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Adorno TW and Horkheimer M, ‘The Culture Industry: Enlightenment as Mass Deception’, Dialectic of enlightenment, vol Verso classics (Verso 1997)
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——, ‘Culture and Anarchy’, Cultural theory and popular culture: a reader (Fourth edition, Pearson Longman 2013)
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Baym NK, ‘"Fans or Friends?: Seeing Social Media Audiences as Musicians Do” Participations 9 (2)’ 286 <http://www.participations.org/Volume%209/Issue%202/17%20Baym.pdf>
Beer D, ‘THE ICONIC INTERFACE AND THE VENEER OF SIMPLICITY:MP3 Players and the Reconfiguration of Music Collecting and Reproduction Practices in the Digital Age’ (2008) 11 Information, Communication & Society 71
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Ben Pitcher, ‘Stories about Race: Knowledge and Form’, Consuming race (Routledge, Taylor & Francis Group 2014)
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——, Culture and Everyday Life (SAGE 2005) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=334357>
——, ‘Postmodernism’, Culture and everyday life (SAGE 2005) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=334357>
——, ‘The Mass Culture Debate’, Culture and everyday life (SAGE 2005) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781847871039>
——, ‘Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans’ (2006) 40 Sociology 219
Bennett A and Kahn-Harris K, ‘Introduction’, After subculture: critical studies in contemporary youth culture (Palgrave Macmillan 2004)
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Bennett T, ‘Researching Cultural Capital: Questions of Theory and Method’, Culture, class, distinction, vol Culture, economy and the social (Routledge 2009) <https://www-taylorfrancis-com.bris.idm.oclc.org/chapters/mono/10.4324/9780203930571-11/researching-cultural-capital-questions-theory-method-tony-bennett-mike-savage-elizabeth-bortolaia-silva-alan-warde-modesto-gayo-cal-david-wright?context=ubx&refId=11082245-4876-43fd-9c1e-bc35cd8da237>
Bennett T and others, ‘“Cultural Capital and the Cultural Field in Contemporary Britain” CRESC Working Paper Series Working Paper No. 3.’ <http://hummedia.manchester.ac.uk/institutes/cresc/workingpapers/wp3.pdf>
Bennett T and Silva E, ‘Introduction: Cultural Capital, Histories, Limits, Prospects - Main.Pdf’ (2011) 39 Poetics <https://www.sciencedirect.com/science/article/pii/S0304422X11000775>
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——, ‘Chapter 5’, Distinction: a social critique of the judgement of taste, vol Routledge classics (Routledge 2010) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=4643435>
Bourdieu P and Johnson R, The Field of Cultural Production: Essays on Art and Literature (Polity Press 1993)
Bourdieu P and Nice R, ‘The Production of Belief: Contribution to an Economy of Symbolic Goods’ (1980) 2 Media, Culture & Society 261
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Brooker W, ‘Readings of Racism: Interpretation, Stereotyping and The Phantom Menace’ (2001) 15 Continuum 15
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Bull M, Sound Moves: iPod Culture and Urban Experience (Routledge 2007)
Burke P, Cultural Hybridity (Polity Press 2009)
Byrne D, ‘MUSIC - Crossing Music’s Borders In Search Of Identity - “I Hate World Music” - NYTimes.Com’ <http://query.nytimes.com/gst/fullpage.html?res=9901EED8163EF930A35753C1A96F958260,&pagewanted=all>
Calhoun CJ, LiPuma E and Postone M, Bourdieu: Critical Perspectives (Polity 1993)
Chaney D, ‘“Fragmented Culture and Subcultures”’, After subculture: critical studies in contemporary youth culture (Palgrave Macmillan 2004)
Chessel M and Dubuisson-Ouellier S, ‘The Making of the Consumer: Historical and Sociological Perspectives’, The SAGE Handbook of Consumer Culture (SAGE Publications 2017) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388>
Choi H and Burnes B, ‘The Internet and Value Co-Creation: The Case of the Popular Music Industry’ (2013) 31 Prometheus 35
Clarke et al J, ‘Subcultures, Cultures and Class’, Resistance through rituals: youth subcultures in post-war Britain (2nd ed, Routledge 2006)
Clarke G, ‘’Defending Ski Jumpers: A Critique of Theories of Youth and Subcultures’’, On record: rock, pop and the written word (Routledge 1990) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949>
