Adorno, T., ‘“Culture Industry Reconsidered”’, in The Culture Industry: Selected Essays on Mass Culture (London: Routledge, 2001), Routledge classics <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=242323>
———, ‘On Popular Music: I. The Musical Material’, Studies in Philosophy and Social Sciences, 9 (1941)
Adorno, Theodor W., and Max Horkheimer, ‘The Culture Industry: Enlightenment as Mass Deception’, in Dialectic of Enlightenment (London: Verso, 1997), Verso classics, 120–67
Alexander, Jeffrey C, ‘Introduction: The Meanings of (Social) Life: On the Origins of a Cultural Sociology’, in The Meanings of Social Life: A Cultural Sociology (Oxford: Oxford University Press), pp. 3–9 <https://bris.on.worldcat.org/oclc/58992173>
Alexander, Jeffrey C., and et al, ‘Introduction: Cultural Sociology Today’, in The Oxford Handbook of Cultural Sociology, ed. by Jeffrey C. Alexander and et al., 2017, pp. 1–23 <https://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780195377767.001.0001/oxfordhb-9780195377767-e-1>
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Appadurai, Arjun, ‘Disjuncture and Difference in the Global Cultural Economy’, Theory, Culture & Society, 7.2 (1990), 295–310 <https://doi.org/10.1177/026327690007002017>
Arnold, Matthew, ‘Chapter 1: Sweetness and Light’, in Culture and Anarchy and Other Writings (Cambridge: Cambridge University Press, 1993), pp. 58–80 <https://www.cambridge.org/core/books/arnold-culture-and-anarchy-and-other-writings/2906E05F75A5DFDD69AABF51CD456B48>
———, ‘Culture and Anarchy’, in Cultural Theory and Popular Culture: A Reader, Fourth edition (Harlow: Pearson Longman, 2013), pp. 6–11
Atkinson, Will, ‘The Context and Genesis of Musical Tastes: Omnivorousness Debunked, Bourdieu Buttressed’, Poetics, 39.3 (2011), 169–86 <https://doi.org/10.1016/j.poetic.2011.03.002>
Avdeef, M., ‘“Technological Engagement and Musical Eclecticism: An Examination of Contemporary Listening Practices”, Participations, 9(2)’, 2012 <http://www.participations.org/Volume%209/Issue%202/16%20Avdeeff.pdf>
Barbalet, Jack, ‘Globalization and Cosmopolitanism: Continuity and Disjuncture, Contemporary and Historical’, Journal of Sociology, 50.2 (2014), 199–212 <https://doi.org/10.1177/1440783312448686>
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Barron, Lee, ‘The Sound of Street Corner Society: UK Grime Music as Ethnography’, European Journal of Cultural Studies, 16.5 (2013), 531–47 <https://doi.org/10.1177/1367549413491937>
Barthes, Roland, Mythologies (Paris: Éditions du Seuil, 1970), x
Bartmanski, Dominik, and Ian Woodward, ‘The Vinyl: The Analogue Medium in the Age of Digital Reproduction’, Journal of Consumer Culture, 15.1 (2015), 3–27 <https://doi.org/10.1177/1469540513488403>
Baudrillard, J., ‘“Consumer Society”’, in Jean Baudrillard: Selected Writings, 2nd ed, rev.expanded (Stanford, Calif: Stanford University Press, 2001), pp. 32–59
Baudrillard, Jean, ‘Simulacra and Simulations’, in Jean Baudrillard: Selected Writings, 2nd ed, rev.expanded (Stanford, Calif: Stanford University Press, 2001), pp. 169–87
Baym, N. K., ‘"Fans or Friends?: Seeing Social Media Audiences as Musicians Do” Participations 9 (2)’, 2012, 286–316 <http://www.participations.org/Volume%209/Issue%202/17%20Baym.pdf>
Beer, David, ‘Making Friends with Jarvis Cocker: Music Culture in the Context of Web 2.0’, Cultural Sociology, 2.2 (2008), 222–41 <https://doi.org/10.1177/1749975508091034>
———, ‘Mobile Music, Coded Objects and Everyday Spaces’, Mobilities, 2010 <https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/17450101.2010.510331?needAccess=true>
———, ‘THE ICONIC INTERFACE AND THE VENEER OF SIMPLICITY:MP3 Players and the Reconfiguration of Music Collecting and Reproduction Practices in the Digital Age’, Information, Communication & Society, 11.1 (2008), 71–88 <https://doi.org/10.1080/13691180701858919>
Ben Pitcher, ‘Stories about Race: Knowledge and Form’, in Consuming Race (London: Routledge, Taylor & Francis Group, 2014), pp. 129–43
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Bennett, Andy, Culture and Everyday Life (London: SAGE, 2005) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=334357>
———, ‘Hip Hop Am Main: The Localization of Rap Music and Hip Hop Culture’, Media, Culture & Society, 21.1 (1999), 77–91 <https://doi.org/10.1177/016344399021001004>
———, ‘Postmodernism’, in Culture and Everyday Life (London: SAGE, 2005), pp. 32–53 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=334357>
———, ‘Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans’, Sociology, 40.2 (2006), 219–35 <https://doi.org/10.1177/0038038506062030>
———, ‘Subcultures or Neo-Tribes? Rethinking the Relationship between Youth, Style and Musical Taste’, Sociology, 33.3 (1999), 599–617 <https://doi.org/10.1177/S0038038599000371>
———, ‘The Mass Culture Debate’, in Culture and Everyday Life (London: SAGE, 2005), pp. 11–31 <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847871039>
———, ‘The Significance of Locality’, in Popular Music and Youth Culture: Music, Identity and Place (London: Macmillan, 2000), pp. 52–70
Bennett, Andy, and Keith Kahn-Harris, ‘Introduction’, in After Subculture: Critical Studies in Contemporary Youth Culture (Basingstoke: Palgrave Macmillan, 2004), pp. 1–19
Bennett, Andy, and Richard A. Peterson, Music Scenes: Local, Translocal and Virtual (Nashville, Tenn: Vanderbilt University Press, 2004)
Bennett, Lucy, ‘‘If We Stick Together We Can Do Anything’: Lady Gaga Fandom, Philanthropy and Activism through Social Media - 19392397.2013.813778’, Celebrity Studies, 2014 <https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/19392397.2013.813778?needAccess=true>
