Bibliography for SOCI10009: Introduction to the Sociology of Culture BETA

Adorno, T. 1941. ‘On Popular Music: I. The Musical Material’. Studies in Philosophy and Social Sciences 9.

———. 2001. ‘“Culture Industry Reconsidered”’. In The Culture Industry: Selected Essays on Mass Culture. Vol. Routledge classics. London: Routledge. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=242323.

Adorno, Theodor W., and Max Horkheimer. 1997. ‘The Culture Industry: Enlightenment as Mass Deception’. In Dialectic of Enlightenment, Verso classics:120–67. London: Verso.

Alexander, Jeffrey C. n.d. ‘Introduction: The Meanings of (Social) Life: On the Origins of a Cultural Sociology’. In The Meanings of Social Life: A Cultural Sociology, 3–9. Oxford: Oxford University Press. https://bris.on.worldcat.org/oclc/58992173.

Alexander, Jeffrey C., and et al. 2017. ‘Introduction: Cultural Sociology Today’. In The Oxford Handbook of Cultural Sociology, edited by Jeffrey C. Alexander and et al., 1–23. https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195377767.001.0001/oxfordhb-9780195377767-e-1.

Anderson, Chris, and C. Anderson. 2006. The Long Tail: How Endless Choice Is Creating Unlimited Demand. London: Random House Business Books.

Appadurai, Arjun. 1990. ‘Disjuncture and Difference in the Global Cultural Economy’. Theory, Culture & Society 7 (2): 295–310. https://doi.org/10.1177/026327690007002017.

Arnold, Matthew. 1993. ‘Chapter 1: Sweetness and Light’. In Culture and Anarchy and Other Writings, 58–80. Cambridge: Cambridge University Press. https://www.cambridge.org/core/books/arnold-culture-and-anarchy-and-other-writings/2906E05F75A5DFDD69AABF51CD456B48.

———. 2013. ‘Culture and Anarchy’. In Cultural Theory and Popular Culture: A Reader, Fourth edition, 6–11. Harlow: Pearson Longman.

Atkinson, Will. 2011. ‘The Context and Genesis of Musical Tastes: Omnivorousness Debunked, Bourdieu Buttressed’. Poetics 39 (3): 169–86. https://doi.org/10.1016/j.poetic.2011.03.002.

Avdeef, M. 2012. ‘“Technological Engagement and Musical Eclecticism: An Examination of Contemporary Listening Practices”, Participations, 9(2)’. http://www.participations.org/Volume%209/Issue%202/16%20Avdeeff.pdf.

Barbalet, Jack. 2014. ‘Globalization and Cosmopolitanism: Continuity and Disjuncture, Contemporary and Historical’. Journal of Sociology 50 (2): 199–212. https://doi.org/10.1177/1440783312448686.

Barrett, James. 1996. ‘World Music, Nation and Postcolonialism’. Cultural Studies., 237–47.

Barron, Lee. 2013. ‘The Sound of Street Corner Society: UK Grime Music as Ethnography’. European Journal of Cultural Studies 16 (5): 531–47. https://doi.org/10.1177/1367549413491937.

Barthes, Roland. 1970. Mythologies. Vol. 10. Paris: Éditions du Seuil.

Bartmanski, Dominik, and Ian Woodward. 2015. ‘The Vinyl: The Analogue Medium in the Age of Digital Reproduction’. Journal of Consumer Culture 15 (1): 3–27. https://doi.org/10.1177/1469540513488403.

Baudrillard, J. 2001. ‘“Consumer Society”’. In Jean Baudrillard: Selected Writings, 2nd ed, rev.expanded, 32–59. Stanford, Calif: Stanford University Press.

Baudrillard, Jean. 2001. ‘Simulacra and Simulations’. In Jean Baudrillard: Selected Writings, 2nd ed, rev.expanded, 169–87. Stanford, Calif: Stanford University Press.

Baym, N. K. 2012. ‘"Fans or Friends?: Seeing Social Media Audiences as Musicians Do” Participations 9 (2)’, 286–316. http://www.participations.org/Volume%209/Issue%202/17%20Baym.pdf.