Cohen P, ‘“Subcultural Conflict and Working Class Community”’, Studying culture: an introductory reader (2nd ed, Arnold 2002)
Cohen S, Rock Culture in Liverpool: Popular Music in the Making (Clarendon Press 1991)
Cohen S, ‘“Chapter 1: Music and the City: Cultural Diversity in a Global Cosmopolis”’, Decline, renewal and the city in popular music culture: beyond the Beatles, vol Ashgate popular and folk music series (Ashgate 2007)
Colosi R, ‘A Return to the Chicago School? From the “Subculture” of Taxi Dancers to the Contemporary Lap Dancer’ (2010) 13 Journal of Youth Studies 1
Connell J and Gibson C, ‘Sounds and Scenes: A Place for Music?’, Sound tracks: popular music, identity and place, vol Critical geographies (Routledge 2003) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=180116&ppg=103>
——, ‘World Music: Deterritorializing Place and Identity’ (2004) 28 Progress in Human Geography 342
Connor S, Postmodernist Culture: An Introduction to Theories of the Contemporary (2nd ed, Blackwell 1997)
Cottrell S, ‘Critical Thinking Skills’ 1 <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=684303>
Crary J, Suspensions of Perception: Attention, Spectacle, and Modern Culture (MIT Press 1999) <http://cognet.mit.edu/book/suspensions-of-perception>
Culler J, ‘Ch 3: Mythologist’ in J Culler (ed), Barthes: a very short introduction, vol 56 ([Rev ed], Oxford University Press 2002)
Culler JD, Saussure (2nd ed, Fontana Press 1986)
de Saussure F, ‘Signs and Language’, Culture and society: contemporary debates (Cambridge University Press 1990)
Debord G, ‘Separation Perfected’, The society of the spectacle (Zone Books 1995)
Dedman T, ‘Agency in UK Hip-Hop and Grime Youth Subcultures ? Peripherals and Purists’ (2011) 14 Journal of Youth Studies 507
Doreen Massey, ‘The Spatial Construction of Youth Cultures’ in T Skelton G. Valentine (ed), Cool Places: Geographies of Youth Culture <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213>
Dresser M and others, Bristol: Ethnic Minorities and the City 1000-2001, vol An England’s past for everyone paperback (Phillimore 2007)
Durham MeenakshiG and Kellner DM (eds), Media and Cultural Studies: KeyWorks <http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=141270&site=ehost-live>
Dwyer C, ‘Contested Identities: Challenging Dominant Representations of Young British Muslim Women’, Cool places: geographies of youth cultures (1998) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213>
Dyer R, ‘Chapter 13’, The matter of images: essays on representations (Routledge 1993)
Dyer R, ‘The Role of Stereotypes’, The matter of images: essays on representation (2nd ed, Routledge 2002)
Edmond M, ‘Here We Go Again’ (2014) 15 Television & New Media 305
Edwards T, Contradictions of Consumption: Concepts, Practices and Politics in Consumer Society (Open University Press 2000)
Erlmann V, ‘“The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s”, Public Culture 8’ 467 <https://www.amherst.edu/system/files/media/0338/Erlmann%2520-%2520The%2520Aesthetics%2520of%2520the%2520Global%2520Imagination-%2520Reflections%2520on%2520World%2520Music%2520in%2520the%25201990s.pdf>
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Ewen S, Captains of Consciousness: Advertising and the Social Roots of the Consumer Culture (25th anniversary ed, BasicBooks 2001)
Fanon F, ‘“The Fact of Blackness”’, Black skin, white masks (Grove Press 2008) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9781849644532>
Fatsis L, ‘Grime: Criminal Subculture or Public Counterculture? A Critical Investigation into the Criminalization of Black Musical Subcultures in the UK’ (2019) 15 Crime, Media, Culture: An International Journal 447
Featherstone M, ‘Theories of Consumer Culture’, Consumer culture and postmodernism, vol Theory, culture&society (Sage 1991) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=420926&ppg=42>
Fowler B, Pierre Bourdieu and Cultural Theory: Critical Investigations, vol Theory, culture&society (Sage 1997)
——, Reading Bourdieu on Society and Culture, vol Sociological review monographs (Blackwell 2000)
Fraley T, ‘A Man’s Gotta Have a Code: Identity, Racial Codes and HBO’s “The Wire” | Darkmatter Journal’ <http://www.darkmatter101.org/site/2009/05/29/a-mans-gotta-have-a-code-identity-racial-codes-and-hbos-the-wire/>
