.org/10.1177/1749975508091034.

Beer, D. (2008b) ‘THE ICONIC INTERFACE AND THE VENEER OF SIMPLICITY:MP3 players and the reconfiguration of music collecting and reproduction practices in the digital age’, Information, Communication & Society, 11(1), pp. 71–88. Available at: https://doi.org/10.1080/13691180701858919.

Beer, D. (2010) ‘Mobile Music, Coded Objects and Everyday Spaces’, Mobilities [Preprint]. Available at: https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/17450101.2010.510331?needAccess=true.

Ben Pitcher (2014) ‘Stories about Race: Knowledge and Form’, in Consuming race. London: Routledge, Taylor & Francis Group, pp. 129–143.

benjamin, walter (no date) ‘The Work of Art in the Age of Mechanical Reproduction.pdf’. Available at: https://web.mit.edu/allanmc/www/benjamin.pdf.

Bennett, A. (1999a) ‘Hip hop am Main: the localization of rap music and hip hop culture’, Media, Culture & Society, 21(1), pp. 77–91. Available at: https://doi.org/10.1177/016344399021001004.

Bennett, A. (1999b) ‘Subcultures or Neo-Tribes? Rethinking the Relationship between Youth, Style and Musical Taste’, Sociology, 33(3), pp. 599–617. Available at: https://doi.org/10.1177/S0038038599000371.

Bennett, A. (2000) ‘The Significance of locality’, in Popular music and youth culture: music, identity and place. London: Macmillan, pp. 52–70.

Bennett, A. (2005a) Culture and everyday life. London: SAGE. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=334357.

Bennett, A. (2005b) ‘Postmodernism’, in Culture and everyday life. London: SAGE, pp. 32–53. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=334357.

Bennett, A. (2005c) ‘The Mass Culture Debate’, in Culture and everyday life. London: SAGE, pp. 11–31. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847871039.

Bennett, A. (2006) ‘Punk’s Not Dead: The Continuing Significance of Punk Rock for an                Older Generation of Fans’, Sociology, 40(2), pp. 219–235. Available at: https://doi.org/10.1177/0038038506062030.

Bennett, A. and Kahn-Harris, K. (2004) ‘Introduction’, in After subculture: critical studies in contemporary youth culture. Basingstoke: Palgrave Macmillan, pp. 1–19.

Bennett, A. and Peterson, R.A. (2004) Music scenes: local, translocal and virtual. Nashville, Tenn: Vanderbilt University Press.

Bennett, L. (2014) ‘‘If we stick together we can do anything’: Lady Gaga fandom, philanthropy and activism through social media - 19392397.2013.813778’, Celebrity Studies [Preprint]. Available at: https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/19392397.2013.813778?needAccess=true.

Bennett, T. (2009) ‘Researching Cultural Capital: Questions of Theory and Method’, in Culture, class, distinction. London: Routledge, pp. 24–39. Available at: https://www-taylorfrancis-com.bris.idm.oclc.org/chapters/mono/10.4324/9780203930571-11/researching-cultural-capital-questions-theory-method-tony-bennett-mike-savage-elizabeth-bortolaia-silva-alan-warde-modesto-gayo-cal-david-wright?context=ubx&refId=11082245-4876-43fd-9c1e-bc35cd8da237.

Bennett, T. et al. (no date) ‘“Cultural Capital and the Cultural Field in Contemporary Britain” CRESC Working Paper Series Working Paper No. 3.’ Available at: http://hummedia.manchester.ac.uk/institutes/cresc/workingpapers/wp3.pdf.

Bennett, T. and Silva, E. (2011) ‘Introduction: Cultural capital, Histories, limits, prospects - main.pdf’, Poetics, 39(6). Available at: https://www.sciencedirect.com/science/article/pii/S0304422X11000775.

Bhabha, H. (1983) ‘‘The "Other” Question’ Screen 24 (6).’ Available at: http://courses.washington.edu/com597j/pdfs/bhabha_the%20other%20question.pdf.

Biddle, I. and Knights, V. (2007) ‘“Introduction: National Popular Musics: Betwixt and Beyond the Local and Global”’, in Music, national identity and the politics of location: between the global and the local. Aldershot: Ashgate, pp. 1–15.

Bignell, J. (no date) ‘Signs and Myths’, in Media semiotics: an introduction. Manchester [England]: Manchester University Press.

Bocock, R. (1994) ‘“The Emergence of the Consumer Society”’, in The Polity reader in cultural theory. Cambridge: Polity Press in association with Blackwell.

Born, G. and Hesmondhalgh, D. (2000) ‘“Introduction: On Difference, Representation and Appropriation in Music”’, in Western music and its others: difference, representation, and appropriation in music. Berkeley, Cal: University of California Press.

Bourdieu, P. (1986) ‘The Forms of Capital’, Handbook of Theory of Research for the Sociology of Education [Preprint]. Available at: https://www.marxists.org/reference/subject/philosophy/works/fr/bourdieu-forms-capital.htm.