Beer, David. 2008a. ‘THE ICONIC INTERFACE AND THE VENEER OF SIMPLICITY:MP3 Players and the Reconfiguration of Music Collecting and Reproduction Practices in the Digital Age’. Information, Communication & Society 11 (1): 71–88. https://doi.org/10.1080/13691180701858919.

———. 2008b. ‘Making Friends with Jarvis Cocker: Music Culture in the Context of Web 2.0’. Cultural Sociology 2 (2): 222–41. https://doi.org/10.1177/1749975508091034.

———. 2010. ‘Mobile Music, Coded Objects and Everyday Spaces’. Mobilities. https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/17450101.2010.510331?needAccess=true.

Ben Pitcher. 2014. ‘Stories about Race: Knowledge and Form’. In Consuming Race, 129–43. London: Routledge, Taylor & Francis Group.

benjamin, walter. n.d. ‘The Work of Art in the Age of Mechanical Reproduction.Pdf’. https://web.mit.edu/allanmc/www/benjamin.pdf.

Bennett, Andy. 1999a. ‘Hip Hop Am Main: The Localization of Rap Music and Hip Hop Culture’. Media, Culture & Society 21 (1): 77–91. https://doi.org/10.1177/016344399021001004.

———. 1999b. ‘Subcultures or Neo-Tribes? Rethinking the Relationship between Youth, Style and Musical Taste’. Sociology 33 (3): 599–617. https://doi.org/10.1177/S0038038599000371.

———. 2000. ‘The Significance of Locality’. In Popular Music and Youth Culture: Music, Identity and Place, 52–70. London: Macmillan.

———. 2005a. Culture and Everyday Life. London: SAGE. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=334357.

———. 2005b. ‘Postmodernism’. In Culture and Everyday Life, 32–53. London: SAGE. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=334357.

———. 2005c. ‘The Mass Culture Debate’. In Culture and Everyday Life, 11–31. London: SAGE. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847871039.

———. 2006. ‘Punk’s Not Dead: The Continuing Significance of Punk Rock for an                Older Generation of Fans’. Sociology 40 (2): 219–35. https://doi.org/10.1177/0038038506062030.

Bennett, Andy, and Keith Kahn-Harris. 2004. ‘Introduction’. In After Subculture: Critical Studies in Contemporary Youth Culture, 1–19. Basingstoke: Palgrave Macmillan.

Bennett, Andy, and Richard A. Peterson. 2004. Music Scenes: Local, Translocal and Virtual. Nashville, Tenn: Vanderbilt University Press.

Bennett, Lucy. 2014. ‘‘If We Stick Together We Can Do Anything’: Lady Gaga Fandom, Philanthropy and Activism through Social Media - 19392397.2013.813778’. Celebrity Studies. https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/19392397.2013.813778?needAccess=true.

Bennett, T., M. Savage, E. Silva, A. Warde, M. Gayo-Cal, and D. Wright. n.d. ‘“Cultural Capital and the Cultural Field in Contemporary Britain” CRESC Working Paper Series Working Paper No. 3.’ http://hummedia.manchester.ac.uk/institutes/cresc/workingpapers/wp3.pdf.

Bennett, T, and E Silva. 2011. ‘Introduction: Cultural Capital, Histories, Limits, Prospects - Main.Pdf’. Poetics 39 (6). https://www.sciencedirect.com/science/article/pii/S0304422X11000775.

Bennett, Tony. 2009. ‘Researching Cultural Capital: Questions of Theory and Method’. In Culture, Class, Distinction, Culture, economy and the social:24–39. London: Routledge. https://www-taylorfrancis-com.bris.idm.oclc.org/chapters/mono/10.4324/9780203930571-11/researching-cultural-capital-questions-theory-method-tony-bennett-mike-savage-elizabeth-bortolaia-silva-alan-warde-modesto-gayo-cal-david-wright?context=ubx&refId=11082245-4876-43fd-9c1e-bc35cd8da237.