Fraley T, ‘I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness’ (2009) 20 Howard Journal of Communications 37
Frederik Jameson, ‘The Cultural Logic of Late Capitalism’, Postmodernism, or, The cultural logic of late capitalism (Duke University Press 1991) <https://search-ebscohost-com.bris.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=681874&site=ehost-live>
Frith S, ‘Art versus Technology: The Strange Case of Popular Music’ (1986) 8 Media, Culture & Society 263
——, ‘The Discourse of World Music’, Western music and its others: difference, representation, and appropriation in music (University of California Press 2000) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=223029&ppg=317>
García Canclini N and others, Hybrid Cultures: Strategies for Entering and Leaving Modernity (University of Minnesota Press 1995)
Gendron B, ‘“Theodore Adorno Meets The Cadillacs”’, Studies in entertainment: critical approaches to mass culture, vol Theories of contemporary culture (Indiana University Press 1986)
Gibson M, ‘"That’s Hip-Hop to Me!”: Race, Space, and Temporal Logics of Authenticity in Independent Cultural Production | Elsevier Enhanced Reader’ [2014] Poetics <https://reader.elsevier.com/reader/sd/pii/S0304422X14000527?token=79D11BC83E2AB2A0BBBFBA147254B063E2BC963CCF0F01AEF700288E2CB16BE3F6FD4385DD4BAD6640D3F9F44E78BD87>
Gilman SL, Difference and Pathology: Stereotypes of Sexuality, Race, and Madness (Cornell University Press 1985)
Gilroy P, ‘Sounds Authentic: Black Music, Ethnicity, and the Challenge of a “Changing” Same’ (1991) 11 Black Music Research Journal
——, The Black Atlantic: Modernity and Double Consciousness (Verso 1993)
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Glevarec H and Pinet M, ‘Tablatures of Musical Tastes in Contemporary France: Distinction without Intolerance’ (2012) 21 Cultural Trends 67
Goodwin A, ‘“Sample and Hold: Pop Music in the Digital Age of Reproduction”’, On record: rock, pop and the written word (Routledge 1990) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949>
Goodwin A, ‘Popular Music and Postmodern Theory’ (1991) 5 Cultural Studies 174
Grazian D, ‘Demystifying Authenticity in the Sociology of Culture’’ in Laura Grindstaff, Ming-cheng Miriam Lo and John R Hall (eds), Routledge handbook of cultural sociology (Second edition, Routledge 2019) <https://bris.on.worldcat.org/oclc/1061147821>
Hall S, ‘Encoding/Decoding’, Culture, media, language: working papers in cultural studies, 1972-79 (Hutchinson 1980) <https://www-taylorfrancis-com.bris.idm.oclc.org/books/e/9780203381182/chapters/10.4324/9780203381182-18>
——, ‘New Ethnicities’, ‘Race’, culture and difference (Sage 1992)
——, ‘What Is This Black in Black Popular Culture?’, Stuart Hall: critical dialogues in cultural studies, vol Comedia (Routledge 1996) <https://www-taylorfrancis-com.bris.idm.oclc.org/chapters/edit/10.4324/9780203993262-35/black-black-popular-culture-stuart-hall?context=ubx&refId=6377201b-68fe-4642-998a-e78fa8f963d9>
——, ‘The Work of Representation’, Representation, vol Culture, media and identities (2nd ed, Open University/ SAGE 2013)
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Harker RK, Mahar C and Wilkes C, An Introduction to the Work of Pierre Bourdieu: The Practice of Theory (Macmillan 1990)
Hayes D, ‘Take Those Old Records Off the Shelf’: Youth and Music Consumption in the Postmodern Age’ [2006] Popular Music & Society <https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/03007760500167370?needAccess=true>
Haynes J, ‘World Music and the Search for Difference’ (2005) 5 Ethnicities 365
Haynes J, ‘In the Blood:The Racializing Tones of Music Categorization’ (2010) 4 Cultural Sociology 81
——, ‘Music Affinity’, Music, difference and the residue of race, vol Routledge research in race and ethnicity (Routledge 2013) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1075023&ppg=120>
——, ‘Embodied Minstrelsy, Racialization and Redemption in Reggae’ [2019] European Journal of Cultural Studies
Haynes J and Marshall L, ‘Beats and Tweets: Social Media in the Careers of Independent Musicians’ (2018) 20 New Media & Society 1973
——, ‘Reluctant Entrepreneurs: Musicians and Entrepreneurship in the “New” Music Industry’ (2018) 69 The British Journal of Sociology 459
Health J, ‘The Structure of Hip Consumerism’ (2001) 27 Philosophy & Social Criticism 1