Bennett, T., M. Savage, E. Silva, A. Warde, M. Gayo-Cal, and D. Wright, ‘“Cultural Capital and the Cultural Field in Contemporary Britain” CRESC Working Paper Series Working Paper No. 3.’ <http://hummedia.manchester.ac.uk/institutes/cresc/workingpapers/wp3.pdf>
Bennett, T, and E Silva, ‘Introduction: Cultural Capital, Histories, Limits, Prospects - Main.Pdf’, Poetics, 39.6 (2011) <https://www.sciencedirect.com/science/article/pii/S0304422X11000775>
Bennett, Tony, ‘Researching Cultural Capital: Questions of Theory and Method’, in Culture, Class, Distinction (London: Routledge, 2009), Culture, economy and the social, 24–39 <https://www-taylorfrancis-com.bris.idm.oclc.org/chapters/mono/10.4324/9780203930571-11/researching-cultural-capital-questions-theory-method-tony-bennett-mike-savage-elizabeth-bortolaia-silva-alan-warde-modesto-gayo-cal-david-wright?context=ubx&refId=11082245-4876-43fd-9c1e-bc35cd8da237>
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Biddle, I., and V. Knights, ‘“Introduction: National Popular Musics: Betwixt and Beyond the Local and Global”’, in Music, National Identity and the Politics of Location: Between the Global and the Local (Aldershot: Ashgate, 2007), Ashgate popular and folk music series, 1–15
Bignell, J., ‘Signs and Myths’, in Media Semiotics: An Introduction (Manchester [England]: Manchester University Press)
Bocock, R., ‘“The Emergence of the Consumer Society”’, in The Polity Reader in Cultural Theory (Cambridge: Polity Press in association with Blackwell, 1994)
Born, G., and D. Hesmondhalgh, ‘“Introduction: On Difference, Representation and Appropriation in Music”’, in Western Music and Its Others: Difference, Representation, and Appropriation in Music (Berkeley, Cal: University of California Press, 2000)
Bourdieu, P., ‘Chapter 5’, in Distinction: A Social Critique of the Judgement of Taste (London: Routledge, 2010), Routledge classics <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4643435>
———, ‘Chapter 14: “The Metamorphosis of Taste”’, in Sociology in Question (London: Sage, 1993), Theory, culture&society
———, ‘“Social Space and Symbolic Power”’, in In Other Words: Essays towards a Reflexive Sociology (Cambridge: Polity Press, 1990)
Bourdieu, P., and R. Nice, ‘The Production of Belief: Contribution to an Economy of Symbolic Goods’, Media, Culture & Society, 2.3 (1980), 261–93 <https://doi.org/10.1177/016344378000200305>
Bourdieu, Pierre, ‘The Forms of Capital’, Handbook of Theory of Research for the Sociology of Education, 1986 <https://www.marxists.org/reference/subject/philosophy/works/fr/bourdieu-forms-capital.htm>
Bourdieu, Pierre, and Randal Johnson, The Field of Cultural Production: Essays on Art and Literature (Cambridge: Polity Press, 1993)
Boyne, Roy, and Ali Rattansi, Postmodernism and Society (Basingstoke: Macmillan Education, 1990), Communications and culture
Brake, Mike, Comparative Youth Culture: The Sociology of Youth Cultures and Youth Subcultures in America, Britain and Canada (London: RKP, 1985)
Brooker, Will, ‘Readings of Racism: Interpretation, Stereotyping and The Phantom Menace’, Continuum, 15.1 (2001), 15–32 <https://doi.org/10.1080/713657758>
Brooks, S., and T. Conroy, ‘Hip-Hop Culture in a Global Context: Interdisciplinary and Cross-Categorical Investigation’, American Behavioral Scientist, 55.1 (2011), 3–8 <https://doi.org/10.1177/0002764210381723>
Bull, Michael, Sound Moves: iPod Culture and Urban Experience (Abingdon: Routledge, 2007)
Burke, Peter, Cultural Hybridity (Cambridge: Polity Press, 2009)
Byrne, D., ‘MUSIC - Crossing Music’s Borders In Search Of Identity - “I Hate World Music” - NYTimes.Com’, 1999 <http://query.nytimes.com/gst/fullpage.html?res=9901EED8163EF930A35753C1A96F958260,&pagewanted=all>
Calhoun, Craig J., Edward LiPuma, and Moishe Postone, Bourdieu: Critical Perspectives (Cambridge: Polity, 1993)
Chaney, D., ‘“Fragmented Culture and Subcultures”’, in After Subculture: Critical Studies in Contemporary Youth Culture (Basingstoke: Palgrave Macmillan, 2004), pp. 36–48
Chessel, M., and S. Dubuisson-Ouellier, ‘The Making of the Consumer: Historical and Sociological Perspectives’, in The SAGE Handbook of Consumer Culture (SAGE Publications, 2017) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388>
Choi, Hwanho, and Bernard Burnes, ‘The Internet and Value Co-Creation: The Case of the Popular Music Industry’, Prometheus, 31.1 (2013), 35–53 <https://doi.org/10.1080/08109028.2013.774595>
Clarke et al, John, ‘Subcultures, Cultures and Class’, in Resistance through Rituals: Youth Subcultures in Post-War Britain, 2nd ed (London: Routledge, 2006), pp. 3–59
Clarke, G., ‘’Defending Ski Jumpers: A Critique of Theories of Youth and Subcultures’’, in On Record: Rock, Pop and the Written Word (London: Routledge, 1990), pp. 81–96 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949>
Cohen, P., ‘“Subcultural Conflict and Working Class Community”’, in Studying Culture: An Introductory Reader, 2nd ed (London: Arnold, 2002), pp. 95–103
Cohen, S., ‘“Chapter 1: Music and the City: Cultural Diversity in a Global Cosmopolis”’, in Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles (Aldershot: Ashgate, 2007), Ashgate popular and folk music series, 9–40
Cohen, Sara, Rock Culture in Liverpool: Popular Music in the Making (Oxford: Clarendon Press, 1991)
Colosi, Rachela, ‘A Return to the Chicago School? From the “Subculture” of Taxi Dancers to the Contemporary Lap Dancer’, Journal of Youth Studies, 13.1 (2010), 1–16 <https://doi.org/10.1080/13676260903214183>
Connell, John, and Chris Gibson, ‘Sounds and Scenes: A Place for Music?’, in Sound Tracks: Popular Music, Identity and Place (London: Routledge, 2003), Critical geographies, 90–116 <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=180116&ppg=103>