Bhabha, H. 1983. ‘‘The "Other” Question’ Screen 24 (6).’ http://courses.washington.edu/com597j/pdfs/bhabha_the%20other%20question.pdf.

Biddle, I., and V. Knights. 2007. ‘“Introduction: National Popular Musics: Betwixt and Beyond the Local and Global”’. In Music, National Identity and the Politics of Location: Between the Global and the Local, Ashgate popular and folk music series:1–15. Aldershot: Ashgate.

Bignell, J. n.d. ‘Signs and Myths’. In Media Semiotics: An Introduction. Manchester [England]: Manchester University Press.

Bocock, R. 1994. ‘“The Emergence of the Consumer Society”’. In The Polity Reader in Cultural Theory. Cambridge: Polity Press in association with Blackwell.

Born, G., and D. Hesmondhalgh. 2000. ‘“Introduction: On Difference, Representation and Appropriation in Music”’. In Western Music and Its Others: Difference, Representation, and Appropriation in Music. Berkeley, Cal: University of California Press.

Bourdieu, P. 1990. ‘“Social Space and Symbolic Power”’. In In Other Words: Essays towards a Reflexive Sociology. Cambridge: Polity Press.

———. 1993. ‘Chapter 14: “The Metamorphosis of Taste”’. In Sociology in Question. Vol. Theory, culture&society. London: Sage.

———. 2010. ‘Chapter 5’. In Distinction: A Social Critique of the Judgement of Taste. Vol. Routledge classics. London: Routledge. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4643435.

Bourdieu, P., and R. Nice. 1980. ‘The Production of Belief: Contribution to an Economy of Symbolic Goods’. Media, Culture & Society 2 (3): 261–93. https://doi.org/10.1177/016344378000200305.

Bourdieu, Pierre. 1986. ‘The Forms of Capital’. Handbook of Theory of Research for the Sociology of Education. https://www.marxists.org/reference/subject/philosophy/works/fr/bourdieu-forms-capital.htm.

Bourdieu, Pierre, and Randal Johnson. 1993. The Field of Cultural Production: Essays on Art and Literature. Cambridge: Polity Press.

Boyne, Roy, and Ali Rattansi. 1990. Postmodernism and Society. Vol. Communications and culture. Basingstoke: Macmillan Education.

Brake, Mike. 1985. Comparative Youth Culture: The Sociology of Youth Cultures and Youth Subcultures in America, Britain and Canada. London: RKP.

Brooker, Will. 2001. ‘Readings of Racism: Interpretation, Stereotyping and The Phantom Menace’. Continuum 15 (1): 15–32. https://doi.org/10.1080/713657758.

Brooks, S., and T. Conroy. 2011. ‘Hip-Hop Culture in a Global Context: Interdisciplinary and Cross-Categorical Investigation’. American Behavioral Scientist 55 (1): 3–8. https://doi.org/10.1177/0002764210381723.

Bull, Michael. 2007. Sound Moves: iPod Culture and Urban Experience. Abingdon: Routledge.

Burke, Peter. 2009. Cultural Hybridity. Cambridge: Polity Press.

Byrne, D. 1999. ‘MUSIC - Crossing Music’s Borders In Search Of Identity - “I Hate World Music” - NYTimes.Com’, October. http://query.nytimes.com/gst/fullpage.html?res=9901EED8163EF930A35753C1A96F958260,&pagewanted=all.

Calhoun, Craig J., Edward LiPuma, and Moishe Postone. 1993. Bourdieu: Critical Perspectives. Cambridge: Polity.

Chaney, D. 2004. ‘“Fragmented Culture and Subcultures”’. In After Subculture: Critical Studies in Contemporary Youth Culture, 36–48. Basingstoke: Palgrave Macmillan.

Chessel, M., and S. Dubuisson-Ouellier. 2017. ‘The Making of the Consumer: Historical and Sociological Perspectives’. In The SAGE Handbook of Consumer Culture. SAGE Publications. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388.

Choi, Hwanho, and Bernard Burnes. 2013. ‘The Internet and Value Co-Creation: The Case of the Popular Music Industry’. Prometheus 31 (1): 35–53. https://doi.org/10.1080/08109028.2013.774595.