Bourdieu, P. (1990) ‘“Social Space and Symbolic Power”’, in In other words: essays towards a reflexive sociology. Cambridge: Polity Press.

Bourdieu, P. (1993) ‘Chapter 14: “The Metamorphosis of Taste”’, in Sociology in question. London: Sage.

Bourdieu, P. (2010) ‘Chapter 5’, in Distinction: a social critique of the judgement of taste. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4643435.

Bourdieu, P. and Johnson, R. (1993) The field of cultural production: essays on art and literature. Cambridge: Polity Press.

Bourdieu, P. and Nice, R. (1980) ‘The production of belief: contribution to an economy of symbolic goods’, Media, Culture & Society, 2(3), pp. 261–293. Available at: https://doi.org/10.1177/016344378000200305.

Boyne, R. and Rattansi, A. (1990) Postmodernism and society. Basingstoke: Macmillan Education.

Brake, M. (1985) Comparative youth culture: the sociology of youth cultures and youth subcultures in America, Britain and Canada. London: RKP.

Brooker, W. (2001) ‘Readings of Racism: Interpretation, stereotyping and The Phantom Menace’, Continuum, 15(1), pp. 15–32. Available at: https://doi.org/10.1080/713657758.

Brooks, S. and Conroy, T. (2011) ‘Hip-Hop Culture in a Global Context: Interdisciplinary and Cross-Categorical Investigation’, American Behavioral Scientist, 55(1), pp. 3–8. Available at: https://doi.org/10.1177/0002764210381723.

Bull, M. (2007) Sound moves: iPod culture and urban experience. Abingdon: Routledge.

Burke, P. (2009) Cultural hybridity. Cambridge: Polity Press.

Byrne, D. (1999) ‘MUSIC - Crossing Music’s Borders In Search Of Identity - “I Hate World Music” - NYTimes.com’. Available at: http://query.nytimes.com/gst/fullpage.html?res=9901EED8163EF930A35753C1A96F958260,&pagewanted=all.

Calhoun, C.J., LiPuma, E. and Postone, M. (1993) Bourdieu: critical perspectives. Cambridge: Polity.

Chaney, D. (2004) ‘“Fragmented Culture and Subcultures”’, in After subculture: critical studies in contemporary youth culture. Basingstoke: Palgrave Macmillan, pp. 36–48.

Chessel, M. and Dubuisson-Ouellier, S. (2017) ‘The Making of the Consumer: Historical and Sociological Perspectives’, in The SAGE Handbook of Consumer Culture. SAGE Publications. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388.

Choi, H. and Burnes, B. (2013) ‘The internet and value co-creation: the case of the popular music industry’, Prometheus, 31(1), pp. 35–53. Available at: https://doi.org/10.1080/08109028.2013.774595.

Clarke et al, J. (2006) ‘Subcultures, Cultures and Class’, in Resistance through rituals: youth subcultures in post-war Britain. 2nd ed. London: Routledge, pp. 3–59.

Clarke, G. (1990) ‘’Defending ski jumpers: a critique of theories of youth and subcultures’’, in On record: rock, pop and the written word. London: Routledge, pp. 81–96. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949.

Cohen, P. (2002) ‘“Subcultural Conflict and Working Class Community”’, in Studying culture: an introductory reader. 2nd ed. London: Arnold, pp. 95–103.

Cohen, S. (1991) Rock culture in Liverpool: popular music in the making. Oxford: Clarendon Press.

Cohen, S. (2007) ‘“Chapter 1: Music and the City: Cultural Diversity in a Global Cosmopolis”’, in Decline, renewal and the city in popular music culture: beyond the Beatles. Aldershot: Ashgate, pp. 9–40.

Colosi, R. (2010) ‘A return to the Chicago school? From the “subculture” of taxi dancers to the contemporary lap dancer’, Journal of Youth Studies, 13(1), pp. 1–16. Available at: https://doi.org/10.1080/13676260903214183.

Connell, J. and Gibson, C. (2003) ‘Sounds and Scenes: A Place for Music?’, in Sound tracks: popular music, identity and place. London: Routledge, pp. 90–116. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=180116&ppg=103.

Connell, J. and Gibson, C. (2004) ‘World music: deterritorializing place and identity’, Progress in Human Geography, 28(3), pp. 342–361. Available at: https://doi.org/10.1191/0309132504ph493oa.

Connor, S. (1997) Postmodernist culture: an introduction to theories of the contemporary. 2nd ed. Oxford: Blackwell.

Cottrell, S. (no date) Critical Thinking Skills. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=684303.

Crary, J. (1999) Suspensions of perception: attention, spectacle, and modern culture. Cambridge, Mass: MIT Press. Available at: http://cognet.mit.edu/book/suspensions-of-perception.

Culler, J. (2002) ‘Ch 3: Mythologist’, in J Culler (ed.) Barthes: a very short introduction. [Rev. ed.]. Oxford: Oxford University Press.

Culler, J.D. (1986) Saussure. 2nd ed. London: Fontana Press.