———, ‘World Music: Deterritorializing Place and Identity’, Progress in Human Geography, 28.3 (2004), 342–61 <https://doi.org/10.1191/0309132504ph493oa>
Connor, Steven, Postmodernist Culture: An Introduction to Theories of the Contemporary, 2nd ed (Oxford: Blackwell, 1997)
Cottrell, Stella, ‘Critical Thinking Skills’, pp. 1–15 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=684303>
Crary, Jonathan, Suspensions of Perception: Attention, Spectacle, and Modern Culture (Cambridge, Mass: MIT Press, 1999) <http://cognet.mit.edu/book/suspensions-of-perception>
Culler, Jonathan, ‘Ch 3: Mythologist’, in Barthes: A Very Short Introduction, ed. by J Culler, [Rev. ed.] (Oxford: Oxford University Press, 2002), lvi
Culler, Jonathan D., Saussure, 2nd ed (London: Fontana Press, 1986)
Debord, Guy, ‘Separation Perfected’, in The Society of the Spectacle (New York: Zone Books, 1995), pp. 11–24
Dedman, Todd, ‘Agency in UK Hip-Hop and Grime Youth Subcultures ? Peripherals and Purists’, Journal of Youth Studies, 14.5 (2011), 507–22 <https://doi.org/10.1080/13676261.2010.549820>
Doreen Massey, ‘The Spatial Construction of Youth Cultures’, in Cool Places: Geographies of Youth Culture, ed. by T. Skelton G. Valentine, pp. 122–30 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213>
Dresser, Madge, Peter Fleming, Edson Burton, Joe Hillaby, and Forward Maisokwadzo, Bristol: Ethnic Minorities and the City 1000-2001 (Chichester: Phillimore, 2007), An England’s past for everyone paperback
Durham, Meenakshi. G., and Douglas M. Kellner, eds., Media and Cultural Studies: KeyWorks <http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=141270&site=ehost-live>
Dwyer, Claire, ‘Contested Identities: Challenging Dominant Representations of Young British Muslim Women’, in Cool Places: Geographies of Youth Cultures, 1998, pp. 50–65 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213>
Dyer, R., ‘Chapter 13’, in The Matter of Images: Essays on Representations (London: Routledge, 1993)
Dyer, Richard, ‘The Role of Stereotypes’, in The Matter of Images: Essays on Representation, 2nd ed (London: Routledge, 2002), pp. 11–18
Edmond, Maura, ‘Here We Go Again’, Television & New Media, 15.4 (2014), 305–20 <https://doi.org/10.1177/1527476412465901>
Edwards, Tim, Contradictions of Consumption: Concepts, Practices and Politics in Consumer Society (Buckingham: Open University Press, 2000)
Erlmann, V., ‘“The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s”, Public Culture 8’, 1996, 467–87 <https://www.amherst.edu/system/files/media/0338/Erlmann%2520-%2520The%2520Aesthetics%2520of%2520the%2520Global%2520Imagination-%2520Reflections%2520on%2520World%2520Music%2520in%2520the%25201990s.pdf>
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Ewen, Stuart, Captains of Consciousness: Advertising and the Social Roots of the Consumer Culture, 25th anniversary ed (New York: BasicBooks, 2001)
Fanon, F., ‘“The Fact of Blackness”’, in Black Skin, White Masks (New York: Grove Press, 2008) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849644532>
Fatsis, Lambros, ‘Grime: Criminal Subculture or Public Counterculture? A Critical Investigation into the Criminalization of Black Musical Subcultures in the UK’, Crime, Media, Culture: An International Journal, 15.3 (2019), 447–61 <https://doi.org/10.1177/1741659018784111>
Featherstone, Mike, ‘Theories of Consumer Culture’, in Consumer Culture and Postmodernism (London: Sage, 1991), Theory, culture&society, 13–27 <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=420926&ppg=42>
Fowler, Bridget, Pierre Bourdieu and Cultural Theory: Critical Investigations (London: Sage, 1997), Theory, culture&society
———, Reading Bourdieu on Society and Culture (Oxford: Blackwell, 2000), Sociological review monographs
Fraley, T., ‘A Man’s Gotta Have a Code: Identity, Racial Codes and HBO’s “The Wire” | Darkmatter Journal’, 2009 <http://www.darkmatter101.org/site/2009/05/29/a-mans-gotta-have-a-code-identity-racial-codes-and-hbos-the-wire/>
Fraley, Todd, ‘I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness’, Howard Journal of Communications, 20.1 (2009), 37–54 <https://doi.org/10.1080/10646170802664979>
Frederik Jameson, ‘The Cultural Logic of Late Capitalism’, in Postmodernism, or, The Cultural Logic of Late Capitalism (Durham, N.C.: Duke University Press, 1991) <https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=681874&site=ehost-live>
Frith, Simon, ‘Art versus Technology: The Strange Case of Popular Music’, Media, Culture & Society, 8.3 (1986), 263–79 <https://doi.org/10.1177/016344386008003002>
———, ‘The Discourse of World Music’, in Western Music and Its Others: Difference, Representation, and Appropriation in Music (Berkeley, Cal: University of California Press, 2000), pp. 305–22 <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=223029&ppg=317>
García Canclini, Néstor, Renato Rosaldo, Christopher L. Chiappari, and Silvia L. López, Hybrid Cultures: Strategies for Entering and Leaving Modernity (Minneapolis: University of Minnesota Press, 1995)
Gendron, B., ‘“Theodore Adorno Meets The Cadillacs”’, in Studies in Entertainment: Critical Approaches to Mass Culture (Bloomington: Indiana University Press, 1986), Theories of contemporary culture, 18–36
Gibson, M, ‘"That’s Hip-Hop to Me!”: Race, Space, and Temporal Logics of Authenticity in Independent Cultural Production | Elsevier Enhanced Reader’, Poetics, 2014 <https://reader.elsevier.com/reader/sd/pii/S0304422X14000527?token=79D11BC83E2AB2A0BBBFBA147254B063E2BC963CCF0F01AEF700288E2CB16BE3F6FD4385DD4BAD6640D3F9F44E78BD87>
Gilman, Sander L., Difference and Pathology: Stereotypes of Sexuality, Race, and Madness (Ithaca, N.Y.: Cornell University Press, 1985)
Gilroy, P., ‘Ali G and the Oscars | openDemocracy’, 2002 <https://www.opendemocracy.net/node/459/pdf>