Clarke et al, John. 2006. ‘Subcultures, Cultures and Class’. In Resistance through Rituals: Youth Subcultures in Post-War Britain, 2nd ed, 3–59. London: Routledge.

Clarke, G. 1990. ‘’Defending Ski Jumpers: A Critique of Theories of Youth and Subcultures’’. In On Record: Rock, Pop and the Written Word, 81–96. London: Routledge. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949.

Cohen, P. 2002. ‘“Subcultural Conflict and Working Class Community”’. In Studying Culture: An Introductory Reader, 2nd ed, 95–103. London: Arnold.

Cohen, S. 2007. ‘“Chapter 1: Music and the City: Cultural Diversity in a Global Cosmopolis”’. In Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Ashgate popular and folk music series:9–40. Aldershot: Ashgate.

Cohen, Sara. 1991. Rock Culture in Liverpool: Popular Music in the Making. Oxford: Clarendon Press.

Colosi, Rachela. 2010. ‘A Return to the Chicago School? From the “Subculture” of Taxi Dancers to the Contemporary Lap Dancer’. Journal of Youth Studies 13 (1): 1–16. https://doi.org/10.1080/13676260903214183.

Connell, John, and Chris Gibson. 2003. ‘Sounds and Scenes: A Place for Music?’ In Sound Tracks: Popular Music, Identity and Place, Critical geographies:90–116. London: Routledge. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=180116&ppg=103.

———. 2004. ‘World Music: Deterritorializing Place and Identity’. Progress in Human Geography 28 (3): 342–61. https://doi.org/10.1191/0309132504ph493oa.

Connor, Steven. 1997. Postmodernist Culture: An Introduction to Theories of the Contemporary. 2nd ed. Oxford: Blackwell.

Cottrell, Stella. n.d. ‘Critical Thinking Skills’. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=684303.

Crary, Jonathan. 1999. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge, Mass: MIT Press. http://cognet.mit.edu/book/suspensions-of-perception.

Culler, Jonathan. 2002. ‘Ch 3: Mythologist’. In Barthes: A Very Short Introduction, edited by J Culler, [Rev. ed.]. Vol. 56. Oxford: Oxford University Press.

Culler, Jonathan D. 1986. Saussure. 2nd ed. London: Fontana Press.

Debord, Guy. 1995. ‘Separation Perfected’. In The Society of the Spectacle, 11–24. New York: Zone Books.

Dedman, Todd. 2011. ‘Agency in UK Hip-Hop and Grime Youth Subcultures ? Peripherals and Purists’. Journal of Youth Studies 14 (5): 507–22. https://doi.org/10.1080/13676261.2010.549820.

Doreen Massey. n.d. ‘The Spatial Construction of Youth Cultures’. In Cool Places: Geographies of Youth Culture, edited by T. Skelton G. Valentine, 122–30. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213.

Dresser, Madge, Peter Fleming, Edson Burton, Joe Hillaby, and Forward Maisokwadzo. 2007. Bristol: Ethnic Minorities and the City 1000-2001. Vol. An England’s past for everyone paperback. Chichester: Phillimore.

Durham, Meenakshi. G., and Douglas M. Kellner, eds. n.d. Media and Cultural Studies: KeyWorks. http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=141270&site=ehost-live.

Dwyer, Claire. 1998. ‘Contested Identities: Challenging Dominant Representations of Young British Muslim Women’. In Cool Places: Geographies of Youth Cultures, 50–65. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213.

Dyer, R. 1993. ‘Chapter 13’. In The Matter of Images: Essays on Representations. London: Routledge.

Dyer, Richard. 2002. ‘The Role of Stereotypes’. In The Matter of Images: Essays on Representation, 2nd ed, 11–18. London: Routledge.

Edmond, Maura. 2014. ‘Here We Go Again’. Television & New Media 15 (4): 305–20. https://doi.org/10.1177/1527476412465901.

Edwards, Tim. 2000. Contradictions of Consumption: Concepts, Practices and Politics in Consumer Society. Buckingham: Open University Press.