Debord, G. (1995) ‘Separation Perfected’, in The society of the spectacle. New York: Zone Books, pp. 11–24.

Dedman, T. (2011) ‘Agency in UK hip-hop and grime youth subcultures ? peripherals and purists’, Journal of Youth Studies, 14(5), pp. 507–522. Available at: https://doi.org/10.1080/13676261.2010.549820.

Doreen Massey (no date) ‘The Spatial Construction of Youth Cultures’, in T.S. G. Valentine (ed.) Cool Places: Geographies of Youth Culture, pp. 122–130. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213.

Dresser, M. et al. (2007) Bristol: ethnic minorities and the city 1000-2001. Chichester: Phillimore.

Durham, Meenakshi.G. and Kellner, D.M. (eds) (no date) Media and Cultural Studies: KeyWorks. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=141270&site=ehost-live.

Dwyer, C. (1998) ‘Contested identities: challenging dominant representations of young British Muslim Women’, in Cool places: geographies of youth cultures, pp. 50–65. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213.

Dyer, R. (1993) ‘Chapter 13’, in The matter of images: essays on representations. London: Routledge.

Dyer, R. (2002) ‘The Role of Stereotypes’, in The matter of images: essays on representation. 2nd ed. London: Routledge, pp. 11–18.

Edmond, M. (2014) ‘Here We Go Again’, Television & New Media, 15(4), pp. 305–320. Available at: https://doi.org/10.1177/1527476412465901.

Edwards, T. (2000) Contradictions of consumption: concepts, practices and politics in consumer society. Buckingham: Open University Press.

Erlmann, V. (1996) ‘“The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s”, Public Culture 8’, pp. 467–487. Available at: https://www.amherst.edu/system/files/media/0338/Erlmann%2520-%2520The%2520Aesthetics%2520of%2520the%2520Global%2520Imagination-%2520Reflections%2520on%2520World%2520Music%2520in%2520the%25201990s.pdf.

‘essaywriting.pdf’ (no date). Available at: http://davidgauntlett.com/wp-content/uploads/2018/08/essaywriting.pdf.

Ewen, S. (2001) Captains of consciousness: advertising and the social roots of the consumer culture. 25th anniversary ed. New York: BasicBooks.

Fanon, F. (2008) ‘“The Fact of Blackness”’, in Black skin, white masks. New York: Grove Press. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849644532.

Fatsis, L. (2019) ‘Grime: Criminal subculture or public counterculture? A critical investigation into the criminalization of Black musical subcultures in the UK’, Crime, Media, Culture: An International Journal, 15(3), pp. 447–461. Available at: https://doi.org/10.1177/1741659018784111.

Featherstone, M. (1991) ‘Theories of Consumer Culture’, in Consumer culture and postmodernism. London: Sage, pp. 13–27. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=420926&ppg=42.

Fowler, B. (1997) Pierre Bourdieu and cultural theory: critical investigations. London: Sage.

Fowler, B. (2000) Reading Bourdieu on society and culture. Oxford: Blackwell.

Fraley, T. (2009) ‘A man’s gotta have a code: Identity, Racial Codes and HBO’s “The Wire” | darkmatter Journal’. Available at: http://www.darkmatter101.org/site/2009/05/29/a-mans-gotta-have-a-code-identity-racial-codes-and-hbos-the-wire/.

Fraley, Todd (2009) ‘I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness’, Howard Journal of Communications, 20(1), pp. 37–54. Available at: https://doi.org/10.1080/10646170802664979.

Frederik Jameson (1991) ‘The Cultural Logic of Late Capitalism’, in Postmodernism, or, The cultural logic of late capitalism. Durham, N.C.: Duke University Press. Available at: https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=681874&site=ehost-live.

Frith, S. (1986) ‘Art versus technology: the strange case of popular music’, Media, Culture & Society, 8(3), pp. 263–279. Available at: https://doi.org/10.1177/016344386008003002.

Frith, S. (2000) ‘The Discourse of World Music’, in Western music and its others: difference, representation, and appropriation in music. Berkeley, Cal: University of California Press, pp. 305–322. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=223029&ppg=317.

García Canclini, N. et al. (1995) Hybrid cultures: strategies for entering and leaving modernity. Minneapolis: University of Minnesota Press.

Gendron, B. (1986) ‘“Theodore Adorno Meets The Cadillacs”’, in Studies in entertainment: critical approaches to mass culture. Bloomington: Indiana University Press, pp. 18–36.

Gibson, M. (2014) ‘"That’s hip-hop to me!”: Race, space, and temporal logics of authenticity in independent cultural production | Elsevier Enhanced Reader’, Poetics [Preprint]. Available at: https://reader.elsevier.com/reader/sd/pii/S0304422X14000527?token=79D11BC83E2AB2A0BBBFBA147254B063E2BC963CCF0F01AEF700288E2CB16BE3F6FD4385DD4BAD6640D3F9F44E78BD87.

Gilman, S.L. (1985) Difference and pathology: stereotypes of sexuality, race, and madness. Ithaca, N.Y.: Cornell University Press.