Gilroy, Paul, ‘Sounds Authentic: Black Music, Ethnicity, and the Challenge of a “Changing” Same’, Black Music Research Journal, 11.2 (1991) <https://doi.org/10.2307/779262>
———, The Black Atlantic: Modernity and Double Consciousness (London: Verso, 1993)
Glevarec, H., and Michel Pinet, ‘Tablatures of Musical Tastes in Contemporary France: Distinction without Intolerance’, Cultural Trends, 21.1 (2012), 67–88 <https://doi.org/10.1080/09548963.2012.641776>
Goodwin, A., ‘“Sample and Hold: Pop Music in the Digital Age of Reproduction”’, in On Record: Rock, Pop and the Written Word (London: Routledge, 1990), pp. 258–73 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949>
Goodwin, Andrew, ‘Popular Music and Postmodern Theory’, Cultural Studies, 5.2 (1991), 174–90 <https://doi.org/10.1080/09502389100490151>
Grazian, D., ‘Demystifying Authenticity in the Sociology of Culture’’, in Routledge Handbook of Cultural Sociology, ed. by Laura Grindstaff, Ming-cheng Miriam Lo, and John R. Hall, Second edition (London: Routledge, 2019), pp. 191–200 <https://bris.on.worldcat.org/oclc/1061147821>
Hall, Stuart, ‘Encoding/Decoding’, in Culture, Media, Language: Working Papers in Cultural Studies, 1972-79 (London: Hutchinson, 1980) <https://www-taylorfrancis-com.bris.idm.oclc.org/books/e/9780203381182/chapters/10.4324/9780203381182-18>
———, ‘New Ethnicities’, in ‘Race’, Culture and Difference (London: Sage, 1992), pp. 252–59
———, ‘The Work of Representation’, in Representation, 2nd ed (London: Open University/ SAGE, 2013), Culture, media and identities, 1–47
———, ‘The Work of Representation.Pdf’ (Sage Publishing) <https://uk.sagepub.com/sites/default/files/upm-binaries/66880_The_Work_of_Representation.pdf>
———, ‘What Is This Black in Black Popular Culture?’, in Stuart Hall: Critical Dialogues in Cultural Studies (London: Routledge, 1996), Comedia, 465–75 <https://www-taylorfrancis-com.bris.idm.oclc.org/chapters/edit/10.4324/9780203993262-35/black-black-popular-culture-stuart-hall?context=ubx&refId=6377201b-68fe-4642-998a-e78fa8f963d9>
Harker, Richard K., Cheleen Mahar, and Chris Wilkes, An Introduction to the Work of Pierre Bourdieu: The Practice of Theory (London: Macmillan, 1990)
Hayes, D, ‘Take Those Old Records Off the Shelf’: Youth and Music Consumption in the Postmodern Age’, Popular Music & Society, 2006 <https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/03007760500167370?needAccess=true>
Haynes, J., ‘World Music and the Search for Difference’, Ethnicities, 5.3 (2005), 365–85 <https://doi.org/10.1177/1468796805054961>
Haynes, Jo, ‘Embodied Minstrelsy, Racialization and Redemption in Reggae’, European Journal of Cultural Studies, 2019 <https://doi.org/10.1177/1367549419847111>
———, ‘In the Blood:The Racializing Tones of Music Categorization’, Cultural Sociology, 4.1 (2010), 81–100 <https://doi.org/10.1177/1749975509356862>
———, ‘Music Affinity’, in Music, Difference and the Residue of Race (New York: Routledge, 2013), Routledge research in race and ethnicity, 113–44 <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1075023&ppg=120>
Haynes, Jo, and Lee Marshall, ‘Beats and Tweets: Social Media in the Careers of Independent Musicians’, New Media & Society, 20.5 (2018), 1973–93 <https://doi.org/10.1177/1461444817711404>
———, ‘Reluctant Entrepreneurs: Musicians and Entrepreneurship in the “New” Music Industry’, The British Journal of Sociology, 69.2 (2018), 459–82 <https://doi.org/10.1111/1468-4446.12286>
Health, J., ‘The Structure of Hip Consumerism’, Philosophy & Social Criticism, 27.6 (2001), 1–17 <https://doi.org/10.1177/019145370102700601>
Heath, J., and A. Potter, ‘Chapter 7: 'From Status Seeking to Coolhunting’’, in The Rebel Sell: How the Counterculture Became Consumer Culture (Chichester: Capstone, 2006)
Hebdige, D., ‘Contemporizing “Subculture”: 30 Years to Life’, European Journal of Cultural Studies, 15.3 (2012), 399–424 <https://doi.org/10.1177/1367549412440525>
Hebdige, Dick, ‘Style’, in Subculture: The Meaning of Style (London: Methuen, 1979), New accents, 100–112 <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=169053&ppg=107>
Herson, B., ‘A Historical Analysis of Hip-Hop’s Influence in Dakar from 1984 - 2000’, American Behavioral Scientist, 55.1 (2011), 24–35 <https://doi.org/10.1177/0002764210381727>
Hesmondhalgh, David, ‘“Digitalisation, Music and Copyright”, CRESC Working Paper Series, Working Paper No. 30’, 2007 <http://hummedia.manchester.ac.uk/institutes/cresc/workingpapers/wp30.pdf>
———, ‘Subcultures, Scenes or Tribes? None of the Above’, Journal of Youth Studies, 8.1 (2005), 21–40 <https://doi.org/10.1080/13676260500063652>
Hodkinson, P., ‘Chapter 2: “Reworking Subculture” in Goth: Identity, Style and Subculture’, in Goth: Identity, Style and Subculture (Oxford: Berg, 2002), Dress, body, culture
———, ‘Chapter 12’, in Media, Culture and Society: An Introduction (Los Angeles: SAGE, 2011)
Hodkinson, Paul, ‘Spectacular Youth Cultures and Ageing: Beyond Refusing to Grow Up’, Sociology Compass, 7.1 (2013), 13–22 <https://doi.org/10.1111/soc4.12008>
Holly Kruse, ‘Subcultural Identity in Alternative Music Culture’, Popular Music, 12.1 (1993), 33–41 <http://www.jstor.org/stable/931257?Search=yes&resultItemClick=true&searchText=(%27Subcultural&searchText=Identity&searchText=in&searchText=Alternative&searchText=Music&searchText=Culture)&searchText=AND&searchText=jid:(j100590)&searchUri=%2Faction%2FdoBasicSearch%3Ffilter%3Djid%253A10.2307%252Fj100590%26amp%3BQuery%3D%25E2%2580%2598Subcultural%2BIdentity%2Bin%2BAlternative%2BMusic%2BCulture&refreqid=search%3Aac7a86563007bf56650f51ba2a7aafd1&seq=1#page_scan_tab_contents>
hooks, bell, Black Looks: Race and Representation (New York: Routledge, 2015) <https://www.taylorfrancis.com/books/9781315743226>