Erlmann, V. 1996. ‘“The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s”, Public Culture 8’, 467–87. https://www.amherst.edu/system/files/media/0338/Erlmann%2520-%2520The%2520Aesthetics%2520of%2520the%2520Global%2520Imagination-%2520Reflections%2520on%2520World%2520Music%2520in%2520the%25201990s.pdf.

‘Essaywriting.Pdf’. n.d. http://davidgauntlett.com/wp-content/uploads/2018/08/essaywriting.pdf.

Ewen, Stuart. 2001. Captains of Consciousness: Advertising and the Social Roots of the Consumer Culture. 25th anniversary ed. New York: BasicBooks.

Fanon, F. 2008. ‘“The Fact of Blackness”’. In Black Skin, White Masks. New York: Grove Press. https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849644532.

Fatsis, Lambros. 2019. ‘Grime: Criminal Subculture or Public Counterculture? A Critical Investigation into the Criminalization of Black Musical Subcultures in the UK’. Crime, Media, Culture: An International Journal 15 (3): 447–61. https://doi.org/10.1177/1741659018784111.

Featherstone, Mike. 1991. ‘Theories of Consumer Culture’. In Consumer Culture and Postmodernism, Theory, culture&society:13–27. London: Sage. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=420926&ppg=42.

Fowler, Bridget. 1997. Pierre Bourdieu and Cultural Theory: Critical Investigations. Vol. Theory, culture&society. London: Sage.

———. 2000. Reading Bourdieu on Society and Culture. Vol. Sociological review monographs. Oxford: Blackwell.

Fraley, T. 2009. ‘A Man’s Gotta Have a Code: Identity, Racial Codes and HBO’s “The Wire” | Darkmatter Journal’. http://www.darkmatter101.org/site/2009/05/29/a-mans-gotta-have-a-code-identity-racial-codes-and-hbos-the-wire/.

Fraley, Todd. 2009. ‘I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness’. Howard Journal of Communications 20 (1): 37–54. https://doi.org/10.1080/10646170802664979.

Frederik Jameson. 1991. ‘The Cultural Logic of Late Capitalism’. In Postmodernism, or, The Cultural Logic of Late Capitalism. Durham, N.C.: Duke University Press. https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=681874&site=ehost-live.

Frith, Simon. 1986. ‘Art versus Technology: The Strange Case of Popular Music’. Media, Culture & Society 8 (3): 263–79. https://doi.org/10.1177/016344386008003002.

———. 2000. ‘The Discourse of World Music’. In Western Music and Its Others: Difference, Representation, and Appropriation in Music, 305–22. Berkeley, Cal: University of California Press. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=223029&ppg=317.

García Canclini, Néstor, Renato Rosaldo, Christopher L. Chiappari, and Silvia L. López. 1995. Hybrid Cultures: Strategies for Entering and Leaving Modernity. Minneapolis: University of Minnesota Press.

Gendron, B. 1986. ‘“Theodore Adorno Meets The Cadillacs”’. In Studies in Entertainment: Critical Approaches to Mass Culture, Theories of contemporary culture:18–36. Bloomington: Indiana University Press.

Gibson, M. 2014. ‘"That’s Hip-Hop to Me!”: Race, Space, and Temporal Logics of Authenticity in Independent Cultural Production | Elsevier Enhanced Reader’. Poetics. https://reader.elsevier.com/reader/sd/pii/S0304422X14000527?token=79D11BC83E2AB2A0BBBFBA147254B063E2BC963CCF0F01AEF700288E2CB16BE3F6FD4385DD4BAD6640D3F9F44E78BD87.

Gilman, Sander L. 1985. Difference and Pathology: Stereotypes of Sexuality, Race, and Madness. Ithaca, N.Y.: Cornell University Press.

Gilroy, P. 2002. ‘Ali G and the Oscars | openDemocracy’. https://www.opendemocracy.net/node/459/pdf.

Gilroy, Paul. 1991. ‘Sounds Authentic: Black Music, Ethnicity, and the Challenge of a “Changing” Same’. Black Music Research Journal 11 (2). https://doi.org/10.2307/779262.