Gilroy, P. (1991) ‘Sounds Authentic: Black Music, Ethnicity, and the Challenge of a “Changing” Same’, Black Music Research Journal, 11(2). Available at: https://doi.org/10.2307/779262.

Gilroy, P. (1993) The black Atlantic: modernity and double consciousness. London: Verso.

Gilroy, P. (2002) ‘Ali G and the Oscars | openDemocracy’. Available at: https://www.opendemocracy.net/node/459/pdf.

Glevarec, H. and Pinet, M. (2012) ‘Tablatures of musical tastes in contemporary France: distinction without intolerance’, Cultural Trends, 21(1), pp. 67–88. Available at: https://doi.org/10.1080/09548963.2012.641776.

Goodwin, A. (1990) ‘“Sample and hold: pop music in the digital age of reproduction”’, in On record: rock, pop and the written word. London: Routledge, pp. 258–273. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949.

Goodwin, A. (1991) ‘Popular music and postmodern theory’, Cultural Studies, 5(2), pp. 174–190. Available at: https://doi.org/10.1080/09502389100490151.

Grazian, D. (2019) ‘Demystifying Authenticity in the Sociology of Culture’’, in L. Grindstaff, M.M. Lo, and J.R. Hall (eds) Routledge handbook of cultural sociology. Second edition. London: Routledge, pp. 191–200. Available at: https://bris.on.worldcat.org/oclc/1061147821.

Hall, S. (1980) ‘Encoding/decoding’, in Culture, media, language: working papers in cultural studies, 1972-79. London: Hutchinson. Available at: https://www-taylorfrancis-com.bris.idm.oclc.org/books/e/9780203381182/chapters/10.4324/9780203381182-18.

Hall, S. (1992) ‘New Ethnicities’, in ‘Race’, culture and difference. London: Sage, pp. 252–259.

Hall, S. (1996) ‘What is this black in black popular culture?’, in Stuart Hall: critical dialogues in cultural studies. London: Routledge, pp. 465–475. Available at: https://www-taylorfrancis-com.bris.idm.oclc.org/chapters/edit/10.4324/9780203993262-35/black-black-popular-culture-stuart-hall?context=ubx&refId=6377201b-68fe-4642-998a-e78fa8f963d9.

Hall, S. (2013) ‘The Work of Representation’, in Representation. 2nd ed. London: Open University/ SAGE, pp. 1–47.

Hall, S. (no date) ‘The Work of Representation.pdf’. Sage Publishing. Available at: https://uk.sagepub.com/sites/default/files/upm-binaries/66880_The_Work_of_Representation.pdf.

Harker, R.K., Mahar, C. and Wilkes, C. (1990) An introduction to the work of Pierre Bourdieu: the practice of theory. London: Macmillan.

Hayes, D. (2006) ‘Take Those Old Records Off the Shelf’: Youth and Music Consumption in the Postmodern Age’, Popular Music & Society [Preprint]. Available at: https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/03007760500167370?needAccess=true.

Haynes, J. (2005) ‘World music and the search for difference’, Ethnicities, 5(3), pp. 365–385. Available at: https://doi.org/10.1177/1468796805054961.

Haynes, J. (2010) ‘In the Blood:The Racializing Tones of Music Categorization’, Cultural Sociology, 4(1), pp. 81–100. Available at: https://doi.org/10.1177/1749975509356862.

Haynes, J. (2013) ‘Music Affinity’, in Music, difference and the residue of race. New York: Routledge, pp. 113–144. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1075023&ppg=120.

Haynes, J. (2019) ‘Embodied minstrelsy, racialization and redemption in reggae’, European Journal of Cultural Studies [Preprint]. Available at: https://doi.org/10.1177/1367549419847111.

Haynes, J. and Marshall, L. (2018a) ‘Beats and tweets: Social media in the careers of independent musicians’, New Media & Society, 20(5), pp. 1973–1993. Available at: https://doi.org/10.1177/1461444817711404.

Haynes, J. and Marshall, L. (2018b) ‘Reluctant entrepreneurs: musicians and entrepreneurship in the “new” music industry’, The British Journal of Sociology, 69(2), pp. 459–482. Available at: https://doi.org/10.1111/1468-4446.12286.

Health, J. (2001) ‘The structure of hip consumerism’, Philosophy & Social Criticism, 27(6), pp. 1–17. Available at: https://doi.org/10.1177/019145370102700601.

Heath, J. and Potter, A. (2006) ‘Chapter 7: 'From Status Seeking to Coolhunting’’, in The rebel sell: how the counterculture became consumer culture. Chichester: Capstone.

Hebdige, D. (1979) ‘Style’, in Subculture: the meaning of style. London: Methuen, pp. 100–112. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=169053&ppg=107.

Hebdige, D. (2012) ‘Contemporizing “subculture”: 30 years to life’, European Journal of Cultural Studies, 15(3), pp. 399–424. Available at: https://doi.org/10.1177/1367549412440525.