Hosokawa, S, ‘The Walkman Effect - Walkman_effect.Pdf’, Popular Music, 4 (1984) <https://www-cambridge-org.bris.idm.oclc.org/core/services/aop-cambridge-core/content/view/88BE235E3BF397CADFECEC5BEFF47035/S0261143000006218a.pdf/walkman_effect.pdf>
Hughes, Jerald, and Karl Reiner Lang, ‘If I Had a Song: The Culture of Digital Community Networks and Its Impact on the Music Industry’, International Journal on Media Management, 5.3 (2003), 180–89 <https://doi.org/10.1080/14241270309390033>
Hutnyk, John, ‘Hybridity’, Ethnic and Racial Studies <https://www.tandfonline.com/doi/pdf/10.1080/0141987042000280021>
Hyder, R., and M.. Henning, ‘“Chapter 7: 'Locating the Bristol Sound: Archiving the Music as Everyday Life”’, in Sites of Popular Music Heritage: Memories, Histories, Places, ed. by Sara Cohen, Robert Knifton, Marion Leonard, and Les Roberts (New York: Routledge, Taylor & Francis Group, 2015), Routledge studies in popular music <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1775344>
Hyder, Rehan, ‘Black Music and Cultural Exchange in Bristol’, in Black Popular Music in Britain since 1945, ed. by Jon Stratton and Nabeel Zuberi (Farnham, Surrey: Ashgate, 2014), Ashgate popular and folk music series, 85–99
‘IFPI Digital Music Report 2013 Engine of a Digital World’ <http://www.ifpi.org/content/library/DMR2013.pdf>
Ilan, Jonathan, ‘“The Industry’s the New Road”: Crime, Commodification and Street Cultural Tropes in UK Urban Music’, Crime, Media, Culture: An International Journal, 8.1 (2012), 39–55 <https://doi.org/10.1177/1741659011433367>
Inglis, D., and R. Robertson, ‘World Music and the Globalisation of Sound’, in The Sociology of Art: Ways of Seeing (Basingstoke: Palgrave, 2005), pp. 156–70
Iqani, Mehita, ‘Consumer Culture and the Media’, in The SAGE Handbook of Consumer Culture (SAGE Publications, 2017) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388>
Jameson, Fredric, Signatures of the Visible (London: Routledge, 2007), Routledge classics
Jameson, J., ‘“Postmodernism and Consumer Society”’, in Studying Culture: An Introductory Reader, 2nd ed (London: Arnold, 2002)
Jenkins, R., ‘“Culture, Status and Distinction”’, in Pierre Bourdieu, Rev. ed (London: Routledge, 2002), Key sociologists
Jenks, C., ‘Chapter 6’, in Culture (London: Routledge, 1993), Key ideas
———, ‘Chapter 7’, in Culture, 2nd ed (London: Routledge, 2005), Key ideas
Jenks, Chris, ‘Conclusion: Identity and Dispersion’, in Subculture: The Fragmentation of the Social (London: Sage Publications, 2005), pp. 129–47 <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=254660&ppg=140>
Jesse C. Bockstedt, Robert J. Kauffman and Frederick J. Riggins, ‘The Move to Artist-Led On-Line Music Distribution: A Theory-Based Assessment and Prospects for Structural Changes in the Digital Music Market’, International Journal of Electronic Commerce, 10.3 (2006), 7–38 <http://www.jstor.org/stable/27751191?seq=1#page_scan_tab_contents>
Johnson, Phil, Straight Outa Bristol: Massive Attack, Portishead, Tricky and the Roots of Trip-Hop (London: Sceptre, 1997)
Jones, S., ‘Music and the Internet’, Popular Music, 2000 <https://www.cambridge.org/core/services/aop-cambridge-core/content/view/A5006DB488B19BEE5E79B4EB7CA18097/S026114300000012Xa.pdf/music_and_the_internet.pdf>
Jones, Steve, ‘MUSIC THAT MOVES: POPULAR MUSIC, DISTRIBUTION AND NETWORK TECHNOLOGIES’, Cultural Studies, 16.2 (2002), 213–32 <https://doi.org/10.1080/09502380110107562>
Kelly, L. W., ‘Casting “The Wire”: Complicating Notions of Performance, Authenticity, and “Otherness” | Darkmatter Journal’, 2009 <http://www.darkmatter101.org/site/2009/05/29/casting-the-wire-complicating-notions-of-performance-authenticity-and-otherness/>
Kruse, Holly, ‘Local Identity and Independent Music Scenes, Online and Off’, Popular Music and Society, 33.5 (2010) <https://doi-org.bris.idm.oclc.org/10.1080/03007760903302145>
Leavis, F.R., ‘Mass Civilization and Minority Culture’, in Cultural Theory and Popular Culture: A Reader, Fourth edition (Harlow: Pearson Longman, 2013), pp. 6–11
Leiss, William, ‘The Icons of the Marketplace’, Theory, Culture & Society, 1.3 (1983), 10–21 <https://doi.org/10.1177/026327648300100302>
Leyshon, Andrew, ‘Scary Monsters? Software Formats, Peer-to-Peer Networks, and the Spectre of the Gift’, Environment and Planning D: Society and Space, 21.5 (2003), 533–58 <https://doi.org/10.1068/d48j>
Leyshon, Andrew, Peter Webb, Shaun French, Nigel Thrift, and Louise Crewe, ‘On the Reproduction of the Musical Economy after the Internet’, Media, Culture & Society, 27.2 (2005), 177–209 <https://doi.org/10.1177/0163443705050468>
Lingel, Jessa, and Mor Naaman, ‘You Should Have Been There, Man: Live Music, DIY Content and Online Communities’, New Media & Society, 14.2 (2012), 332–49 <https://doi.org/10.1177/1461444811417284>
Lipsitz, G., ‘“Chapter 2: Diasporic Noise: History, Hip Hop and the Post-Colonial Politics of Sound”’, in Dangerous Crossroads: Popular Music, Postmodernism, and the Poetics of Place, Pbk. ed (London: Verso, 1997), pp. 23–48
Lunt, Peter K., and Sonia M. Livingstone, Mass Consumption and Personal Identity: Everyday Economic Experience (Buckingham: Open University Press, 1992)
Lury, Celia, ‘Material Culture and Consumer Culture’, in Consumer Culture (Cambridge: Polity Press, 1996), pp. 10–51
Lyotard, Jean-François, The Postmodern Condition: A Report on Knowledge (Manchester: Manchester University Press, 1984), Theory and history of literature
Machin, David, ‘Chapter1 Discourses of Popular Music.Pdf’ (Sage Publishing) <https://uk.sagepub.com/sites/default/files/upm-binaries/32902_Machin_Chap1.pdf>
MacKinnon, Niall, The British Folk Scene: Musical Performance and Social Identity (Buckingham: Open University Press, 1993), Popular music in Britain