Heath J and Potter A, ‘Chapter 7: 'From Status Seeking to Coolhunting’’, The rebel sell: how the counterculture became consumer culture (Capstone 2006)
Hebdige D, ‘Style’, Subculture: the meaning of style, vol New accents (Methuen 1979) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=169053&ppg=107>
Hebdige D, ‘Contemporizing “Subculture”: 30 Years to Life’ (2012) 15 European Journal of Cultural Studies 399
Herson B, ‘A Historical Analysis of Hip-Hop’s Influence in Dakar from 1984 - 2000’ (2011) 55 American Behavioral Scientist 24
Hesmondhalgh D, ‘Subcultures, Scenes or Tribes? None of the Above’ (2005) 8 Journal of Youth Studies 21
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Hodkinson P, ‘Chapter 2: “Reworking Subculture” in Goth: Identity, Style and Subculture’, Goth: identity, style and subculture, vol Dress, body, culture (Berg 2002)
——, ‘Chapter 12’, Media, culture and society: an introduction (SAGE 2011)
Hodkinson P, ‘Spectacular Youth Cultures and Ageing: Beyond Refusing to Grow Up’ (2013) 7 Sociology Compass 13
Holly Kruse, ‘Subcultural Identity in Alternative Music Culture’ (1993) 12 Popular Music 33 <http://www.jstor.org/stable/931257?Search=yes&resultItemClick=true&searchText=(%27Subcultural&searchText=Identity&searchText=in&searchText=Alternative&searchText=Music&searchText=Culture)&searchText=AND&searchText=jid:(j100590)&searchUri=%2Faction%2FdoBasicSearch%3Ffilter%3Djid%253A10.2307%252Fj100590%26amp%3BQuery%3D%25E2%2580%2598Subcultural%2BIdentity%2Bin%2BAlternative%2BMusic%2BCulture&refreqid=search%3Aac7a86563007bf56650f51ba2a7aafd1&seq=1#page_scan_tab_contents>
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Hosokawa S, ‘The Walkman Effect - Walkman_effect.Pdf’ (1984) 4 Popular Music <https://www-cambridge-org.bris.idm.oclc.org/core/services/aop-cambridge-core/content/view/88BE235E3BF397CADFECEC5BEFF47035/S0261143000006218a.pdf/walkman_effect.pdf>
Hughes J and Lang KR, ‘If I Had a Song: The Culture of Digital Community Networks and Its Impact on the Music Industry’ (2003) 5 International Journal on Media Management 180
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Hyder R, ‘Black Music and Cultural Exchange in Bristol’ in Jon Stratton and Nabeel Zuberi (eds), Black popular music in Britain since 1945, vol Ashgate popular and folk music series (Ashgate 2014)
Hyder R and Henning M., ‘“Chapter 7: 'Locating the Bristol Sound: Archiving the Music as Everyday Life”’ in Sara Cohen and others (eds), Sites of popular music heritage: memories, histories, places, vol Routledge studies in popular music (Routledge, Taylor & Francis Group 2015) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1775344>
‘IFPI Digital Music Report 2013 Engine of a Digital World’ <http://www.ifpi.org/content/library/DMR2013.pdf>
Ilan J, ‘“The Industry’s the New Road”: Crime, Commodification and Street Cultural Tropes in UK Urban Music’ (2012) 8 Crime, Media, Culture: An International Journal 39
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Iqani M, ‘Consumer Culture and the Media’, The SAGE Handbook of Consumer Culture (SAGE Publications 2017) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388>
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Jenkins R, ‘“Culture, Status and Distinction”’, Pierre Bourdieu, vol Key sociologists (Rev ed, Routledge 2002)
Jenks C, ‘Chapter 6’, Culture, vol Key ideas (Routledge 1993)
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Jenks C, ‘Conclusion: Identity and Dispersion’, Subculture: the fragmentation of the social (Sage Publications 2005) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=254660&ppg=140>
Jesse C. Bockstedt, Robert J. Kauffman and Frederick J. Riggins, ‘The Move to Artist-Led On-Line Music Distribution: A Theory-Based Assessment and Prospects for Structural Changes in the Digital Music Market’ (2006) 10 International Journal of Electronic Commerce 7 <http://www.jstor.org/stable/27751191?seq=1#page_scan_tab_contents>
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Kruse H, ‘Local Identity and Independent Music Scenes, Online and Off’ (2010) 33 Popular Music and Society <https://doi-org.bris.idm.oclc.org/10.1080/03007760903302145>
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Lipsitz G, ‘“Chapter 2: Diasporic Noise: History, Hip Hop and the Post-Colonial Politics of Sound”’, Dangerous crossroads: popular music, postmodernism, and the poetics of place (Pbk ed, Verso 1997)