Herson, B. (2011) ‘A Historical Analysis of Hip-Hop’s Influence in Dakar from 1984 - 2000’, American Behavioral Scientist, 55(1), pp. 24–35. Available at: https://doi.org/10.1177/0002764210381727.

Hesmondhalgh, D. (2005) ‘Subcultures, Scenes or Tribes? None of the Above’, Journal of Youth Studies, 8(1), pp. 21–40. Available at: https://doi.org/10.1080/13676260500063652.

Hesmondhalgh, D. (2007) ‘“Digitalisation, Music and Copyright”, CRESC Working Paper Series, Working Paper No. 30’. Available at: http://hummedia.manchester.ac.uk/institutes/cresc/workingpapers/wp30.pdf.

Hodkinson, P. (2002) ‘Chapter 2: “Reworking subculture” in Goth: identity, style and subculture’, in Goth: identity, style and subculture. Oxford: Berg.

Hodkinson, P. (2011) ‘Chapter 12’, in Media, culture and society: an introduction. Los Angeles: SAGE.

Hodkinson, P. (2013) ‘Spectacular Youth Cultures and Ageing: Beyond Refusing to Grow Up’, Sociology Compass, 7(1), pp. 13–22. Available at: https://doi.org/10.1111/soc4.12008.

Holly Kruse (1993) ‘Subcultural Identity in Alternative Music Culture’, Popular Music, 12(1), pp. 33–41. Available at: http://www.jstor.org/stable/931257?Search=yes&resultItemClick=true&searchText=(%27Subcultural&searchText=Identity&searchText=in&searchText=Alternative&searchText=Music&searchText=Culture)&searchText=AND&searchText=jid:(j100590)&searchUri=%2Faction%2FdoBasicSearch%3Ffilter%3Djid%253A10.2307%252Fj100590%26amp%3BQuery%3D%25E2%2580%2598Subcultural%2BIdentity%2Bin%2BAlternative%2BMusic%2BCulture&refreqid=search%3Aac7a86563007bf56650f51ba2a7aafd1&seq=1#page_scan_tab_contents.

hooks, bell (2015) Black looks: race and representation. New York: Routledge. Available at: https://www.taylorfrancis.com/books/9781315743226.

Hosokawa, S. (1984) ‘The walkman effect - walkman_effect.pdf’, Popular Music, 4. Available at: https://www-cambridge-org.bris.idm.oclc.org/core/services/aop-cambridge-core/content/view/88BE235E3BF397CADFECEC5BEFF47035/S0261143000006218a.pdf/walkman_effect.pdf.

Hughes, J. and Lang, K.R. (2003) ‘If I had a song: The culture of digital community networks and its impact on the music industry’, International Journal on Media Management, 5(3), pp. 180–189. Available at: https://doi.org/10.1080/14241270309390033.

Hutnyk, J. (no date) ‘Hybridity’, Ethnic and Racial Studies [Preprint]. Available at: https://www.tandfonline.com/doi/pdf/10.1080/0141987042000280021.

Hyder, R. (2014) ‘Black Music and Cultural Exchange in Bristol’, in J. Stratton and N. Zuberi (eds) Black popular music in Britain since 1945. Farnham, Surrey: Ashgate, pp. 85–99.

Hyder, R. and Henning, M.. (2015) ‘“Chapter 7: 'Locating the Bristol Sound: archiving the music as everyday life”’, in S. Cohen et al. (eds) Sites of popular music heritage: memories, histories, places. New York: Routledge, Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1775344.

‘IFPI Digital Music Report 2013 Engine of a Digital World’ (no date). Available at: http://www.ifpi.org/content/library/DMR2013.pdf.

Ilan, J. (2012) ‘“The industry’s the new road”: Crime, commodification and street cultural tropes in UK urban music’, Crime, Media, Culture: An International Journal, 8(1), pp. 39–55. Available at: https://doi.org/10.1177/1741659011433367.

Inglis, D. and Robertson, R. (2005) ‘World Music and the Globalisation of Sound’, in The sociology of art: ways of seeing. Basingstoke: Palgrave, pp. 156–170.

Iqani, M. (2017) ‘Consumer Culture and the Media’, in The SAGE Handbook of Consumer Culture. SAGE Publications. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388.

Jameson, F. (2007) Signatures of the visible. London: Routledge.

Jameson, J. (2002) ‘“Postmodernism and Consumer Society”’, in Studying culture: an introductory reader. 2nd ed. London: Arnold.

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Jenks, Chris (2005) ‘Conclusion: Identity and Dispersion’, in Subculture: the fragmentation of the social. London: Sage Publications, pp. 129–147. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=254660&ppg=140.

Jesse C. Bockstedt, Robert J. Kauffman and Frederick J. Riggins (2006) ‘The Move to Artist-Led On-Line Music Distribution: A Theory-Based Assessment and Prospects for Structural Changes in the Digital Music Market’, International Journal of Electronic Commerce, 10(3), pp. 7–38. Available at: http://www.jstor.org/stable/27751191?seq=1#page_scan_tab_contents.