Magaudda, Paolo, ‘When Materiality “Bites Back”: Digital Music Consumption Practices in the Age of Dematerialization’, Journal of Consumer Culture, 11.1 (2011), 15–36 <https://doi.org/10.1177/1469540510390499>
———, ‘When Materiality ?Bites Back?: Digital Music Consumption Practices in the Age of Dematerialization’, Journal of Consumer Culture, 11.1 (2011), 15–36 <https://doi.org/10.1177/1469540510390499>
Malik, Sarita, Representing Black Britain: A History of Black and Asian Images on British Television (London: SAGE Publications, 2002)
Malik, Sarita, and Darrell M. Newton, eds., Adjusting the Contrast: British Television and Constructs of Race (Manchester: Manchester University Press, 2018)
Marshall, Lee, ‘Let’s Keep Music Special. Fuck Spotify: On-Demand Streaming and the Controversy over Artist Royalties’, Creative Industries Journal, 8.2 (2015), 177–89 <https://doi.org/10.1080/17510694.2015.1096618>
Marshall, P.D., ‘The Promotion and Presentation of the Self: Celebrity as Marker of Presentational Media’, Celebrity Studies, 2010 <https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/19392390903519057?needAccess=true>
Marwick, Alice, and danah boyd, ‘To See and Be Seen: Celebrity Practice on Twitter’, Convergence: The International Journal of Research into New Media Technologies, 17.2 (2011), 139–58 <https://doi.org/10.1177/1354856510394539>
Massey, Doreen, ‘The Spatial Construction of Youth Cultures’, in Cool Places: Geographies of Youth Cultures, 1998 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213>
McCourt, Tom, and Patrick Burkart, ‘When Creators, Corporations and Consumers Collide: Napster and the Development of On-Line Music Distribution’, Media, Culture & Society, 25.3 (2003), 333–50 <https://doi.org/10.1177/0163443703025003003>
McDonald, Dwight, ‘A Theory of Mass Culture’, in Mass Culture: The Popular Arts in America, 1964
McGuigan, Jim, ‘Apprentices to Cool Capitalism’, Social Semiotics, 18.3 <https://www.tandfonline.com/doi/pdf/10.1080/10350330802217089?needAccess=true>
———, Cool Capitalism (London: Pluto, 2009)
———, ‘From Cultural Populism to Cool Capitalism’, Art & the Public Sphere, 1.1 (2011), 7–18 <https://doi.org/10.1386/aps.1.1.7_1>
———, Modernity and Postmodern Culture (Buckingham: Open University Press, 1999), Issues in cultural and media studies
McNeil, D., ‘White Negroes and “The Wire” | Darkmatter Journal’, 2009 <http://www.darkmatter101.org/site/2009/05/29/white-negroes-and-the-wire/>
McRobbie, A., ‘“Settling Accounts with Subcultures: A Feminist Critique”’, in On Record: Rock, Pop and the Written Word (London: Routledge, 1990), pp. 66–80 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949>
Mercer, K., ‘“Reading Racial Fetishism”’, in Welcome to the Jungle: New Positions in Black Cultural Studies (London: Routledge, 1994)
Michael Bull, ‘No Dead Air! The iPod and the Culture of Mobile Listening’’, Leisure Studies, 2005 <https://doi.org/10.1080/0261436052000330447>
Mike Savage, Sam Friedman, ‘Cultural Sociology and New Forms of Distinction’, Poetics, 53 (2015)
Miles, Steven, ‘The Emergence of Contemporary Consumer Culture’, in The SAGE Handbook of Consumer Culture (SAGE Publications, 2017), pp. 37–52 <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388&ppg=37>
Miller, Daniel, Consumption and Its Consequences (Cambridge: Polity, 2012)
Mitchell, Tony, Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania (London: Leicester University Press, 1996)
Morris, Jeremy W., ‘Making Music Behave: Metadata and the Digital Music Commodity’, New Media & Society, 14.5 (2012), 850–66 <https://doi.org/10.1177/1461444811430645>
Muggleton, David, and Rupert Weinzierl, The Post-Subcultures Reader (Oxford: Berg, 2003)
Mullins, Paul R., ‘The Materiality of Consumer Culture’, in The SAGE Handbook of Consumer Culture (SAGE Publications, 2017) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388>
Nelson, Cary, and Lawrence Grossberg, Marxism and the Interpretation of Culture (Urbana: University of Illinois Press, 1988)
Nick Prior, ‘The Rise of the New Amateurs: Popular Music, Digital Technology and the Fate of Cultural Production’, in Handbook of Cultural Sociology, ed. by John R. Hall Laura Grindstaff and Ming Cheng Miriam Lo
Nowak, Raphael, ‘The Material Modalities of Music Consumption’, in Consuming Music in the Digital Age: Technologies, Roles and Everyday Life (Basingstoke: Palgrave Macmillan, 2016)
Paddock, Jessica, ‘Consumption, Class and Taste’, in The SAGE Handbook of Consumer Culture (SAGE Publications, 2017), pp. 95–114 <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388&ppg=95>
Papastergiadis, Nikos, ‘Hybridity and Ambivalence’, Theory, Culture & Society, 22.4 (2005), 39–64 <https://doi.org/10.1177/0263276405054990>
Parker, David, ‘Rethinking British Chinese Identities’, in Cool Places: Geographies of Youth Cultures, ed. by Tracey Skelton and et al., 1998 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213>
Paterson, Mark, Consumption and Everyday Life (London: Routledge, 2006), The new sociology
Peterson, Richard A., ‘Understanding Audience Segmentation: From Elite and Mass to Omnivore and Univore’, Poetics, 21.4 (1992), 243–58 <https://doi.org/10.1016/0304-422X(92)90008-Q>
Pickering, Michael, ‘The Concept of the Stereotype’, in Stereotyping: The Politics of Representation (Basingstoke: Palgrave, 2001), pp. 1–21
Pieterse, Jan Nederveen, ‘Hybridity, So What?’, Theory, Culture & Society, 18.2–3 (2001), 219–45 <https://doi.org/10.1177/026327640101800211>
Potts, L., ‘“Amanda Palmer and the #LOFNOTC: How Online Fan Participation Is Rewriting Music Labels”. Participations, 9(2)’, 2012, 360–82 <http://www.participations.org/Volume%209/Issue%202/20%20Potts.pdf>