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Machin D, ‘Chapter1 Discourses of Popular Music.Pdf’ <https://uk.sagepub.com/sites/default/files/upm-binaries/32902_Machin_Chap1.pdf>
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Magaudda P, ‘When Materiality “Bites Back”: Digital Music Consumption Practices in the Age of Dematerialization’ (2011) 11 Journal of Consumer Culture 15
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Malik S, Representing Black Britain: A History of Black and Asian Images on British Television (SAGE Publications 2002)
Malik S and Newton DM (eds), Adjusting the Contrast: British Television and Constructs of Race (Manchester University Press 2018)
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Marshall PD, ‘The Promotion and Presentation of the Self: Celebrity as Marker of Presentational Media’ [2010] Celebrity Studies <https://www-tandfonline-com.bris.idm.oclc.org/doi/pdf/10.1080/19392390903519057?needAccess=true>
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Massey D, ‘The Spatial Construction of Youth Cultures’, Cool places: geographies of youth cultures (1998) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213>
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McRobbie A, ‘“Settling Accounts with Subcultures: A Feminist Critique”’, On record: rock, pop and the written word (Routledge 1990) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=253949>
Mercer K, ‘“Reading Racial Fetishism”’, Welcome to the jungle: new positions in black cultural studies (Routledge 1994)
Michael Bull, ‘No Dead Air! The iPod and the Culture of Mobile Listening’’ [2005] Leisure Studies <https://www.tandfonline.com/doi/pdf/10.1080/0261436052000330447?needAccess=true>
Mike Savage SF, ‘Cultural Sociology and New Forms of Distinction’ (2015) 53 Poetics
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Mitchell T, Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania (Leicester University Press 1996)
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Muggleton D and Weinzierl R, The Post-Subcultures Reader (Berg 2003)
Mullins PR, ‘The Materiality of Consumer Culture’, The SAGE Handbook of Consumer Culture (SAGE Publications 2017) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=5202388>
Nelson C and Grossberg L, Marxism and the Interpretation of Culture (University of Illinois Press 1988)
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Nowak R, ‘The Material Modalities of Music Consumption’, Consuming music in the digital age: technologies, roles and everyday life (Palgrave Macmillan 2016)
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Papastergiadis N, ‘Hybridity and Ambivalence’ (2005) 22 Theory, Culture & Society 39
Parker D, ‘Rethinking British Chinese Identities’ in Tracey Skelton and et al. (eds), Cool places: geographies of youth cultures (1998) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=240213>
Paterson M, Consumption and Everyday Life, vol The new sociology (Routledge 2006)
Peterson RA, ‘Understanding Audience Segmentation: From Elite and Mass to Omnivore and Univore’ (1992) 21 Poetics 243
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Qirko H, ‘Consumer Authentication of Popular Music in the Global Postmodern - 03007766.2013.798552’ (2014) 37 Popular Music & Society <https://www.tandfonline.com/doi/pdf/10.1080/03007766.2013.798552?needAccess=true>
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Reebee Garofalo, ‘Whose World, What Beat: The Transnational Music Industry, Identity, and Cultural Imperialism’ (1993) 35 The World of Music 16 <https://www.jstor.org/stable/43615564?seq=1#page_scan_tab_contents>
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Richard James Burgess, The History of Music Production (Oxford University Press 2014) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1696420&ppg=176>
Rodman GB and Vanderdonckt C, ‘MUSIC FOR NOTHING OR, I WANT MY MP3’ (2006) 20 Cultural Studies 245
Rose T, ‘A Style Nobody Can Deal With: Politics, Style and the PostIndustrial City in Hip-Hop’, Microphone fiends: youth music and youth culture (Routledge 1994) <https://www.taylorfrancis.com/chapters/edit/10.4324/9780203699768-8/style-nobody-deal-tricia-rose?context=ubx&refId=6f79969e-66b0-40a1-8d05-a7937b7b6ebe>