Johnson, P. (1997) Straight outa Bristol: Massive Attack, Portishead, Tricky and the roots of trip-hop. London: Sceptre.

Jones, S. (2000) ‘Music and the internet’, Popular Music [Preprint]. Available at: https://www.cambridge.org/core/services/aop-cambridge-core/content/view/A5006DB488B19BEE5E79B4EB7CA18097/S026114300000012Xa.pdf/music_and_the_internet.pdf.

Jones, S. (2002) ‘MUSIC THAT MOVES: POPULAR MUSIC, DISTRIBUTION AND NETWORK TECHNOLOGIES’, Cultural Studies, 16(2), pp. 213–232. Available at: https://doi.org/10.1080/09502380110107562.

Kelly, L.W. (2009) ‘Casting “The Wire”: Complicating Notions of Performance, Authenticity, and “Otherness” | darkmatter Journal’. Available at: http://www.darkmatter101.org/site/2009/05/29/casting-the-wire-complicating-notions-of-performance-authenticity-and-otherness/.

Kruse, H. (2010) ‘Local Identity and Independent Music Scenes, Online and Off’, Popular Music and Society, 33(5). Available at: https://doi-org.bris.idm.oclc.org/10.1080/03007760903302145.

Leavis, F.R. (2013) ‘Mass Civilization and Minority Culture’, in Cultural theory and popular culture: a reader. Fourth edition. Harlow: Pearson Longman, pp. 6–11.

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Leyshon, A. et al. (2005) ‘On the reproduction of the musical economy after the Internet’, Media, Culture & Society, 27(2), pp. 177–209. Available at: https://doi.org/10.1177/0163443705050468.

Lingel, J. and Naaman, M. (2012) ‘You should have been there, man: Live music, DIY content and online communities’, New Media & Society, 14(2), pp. 332–349. Available at: https://doi.org/10.1177/1461444811417284.

Lipsitz, G. (1997) ‘“Chapter 2: Diasporic Noise: History, Hip Hop and the Post-Colonial Politics of Sound”’, in Dangerous crossroads: popular music, postmodernism, and the poetics of place. Pbk. ed. London: Verso, pp. 23–48.

Lunt, P.K. and Livingstone, S.M. (1992) Mass consumption and personal identity: everyday economic experience. Buckingham: Open University Press.

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Machin, D. (no date) ‘Chapter1 Discourses of Popular Music.pdf’. Sage Publishing. Available at: https://uk.sagepub.com/sites/default/files/upm-binaries/32902_Machin_Chap1.pdf.

MacKinnon, N. (1993) The British folk scene: musical performance and social identity. Buckingham: Open University Press.

Magaudda, P. (2011a) ‘When materiality “bites back”: Digital music consumption practices in the age of dematerialization’, Journal of Consumer Culture, 11(1), pp. 15–36. Available at: https://doi.org/10.1177/1469540510390499.

Magaudda, P. (2011b) ‘When materiality ?bites back?: Digital music consumption practices in the age of dematerialization’, Journal of Consumer Culture, 11(1), pp. 15–36. Available at: https://doi.org/10.1177/1469540510390499.

Malik, S. (2002) Representing black Britain: a history of black and Asian images on British television. London: SAGE Publications.

Malik, S. and Newton, D.M. (eds) (2018) Adjusting the contrast: British television and constructs of race. Manchester: Manchester University Press.

Marshall, L. (2015) ‘Let’s keep music special. Fuck Spotify: on-demand streaming and the controversy over artist royalties’, Creative Industries Journal, 8(2), pp. 177–189. Available at: https://doi.org/10.1080/17510694.2015.1096618.

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Marwick, A. and boyd, danah (2011) ‘To See and Be Seen: Celebrity Practice on Twitter’, Convergence: The International Journal of Research into New Media Technologies, 17(2), pp. 139–158. Available at: https://doi.org/10.1177/1354856510394539.

Massey, D. (1998) ‘The spatial construction of youth cultures’, in Cool places: geographies of youth cultures. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213.

McCourt, T. and Burkart, P. (2003) ‘When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution’, Media, Culture & Society, 25(3), pp. 333–350. Available at: https://doi.org/10.1177/0163443703025003003.

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McGuigan, J. (no date) ‘Apprentices to Cool Capitalism’, Social Semiotics, 18(3). Available at: https://www.tandfonline.com/doi/pdf/10.1080/10350330802217089?needAccess=true.

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McRobbie, A. (1990) ‘“Settling Accounts with Subcultures: A Feminist Critique”’, in On record: rock, pop and the written word. London: Routledge, pp. 66–80. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949.

Mercer, K. (1994) ‘“Reading Racial Fetishism”’, in Welcome to the jungle: new positions in black cultural studies. London: Routledge.

Michael Bull (2005) ‘No dead Air! The iPod and the Culture of Mobile Listening’’, Leisure Studies [Preprint]. Available at: https://doi.org/10.1080/0261436052000330447.