Qirko, Hector, ‘Consumer Authentication of Popular Music in the Global Postmodern - 03007766.2013.798552’, Popular Music & Society, 37.3 (2014) <https://www.tandfonline.com/doi/pdf/10.1080/03007766.2013.798552?needAccess=true>
Radano, Ronald, ‘On Ownership and Value - Blacmusiresej.30.2.0363.Pdf’, Black Music Research Journal, 30.2 (2010) <https://www.jstor.org/stable/pdf/10.5406/blacmusiresej.30.2.0363.pdf?refreqid=excelsior%3A0b8952588d05c93f881ff2a3c578edf2>
Reebee Garofalo, ‘Culture Versus Commerce: The Marketing of Black Popular Music’, Public Culture, 7.1 (1994), 275–87 <https://doi.org/10.1215/08992363-7-1-275 10.1215/08992363-7-1-275>
———, ‘Whose World, What Beat: The Transnational Music Industry, Identity, and Cultural Imperialism’, The World of Music, 35.2 (1993), 16–32 <https://www.jstor.org/stable/43615564?seq=1#page_scan_tab_contents>
Reitsamer, Rosa, and Rainer Prokop, ‘Keepin’ It Real in Central Europe: The DIY Rap Music Careers of Male Hip Hop Artists in Austria’, Cultural Sociology, 12.2 (2018), 193–207 <https://doi.org/10.1177/1749975517694299>
Richard A. Peterson and Roger M. Kern, ‘Changing Highbrow Taste: From Snob to Omnivore’, American Sociological Review, 61.5 (1996), 900–907 <http://www.jstor.org/stable/2096460?Search=yes&resultItemClick=true&searchText=Changing&searchText=High-Brow&searchText=Taste:&searchText=From&searchText=Snob&searchText=to&searchText=Omnivore&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DChanging%2BHigh-Brow%2BTaste%253A%2BFrom%2BSnob%2Bto%2BOmnivore%26amp%3Bfilter%3Djid%253A10.2307%252Fj100080&refreqid=search%3A51d220100b3f400fb4653cfeb21b9fad&seq=1#page_scan_tab_contents>
Richard James Burgess, The History of Music Production (Oxford University Press, 2014) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1696420&ppg=176>
Rodman, Gilbert B., and Cheyanne Vanderdonckt, ‘MUSIC FOR NOTHING OR, I WANT MY MP3’, Cultural Studies, 20.2–3 (2006), 245–61 <https://doi.org/10.1080/09502380500495734>
Rose, Tricia, ‘A Style Nobody Can Deal With: Politics, Style and the PostIndustrial City in Hip-Hop’, in Microphone Fiends: Youth Music and Youth Culture (London: Routledge, 1994), pp. 71–88 <https://www.taylorfrancis.com/chapters/edit/10.4324/9780203699768-8/style-nobody-deal-tricia-rose?context=ubx&refId=6f79969e-66b0-40a1-8d05-a7937b7b6ebe>
———, Black Noise: Rap Music and Black Culture in Contemporary America (Middletow, Conn: Wesleyan University Press, 1994), Music/culture
Ross, Karen, ‘Black Fights Back Part I: Black Film-Making and Strategies of Opposition in Britain’, in Black and White Media: Black Images in Popular Film and Television (Cambridge: Polity Press, 1996), pp. 33–55
Sandywell, B., and D. Beer, ‘Stylistic Morphing: Notes on the Digitisation of Contemporary Music Culture’, Convergence: The International Journal of Research into New Media Technologies, 11.4 (2005), 106–21 <https://doi.org/10.1177//1354856505061057>
Sarup, Madan, and Tasneem Raja, Identity, Culture, and the Postmodern World (Edinburgh: Edinburgh University Press, 1996)
Sassatelli, Roberta, Consumer Culture: History, Theory and Politics, 1st ed (Los Angeles: SAGE Publications, 2007)
de Saussure, F, ‘Signs and Language’, in Culture and Society: Contemporary Debates (Cambridge [England]: Cambridge University Press, 1990), pp. 55–63
Saussure, Ferdinand de, and Albert Riedlinger, Course in General Linguistics, ed. by Charles Bally and Albert Sechehaye, Rev. ed (London: Fontana, 1974)
Savage, M., and M. Gayo-Cal, ‘“Against the Omnivore: Assemblages of Contemporary Musical Taste in the United Kingdom” CRESC Working Paper Series Working Paper No. 72.’, 2009 <http://hummedia.manchester.ac.uk/institutes/cresc/workingpapers/wp72.pdf>
Savage, Mike, ‘The Musical Field’, Cultural Trends, 15.2–3 (2006), 159–74 <https://doi.org/10.1080/09548960600712975>
Schiermer, B., ‘Late-Modern Hipsters’, Acta Sociologica, 57.2 (2014), 167–81 <https://doi.org/10.1177/0001699313498263>
Schradie, Jen, ‘The Digital Production Gap: The Digital Divide and Web 2.0 Collide’, Poetics, 39.2 (2011), 145–68 <https://doi.org/10.1016/j.poetic.2011.02.003>
Serazio, Michael, ‘The Apolitical Irony of Generation Mash?Up: A Cultural Case Study in Popular Music’, Popular Music and Society, 31.1 (2008), 79–94 <https://doi.org/10.1080/03007760701214815>
Sexton, J., ‘“Digital Music: Consumption, Distribution and Production”’, in Digital Cultures (Maidenhead: McGraw-Hill Open University Press, 2009) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=420772>
Simun, Miriam, ‘My Music, My World: Using the MP3 Player to Shape Experience in London’, New Media & Society, 11.6 (2009), 921–41 <https://doi.org/10.1177/1461444809336512>
Smart, Barry, Postmodernity (London: Routledge, 1993), Key ideas
Smith, Mark J., ‘Culture and Everyday Life: The Ordinary Is Extraordinary’, in Culture: Reinventing the Social Sciences (Buckingham: Open University, 2000)
Smith, P, and A Riley, ‘Chapter 1: Culture in Classical Social Theory’, in Cultural Theory: An Introduction, 2nd ed (Malden, MA: Blackwell, 2009), pp. 6–21
‘SOCI10010 Unit Summary’ <https://www.ole.bris.ac.uk/webapps/blackboard/content/listContentEditable.jsp?content_id=_8999831_1&course_id=_261975_1>
Spillman, Lyne, ‘Introduction: Culture and Cultural Sociology’, in Cultural Sociology, ed. by Lyne Spillman (Malden, MA: Blackwell Publishers, 2002), vi, 1–15
Stahl, G., ‘“Tastefully Renovating Subcultural Theory: Making Space for a New Model”’, in The Post-Subcultures Reader (Oxford: Berg, 2003), pp. 27–40
Sterne, Jonathan, MP3: The Meaning of a Format (Durham, N.C.: Duke University Press, 2012), Sign, storage, transmission <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1173260>
———, ‘The Mp3 as Cultural Artifact’, New Media & Society, 8.5 (2006), 825–42 <https://doi.org/10.1177/1461444806067737>