———. 1993. The Black Atlantic: Modernity and Double Consciousness. London: Verso.

Glevarec, H., and Michel Pinet. 2012. ‘Tablatures of Musical Tastes in Contemporary France: Distinction without Intolerance’. Cultural Trends 21 (1): 67–88. https://doi.org/10.1080/09548963.2012.641776.

Goodwin, A. 1990. ‘“Sample and Hold: Pop Music in the Digital Age of Reproduction”’. In On Record: Rock, Pop and the Written Word, 258–73. London: Routledge. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949.

Goodwin, Andrew. 1991. ‘Popular Music and Postmodern Theory’. Cultural Studies 5 (2): 174–90. https://doi.org/10.1080/09502389100490151.

Grazian, D. 2019. ‘Demystifying Authenticity in the Sociology of Culture’’. In Routledge Handbook of Cultural Sociology, edited by Laura Grindstaff, Ming-cheng Miriam Lo, and John R. Hall, Second edition, 191–200. London: Routledge. https://bris.on.worldcat.org/oclc/1061147821.

Hall, Stuart. 1980. ‘Encoding/Decoding’. In Culture, Media, Language: Working Papers in Cultural Studies, 1972-79. London: Hutchinson. https://www-taylorfrancis-com.bris.idm.oclc.org/books/e/9780203381182/chapters/10.4324/9780203381182-18.

———. 1992. ‘New Ethnicities’. In ‘Race’, Culture and Difference, 252–59. London: Sage.

———. 1996. ‘What Is This Black in Black Popular Culture?’ In Stuart Hall: Critical Dialogues in Cultural Studies, Comedia:465–75. London: Routledge. https://www-taylorfrancis-com.bris.idm.oclc.org/chapters/edit/10.4324/9780203993262-35/black-black-popular-culture-stuart-hall?context=ubx&refId=6377201b-68fe-4642-998a-e78fa8f963d9.

———. 2013. ‘The Work of Representation’. In Representation, 2nd ed, Culture, media and identities:1–47. London: Open University/ SAGE.

———. n.d. ‘The Work of Representation.Pdf’. Sage Publishing. https://uk.sagepub.com/sites/default/files/upm-binaries/66880_The_Work_of_Representation.pdf.

Harker, Richard K., Cheleen Mahar, and Chris Wilkes. 1990. An Introduction to the Work of Pierre Bourdieu: The Practice of Theory. London: Macmillan.

Hayes, D. 2006. ‘Take Those Old Records Off the Shelf’: Youth and Music Consumption in the Postmodern Age’. Popular Music & Society. https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/03007760500167370?needAccess=true.

Haynes, J. 2005. ‘World Music and the Search for Difference’. Ethnicities 5 (3): 365–85. https://doi.org/10.1177/1468796805054961.

Haynes, Jo. 2010. ‘In the Blood:The Racializing Tones of Music Categorization’. Cultural Sociology 4 (1): 81–100. https://doi.org/10.1177/1749975509356862.

———. 2013. ‘Music Affinity’. In Music, Difference and the Residue of Race, Routledge research in race and ethnicity:113–44. New York: Routledge. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1075023&ppg=120.

———. 2019. ‘Embodied Minstrelsy, Racialization and Redemption in Reggae’. European Journal of Cultural Studies, May. https://doi.org/10.1177/1367549419847111.

Haynes, Jo, and Lee Marshall. 2018a. ‘Beats and Tweets: Social Media in the Careers of Independent Musicians’. New Media & Society 20 (5): 1973–93. https://doi.org/10.1177/1461444817711404.

———. 2018b. ‘Reluctant Entrepreneurs: Musicians and Entrepreneurship in the “New” Music Industry’. The British Journal of Sociology 69 (2): 459–82. https://doi.org/10.1111/1468-4446.12286.

Health, J. 2001. ‘The Structure of Hip Consumerism’. Philosophy & Social Criticism 27 (6): 1–17. https://doi.org/10.1177/019145370102700601.