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Sandywell B and Beer D, ‘Stylistic Morphing: Notes on the Digitisation of Contemporary Music Culture’ (2005) 11 Convergence: The International Journal of Research into New Media Technologies 106
Sarup M and Raja T, Identity, Culture, and the Postmodern World (Edinburgh University Press 1996)
Sassatelli R, Consumer Culture: History, Theory and Politics (1st ed, SAGE Publications 2007)
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Schradie J, ‘The Digital Production Gap: The Digital Divide and Web 2.0 Collide’ (2011) 39 Poetics 145
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Simun M, ‘My Music, My World: Using the MP3 Player to Shape Experience in London’ (2009) 11 New Media & Society 921
Smart B, Postmodernity, vol Key ideas (Routledge 1993)
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Storey J, Culture and Power in Cultural Studies : The Politics of Signification (Edinburgh University Press 2010) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1962040>
Storey J, ‘“Chapter 4: Marxisms”’, Cultural theory and popular culture: an introduction (6th ed, Pearson 2012) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=1694346>
——, ‘Chapter 12: Postmodernism’ in Cultural Theory and Popular Culture: An Introduction’, Cultural theory and popular culture: an introduction (6th ed, Pearson 2012) <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.bris.ac.uk/shibboleth&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780273780069>
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Strinati D, An Introduction to Theories of Popular Culture (2nd ed, Routledge 2004) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=200017>
Strinati D, ‘“Chapter 6: Postmodernism, Contemporary Popular Culture and Recent Theoretical Developments”’, An introduction to theories of popular culture (2nd ed, Routledge 2004) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=200017>
Strinati D, ‘Structuralism, Semiology and Popular Culture’, An introduction to theories of popular culture (2004) <http://linker2.worldcat.org/?jHome=https%3A%2F%2Fbris.idm.oclc.org%2Flogin%3Furl%3Dhttps%3A%2F%2Fwww.dawsonera.com%2Fabstract%2F9780203645161&linktype=best>
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Thomas Solomon, ‘“Living Underground Is Tough”: Authenticity and Locality in the Hip-Hop Community in Istanbul, Turkey’ <https://www.cambridge.org/core/services/aop-cambridge-core/content/view/A1976C69E98C0C06337C206CA87597B1/S0261143004000273a.pdf/living_underground_is_tough_authenticity_and_locality_in_the_hiphop_community_in_istanbul_turkey.pdf>
Thornton S, ‘The Distinction of Cultures without Distinction’, Club cultures: music, media and subcultural capital (Polity Press 1995) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1584071&ppg=15>
——, ‘Understanding Hipness: Subcultural Capital as Feminist Tool’, The popular music studies reader (Routledge 2006)
Thornton S and Gelder K, The Subcultures Reader (Routledge 1997)
Trentmann F, The Making of the Consumer: Knowledge, Power and Identity in the Modern World, vol Cultures of consumption series (Berg 2006)
Warde A, Wright D and Gayo-Cal M, ‘Understanding Cultural Omnivorousness: Or, the Myth of the Cultural Omnivore’ (2007) 1 Cultural Sociology 143
Webb P, ‘Interrogating the Production of Sound and Place: The Bristol Phenomenon, from Lunatic Fringe to Worldwide Massive’, Music, space and place: popular music and cultural identity, vol Ashgate popular and folk music series (Ashgate 2004)
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Wendy Griswold, ‘Culture and the Cultural Diamond’, Cultures and societies in a changing world (4th ed, SAGE Publications) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=1016402&ppg=20>
Wikström P, The Music Industry: Music in the Cloud, vol Digital media and society series (Polity 2009)
Williams R, Culture and Society, 1780-1950, vol Pelican books (Penguin Books in association with Chatto & Windus 1963)
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Williams R, ‘“Culture and Masses”’, Popular culture: a reader (Sage 2005)
Williams R, Keywords: A Vocabulary of Culture and Society (New edition, Oxford University Press 2015) <https://ebookcentral.proquest.com/lib/bristol/reader.action?docID=679632&ppg=62>