Storey, J., ‘“Chapter 4: Marxisms”’, in Cultural Theory and Popular Culture: An Introduction, 6th ed (Harlow: Pearson, 2012), pp. 62–70 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1694346>
———, ‘Chapter 12: Postmodernism’ in Cultural Theory and Popular Culture: An Introduction’, in Cultural Theory and Popular Culture: An Introduction, 6th ed (Harlow: Pearson, 2012) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780273780069>
Storey, John, Culture and Power in Cultural Studies : The Politics of Signification (Edinburgh University Press, 2010) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1962040>
———, ‘Race, Racism and Representation’, in Cultural Theory and Popular Culture : An Introduction, 8th edn (Routledge, 2018) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5220275&query=>
———, ‘Structuralism and Post-Structuralism’, in Cultural Theory and Popular Culture: An Introduction, Sixth edition (London: Routledge, 2013), pp. 113–28
———, ‘The Culture and Civilization Tradition’, in Cultural Theory and Popular Culture: An Introduction (Routledge, 2018) <http://linker2.worldcat.org/?jHome=https%3A%2F%2Febookcentral.proquest.com%2Flib%2Fbristol%2Fdetail.action%3FdocID%3D5220275&linktype=best>
———, ‘What Is Popular Culture?’, in Cultural Theory and Popular Culture : An Introduction, 8th edn (Routledge, 2018), pp. 1–17 <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5220275&query=>
Strinati, D., ‘“Chapter 6: Postmodernism, Contemporary Popular Culture and Recent Theoretical Developments”’, in An Introduction to Theories of Popular Culture, 2nd ed (London: Routledge, 2004) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=200017>
Strinati, Dominic, An Introduction to Theories of Popular Culture, 2nd ed (London: Routledge, 2004) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=200017>
———, ‘Structuralism, Semiology and Popular Culture’, in An Introduction to Theories of Popular Culture, 2004 <http://linker2.worldcat.org/?jHome=https%3A%2F%2Fbris.idm.oclc.org%2Flogin%3Furl%3Dhttps%3A%2F%2Fwww.dawsonera.com%2Fabstract%2F9780203645161&linktype=best>
Swedenburg, Ted, ‘Homies in the Hood: Rap’s Commodification of Insubordination’, New Formations a Journal of Culture Theory Politics., 1992, 53–66
Swingewood, A., ‘“Chapter 1: The Theory of Mass Society”’, in The Myth of Mass Culture (London: Macmillan, 1977)
———, ‘Chapter 10’, in A Short History of Sociological Thought, 3rd ed (Basingstoke: Macmillan, 2000)
Tak Wing Chan and John H. Goldthorpe, ‘Social Stratification and Cultural Consumption: Music in England’, European Sociological Review, 23.1 (2007), 1–19 <http://www.jstor.org/stable/4137348?Search=yes&resultItemClick=true&searchText=Social&searchText=Stratification&searchText=and&searchText=Cultural&searchText=Consumption&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DSocial%2BStratification%2Band%2BCultural%2BConsumption%26amp%3Bfilter%3Djid%253A10.2307%252Fj100604&refreqid=search%3Aa6262a24504644a05ef5da5a6309cf32&seq=1#page_scan_tab_contents>
Taylor, Timothy D, ‘World Music, Value and Memory - Popularmusikforschung42_07_Taylor.Pdf’ <http://geb.uni-giessen.de/geb/volltexte/2017/12969/pdf/Popularmusikforschung42_07_Taylor.pdf>
Taylor, Timothy Dean, Global Pop: World Music, World Markets (New York: Routledge, 1997) <https://www.taylorfrancis.com/books/9780203949207>
Thomas Solomon, ‘“Living Underground Is Tough”: Authenticity and Locality in the Hip-Hop Community in Istanbul, Turkey’, 2005 <https://www.cambridge.org/core/services/aop-cambridge-core/content/view/A1976C69E98C0C06337C206CA87597B1/S0261143004000273a.pdf/living_underground_is_tough_authenticity_and_locality_in_the_hiphop_community_in_istanbul_turkey.pdf>
Thornton, Sarah, ‘The Distinction of Cultures without Distinction’, in Club Cultures: Music, Media and Subcultural Capital (Cambridge: Polity Press, 1995), pp. 1–25 <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1584071&ppg=15>
———, ‘Understanding Hipness: Subcultural Capital as Feminist Tool’, in The Popular Music Studies Reader (London: Routledge, 2006), pp. 99–105
Thornton, Sarah, and Ken Gelder, The Subcultures Reader (London: Routledge, 1997)
Trentmann, Frank, The Making of the Consumer: Knowledge, Power and Identity in the Modern World (Oxford: Berg, 2006), Cultures of consumption series
Warde, Alan, David Wright, and Modesto Gayo-Cal, ‘Understanding Cultural Omnivorousness: Or, the Myth of the Cultural Omnivore’, Cultural Sociology, 1.2 (2007), 143–64 <https://doi.org/10.1177/1749975507078185>
Webb, Pete, ‘Interrogating the Production of Sound and Place: The Bristol Phenomenon, from Lunatic Fringe to Worldwide Massive’, in Music, Space and Place: Popular Music and Cultural Identity (Aldershot: Ashgate, 2004), Ashgate popular and folk music series, 66–85
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Wendy Griswold, ‘Culture and the Cultural Diamond’, in Cultures and Societies in a Changing World, 4th ed (Thousand Oaks, Calif: SAGE Publications) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1016402&ppg=20>
Wikström, Patrik, The Music Industry: Music in the Cloud (Cambridge: Polity, 2009), Digital media and society series
Williams, R., ‘“Culture and Masses”’, in Popular Culture: A Reader (London: Sage, 2005)
Williams, Raymond, Culture and Society, 1780-1950 (Harmondsworth: Penguin Books in association with Chatto & Windus, 1963), Pelican books
———, ‘Culture Is Ordinary’, in Studying Culture: An Introductory Reader, 2nd ed (London: Arnold, 2002), pp. 5–14
———, Keywords: A Vocabulary of Culture and Society, New edition (New York, NY: Oxford University Press, 2015) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=679632&ppg=62>