Mike Savage, S.F. (2015) ‘Cultural Sociology and New Forms of Distinction’, Poetics, 53.

Miles, S. (2017) ‘The Emergence of Contemporary Consumer Culture’, in The SAGE Handbook of Consumer Culture. SAGE Publications, pp. 37–52. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388&ppg=37.

Miller, D. (2012) Consumption and its consequences. Cambridge: Polity.

Mitchell, T. (1996) Popular music and local identity: rock, pop and rap in Europe and Oceania. London: Leicester University Press.

Morris, J.W. (2012) ‘Making music behave: Metadata and the digital music commodity’, New Media & Society, 14(5), pp. 850–866. Available at: https://doi.org/10.1177/1461444811430645.

Muggleton, D. and Weinzierl, R. (2003) The post-subcultures reader. Oxford: Berg.

Mullins, P.R. (2017) ‘The Materiality of Consumer Culture’, in The SAGE Handbook of Consumer Culture. SAGE Publications. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388.

Nelson, C. and Grossberg, L. (1988) Marxism and the interpretation of culture. Urbana: University of Illinois Press.

Nick Prior (no date) ‘The Rise of the New Amateurs: Popular Music, Digital Technology and the Fate of Cultural Production’, in J.R.H. Laura Grindstaff and Ming Cheng Miriam Lo (eds) Handbook of Cultural Sociology.

Nowak, R. (2016) ‘The material modalities of music consumption’, in Consuming music in the digital age: technologies, roles and everyday life. Basingstoke: Palgrave Macmillan.

Paddock, J. (2017) ‘Consumption, Class and Taste’, in The SAGE Handbook of Consumer Culture. SAGE Publications, pp. 95–114. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388&ppg=95.

Papastergiadis, N. (2005) ‘Hybridity and Ambivalence’, Theory, Culture & Society, 22(4), pp. 39–64. Available at: https://doi.org/10.1177/0263276405054990.

Parker, D. (1998) ‘Rethinking British Chinese identities’, in T. Skelton and et al. (eds) Cool places: geographies of youth cultures. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213.

Paterson, M. (2006) Consumption and everyday life. London: Routledge.

Peterson, R.A. (1992) ‘Understanding audience segmentation: From elite and mass to omnivore and univore’, Poetics, 21(4), pp. 243–258. Available at: https://doi.org/10.1016/0304-422X(92)90008-Q.

Pickering, M. (2001) ‘The Concept of the Stereotype’, in Stereotyping: the politics of representation. Basingstoke: Palgrave, pp. 1–21.

Pieterse, J.N. (2001) ‘Hybridity, So What?’, Theory, Culture & Society, 18(2–3), pp. 219–245. Available at: https://doi.org/10.1177/026327640101800211.

Potts, L. (2012) ‘“Amanda Palmer and the #LOFNOTC: How online fan participation is rewriting music labels”. Participations, 9(2)’, pp. 360–382. Available at: http://www.participations.org/Volume%209/Issue%202/20%20Potts.pdf.

Qirko, H. (2014) ‘Consumer Authentication of Popular Music in the Global Postmodern - 03007766.2013.798552’, Popular Music & Society, 37(3). Available at: https://www.tandfonline.com/doi/pdf/10.1080/03007766.2013.798552?needAccess=true.

Radano, R. (2010) ‘On Ownership and Value - blacmusiresej.30.2.0363.pdf’, Black Music Research Journal, 30(2). Available at: https://www.jstor.org/stable/pdf/10.5406/blacmusiresej.30.2.0363.pdf?refreqid=excelsior%3A0b8952588d05c93f881ff2a3c578edf2.

Reebee Garofalo (1993) ‘Whose World, What Beat: The Transnational Music Industry, Identity, and Cultural Imperialism’, The World of Music, 35(2), pp. 16–32. Available at: https://www.jstor.org/stable/43615564?seq=1#page_scan_tab_contents.

Reebee Garofalo (1994) ‘Culture Versus Commerce: The Marketing of Black Popular Music’, Public Culture, 7(1), pp. 275–287. Available at: https://doi.org/10.1215/08992363-7-1-275                                  10.1215/08992363-7-1-275.

Reitsamer, R. and Prokop, R. (2018) ‘Keepin’ it Real in Central Europe: The DIY Rap Music Careers of Male Hip Hop Artists in Austria’, Cultural Sociology, 12(2), pp. 193–207. Available at: https://doi.org/10.1177/1749975517694299.

Richard A. Peterson and Roger M. Kern (1996) ‘Changing Highbrow Taste: From Snob to Omnivore’, American Sociological Review, 61(5), pp. 900–907. Available at: http://www.jstor.org/stable/2096460?Search=yes&resultItemClick=true&searchText=Changing&searchText=High-Brow&searchText=Taste:&searchText=From&searchText=Snob&searchText=to&searchText=Omnivore&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DChanging%2BHigh-Brow%2BTaste%253A%2BFrom%2BSnob%2Bto%2BOmnivore%26amp%3Bfilter%3Djid%253A10.2307%252Fj100080&refreqid=search%3A51d220100b3f400fb4653cfeb21b9fad&seq=1#page_scan_tab_contents.