Heath, J., and A. Potter. 2006. ‘Chapter 7: 'From Status Seeking to Coolhunting’’. In The Rebel Sell: How the Counterculture Became Consumer Culture. Chichester: Capstone.

Hebdige, D. 2012. ‘Contemporizing “Subculture”: 30 Years to Life’. European Journal of Cultural Studies 15 (3): 399–424. https://doi.org/10.1177/1367549412440525.

Hebdige, Dick. 1979. ‘Style’. In Subculture: The Meaning of Style, New accents:100–112. London: Methuen. https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=169053&ppg=107.

Herson, B. 2011. ‘A Historical Analysis of Hip-Hop’s Influence in Dakar from 1984 - 2000’. American Behavioral Scientist 55 (1): 24–35. https://doi.org/10.1177/0002764210381727.

Hesmondhalgh, David. 2005. ‘Subcultures, Scenes or Tribes? None of the Above’. Journal of Youth Studies 8 (1): 21–40. https://doi.org/10.1080/13676260500063652.

———. 2007. ‘“Digitalisation, Music and Copyright”, CRESC Working Paper Series, Working Paper No. 30’. http://hummedia.manchester.ac.uk/institutes/cresc/workingpapers/wp30.pdf.

Hodkinson, P. 2002. ‘Chapter 2: “Reworking Subculture” in Goth: Identity, Style and Subculture’. In Goth: Identity, Style and Subculture. Vol. Dress, body, culture. Oxford: Berg.

———. 2011. ‘Chapter 12’. In Media, Culture and Society: An Introduction. Los Angeles: SAGE.

Hodkinson, Paul. 2013. ‘Spectacular Youth Cultures and Ageing: Beyond Refusing to Grow Up’. Sociology Compass 7 (1): 13–22. https://doi.org/10.1111/soc4.12008.

Holly Kruse. 1993. ‘Subcultural Identity in Alternative Music Culture’. Popular Music 12 (1): 33–41. http://www.jstor.org/stable/931257?Search=yes&resultItemClick=true&searchText=(%27Subcultural&searchText=Identity&searchText=in&searchText=Alternative&searchText=Music&searchText=Culture)&searchText=AND&searchText=jid:(j100590)&searchUri=%2Faction%2FdoBasicSearch%3Ffilter%3Djid%253A10.2307%252Fj100590%26amp%3BQuery%3D%25E2%2580%2598Subcultural%2BIdentity%2Bin%2BAlternative%2BMusic%2BCulture&refreqid=search%3Aac7a86563007bf56650f51ba2a7aafd1&seq=1#page_scan_tab_contents.

hooks, bell. 2015. Black Looks: Race and Representation. New York: Routledge. https://www.taylorfrancis.com/books/9781315743226.

Hosokawa, S. 1984. ‘The Walkman Effect - Walkman_effect.Pdf’. Popular Music 4. https://www-cambridge-org.bris.idm.oclc.org/core/services/aop-cambridge-core/content/view/88BE235E3BF397CADFECEC5BEFF47035/S0261143000006218a.pdf/walkman_effect.pdf.

Hughes, Jerald, and Karl Reiner Lang. 2003. ‘If I Had a Song: The Culture of Digital Community Networks and Its Impact on the Music Industry’. International Journal on Media Management 5 (3): 180–89. https://doi.org/10.1080/14241270309390033.

Hutnyk, John. n.d. ‘Hybridity’. Ethnic and Racial Studies. https://www.tandfonline.com/doi/pdf/10.1080/0141987042000280021.

Hyder, R., and M.. Henning. 2015. ‘“Chapter 7: 'Locating the Bristol Sound: Archiving the Music as Everyday Life”’. In Sites of Popular Music Heritage: Memories, Histories, Places, edited by Sara Cohen, Robert Knifton, Marion Leonard, and Les Roberts. Vol. Routledge studies in popular music. New York: Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1775344.

Hyder, Rehan. 2014. ‘Black Music and Cultural Exchange in Bristol’. In Black Popular Music in Britain since 1945, edited by Jon Stratton and Nabeel Zuberi, Ashgate popular and folk music series:85–99. Farnham, Surrey: Ashgate.

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