Richard James Burgess (2014) The history of music production. Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1696420&ppg=176.

Rodman, G.B. and Vanderdonckt, C. (2006) ‘MUSIC FOR NOTHING OR, I WANT MY MP3’, Cultural Studies, 20(2–3), pp. 245–261. Available at: https://doi.org/10.1080/09502380500495734.

Rose, T. (1994a) ‘A Style Nobody Can Deal With: Politics, Style and the PostIndustrial City in Hip-Hop’, in Microphone fiends: youth music and youth culture. London: Routledge, pp. 71–88. Available at: https://www.taylorfrancis.com/chapters/edit/10.4324/9780203699768-8/style-nobody-deal-tricia-rose?context=ubx&refId=6f79969e-66b0-40a1-8d05-a7937b7b6ebe.

Rose, T. (1994b) Black noise: rap music and black culture in contemporary America. Middletow, Conn: Wesleyan University Press.

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Savage, M. and Gayo-Cal, M. (2009) ‘“Against the omnivore: assemblages of contemporary musical taste in the United Kingdom” CRESC Working Paper Series Working Paper No. 72.’ Available at: http://hummedia.manchester.ac.uk/institutes/cresc/workingpapers/wp72.pdf.

Schiermer, B. (2014) ‘Late-modern hipsters’, Acta Sociologica, 57(2), pp. 167–181. Available at: https://doi.org/10.1177/0001699313498263.

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Serazio, M. (2008) ‘The Apolitical Irony of Generation Mash?Up: A Cultural Case Study in Popular Music’, Popular Music and Society, 31(1), pp. 79–94. Available at: https://doi.org/10.1080/03007760701214815.

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Simun, M. (2009) ‘My music, my world: using the MP3 player to shape experience in London’, New Media & Society, 11(6), pp. 921–941. Available at: https://doi.org/10.1177/1461444809336512.

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Spillman, L. (2002) ‘Introduction: Culture and Cultural Sociology’, in L. Spillman (ed.) Cultural sociology. Malden, MA: Blackwell Publishers, pp. 1–15.

Stahl, G. (2003) ‘“Tastefully Renovating Subcultural Theory: Making Space for a New Model”’, in The post-subcultures reader. Oxford: Berg, pp. 27–40.

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Sterne, J. (2012) MP3: the meaning of a format [electronic resource]. Durham, N.C.: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1173260.

Storey, J. (2010) Culture and power in cultural studies : the politics of signification. Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1962040.

Storey, J. (2012a) ‘“Chapter 4: Marxisms”’, in Cultural theory and popular culture: an introduction. 6th ed. Harlow: Pearson, pp. 62–70. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1694346.

Storey, J. (2012b) ‘Chapter 12: Postmodernism’ in Cultural theory and popular culture: an introduction’, in Cultural theory and popular culture: an introduction. 6th ed. Harlow: Pearson. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780273780069.

Storey, J. (2013) ‘Structuralism and Post-Structuralism’, in Cultural theory and popular culture: an introduction. Sixth edition. London: Routledge, pp. 113–128.

Storey, J. (2018a) ‘Race, Racism and Representation’, in Cultural Theory and Popular Culture : An Introduction. 8th edn. Routledge. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5220275&query=.

Storey, J. (2018b) ‘The Culture and Civilization Tradition’, in Cultural theory and popular culture: an introduction. Routledge. Available at: http://linker2.worldcat.org/?jHome=https%3A%2F%2Febookcentral.proquest.com%2Flib%2Fbristol%2Fdetail.action%3FdocID%3D5220275&linktype=best.

Storey, J. (2018c) ‘What is Popular Culture?’, in Cultural Theory and Popular Culture : An Introduction. 8th edn. Routledge, pp. 1–17. Available at: https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5220275&query=.

Strinati, Dominic (2004a) An introduction to theories of popular culture. 2nd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=200017.

Strinati, D. (2004) ‘“Chapter 6: Postmodernism, contemporary popular culture and recent theoretical developments”’, in An introduction to theories of popular culture. 2nd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=200017.

Strinati, Dominic (2004b) ‘Structuralism, Semiology and Popular Culture’, in An introduction to theories of popular culture. Available at: http://linker2.worldcat.org/?jHome=https%3A%2F%2Fbris.idm.oclc.org%2Flogin%3Furl%3Dhttps%3A%2F%2Fwww.dawsonera.com%2Fabstract%2F9780203645161&linktype=best.

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Thomas Solomon (2005) ‘“Living underground is tough”: authenticity and locality in the hip-hop community in Istanbul, Turkey’. Available at: https://www.cambridge.org/core/services/aop-cambridge-core/content/view/A1976C69E98C0C06337C206CA87597B1/S0261143004000273a.pdf/living_underground_is_tough_authenticity_and_locality_in_the_hiphop_community_in_istanbul_turkey.pdf.

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