1.
Welcome – Blackboard Learn. https://www.ole.bris.ac.uk/webapps/portal/execute/tabs/tabAction?tab_tab_group_id=_17_1.
2.
SOCI10010 Unit Summary. https://www.ole.bris.ac.uk/webapps/blackboard/content/listContentEditable.jsp?content_id=_8999831_1&course_id=_261975_1.
3.
Alexander, J. C. Introduction: The Meanings of (Social) Life: On the Origins of a Cultural Sociology. in The meanings of social life: a cultural sociology 3–9 (Oxford University Press).
4.
Smith, P. & Riley, A. Chapter 1: Culture in Classical Social Theory. in Cultural theory: an introduction 6–21 (Blackwell, 2009).
5.
Storey, J. Culture and power in cultural studies : the politics of signification. (Edinburgh University Press, 2010).
6.
Williams, R. Keywords: a vocabulary of culture and society. (Oxford University Press, 2015).
7.
Alexander, J. C. & et al. Introduction: Cultural Sociology Today. in The Oxford Handbook of Cultural Sociology (eds. Alexander, J. C. & et al.) 1–23 (2017).
8.
Smith, M. J. Culture and Everyday Life: the Ordinary is Extraordinary. in Culture: reinventing the social sciences (Open University, 2000).
9.
Wendy Griswold. Culture and the Cultural Diamond. in Cultures and societies in a changing world (SAGE Publications).
10.
Spillman, L. Introduction: Culture and Cultural Sociology. in Cultural sociology (ed. Spillman, L.) vol. 6 1–15 (Blackwell Publishers, 2002).
11.
Storey, J. What is Popular Culture? in Cultural Theory and Popular Culture : An Introduction 1–17 (Routledge, 2018).
12.
Arnold, M. Chapter 1: Sweetness and Light. in Culture and anarchy and other writings 58–80 (Cambridge University Press, 1993).
13.
Adorno, T. W. & Horkheimer, M. The Culture Industry: Enlightenment as Mass Deception. in Dialectic of enlightenment vol. Verso classics 120–167 (Verso, 1997).
14.
Williams, R. Culture is Ordinary. in Studying culture: an introductory reader 5–14 (Arnold, 2002).
15.
Storey, J. The Culture and Civilization Tradition. in Cultural theory and popular culture: an introduction (Routledge, 2018).
16.
Bennett, A. The Mass Culture Debate. in Culture and everyday life 11–31 (SAGE, 2005).
17.
Leavis, F. R. Mass Civilization and Minority Culture. in Cultural theory and popular culture: a reader 6–11 (Pearson Longman, 2013).
18.
Storey, J. ‘Chapter 4: Marxisms’. in Cultural theory and popular culture: an introduction 62–70 (Pearson, 2012).
19.
Strinati, D. An introduction to theories of popular culture. (Routledge, 2004).
20.
Arnold, M. Culture and Anarchy. in Cultural theory and popular culture: a reader 6–11 (Pearson Longman, 2013).
21.
Adorno, T. On popular music: I. The musical material. Studies in Philosophy and Social Sciences 9, (1941).
22.
Adorno, T. ‘Culture Industry Reconsidered’. in The culture industry: selected essays on mass culture vol. Routledge classics (Routledge, 2001).
23.
benjamin, walter. The Work of Art in the Age of Mechanical Reproduction.pdf.
24.
Gendron, B. ‘Theodore Adorno Meets The Cadillacs’. in Studies in entertainment: critical approaches to mass culture vol. Theories of contemporary culture 18–36 (Indiana University Press, 1986).
25.
McDonald, D. A Theory of Mass Culture. in Mass culture: the popular arts in America (1964).
26.
Nelson, C. & Grossberg, L. Marxism and the interpretation of culture. (University of Illinois Press, 1988).
27.
Swingewood, A. ‘Chapter 1: The Theory of Mass Society’. in The myth of mass culture (Macmillan, 1977).
28.
Williams, R. Culture and society, 1780-1950. vol. Pelican books (Penguin Books in association with Chatto & Windus, 1963).
29.
Media and Cultural Studies: KeyWorks.
30.
Williams, R. ‘Culture and Masses’. in Popular culture: a reader (Sage, 2005).
31.
Strinati, D. Structuralism, Semiology and Popular Culture. in An introduction to theories of popular culture (2004).
32.
Cottrell, S. Critical Thinking Skills. 1–15 https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=684303.
33.
Hall, S. Encoding/decoding. in Culture, media, language: working papers in cultural studies, 1972-79 (Hutchinson, 1980).
34.
Barthes, R. Mythologies. vol. 10 (Éditions du Seuil, 1970).
35.
Bignell, J. Signs and Myths. in Media semiotics: an introduction (Manchester University Press).
36.
Culler, J. Ch 3: Mythologist. in Barthes: a very short introduction (ed. Culler, J.) vol. 56 (Oxford University Press, 2002).
37.
Culler, J. D. Saussure. (Fontana Press, 1986).
38.
Hall, S. The Work of Representation.pdf.
39.
de Saussure, F. Signs and Language. in Culture and society: contemporary debates 55–63 (Cambridge University Press, 1990).
40.
Saussure, F. de & Riedlinger, A. Course in general linguistics. (Fontana, 1974).
41.
Storey, J. Structuralism and Post-Structuralism. in Cultural theory and popular culture: an introduction 113–128 (Routledge, 2013).
42.
Bennett, A. & Kahn-Harris, K. Introduction. in After subculture: critical studies in contemporary youth culture 1–19 (Palgrave Macmillan, 2004).
43.
Dedman, T. Agency in UK hip-hop and grime youth subcultures ? peripherals and purists. Journal of Youth Studies 14, 507–522 (2011).
44.
Bennett, A. Subcultures or Neo-Tribes? Rethinking the Relationship between Youth, Style and Musical Taste. Sociology 33, 599–617 (1999).
45.
Hebdige, D. Style. in Subculture: the meaning of style vol. New accents 100–112 (Methuen, 1979).
46.
Fatsis, L. Grime: Criminal subculture or public counterculture? A critical investigation into the criminalization of Black musical subcultures in the UK. Crime, Media, Culture: An International Journal 15, 447–461 (2019).
47.
Bennett, A. Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans. Sociology 40, 219–235 (2006).
48.
Brake, M. Comparative youth culture: the sociology of youth cultures and youth subcultures in America, Britain and Canada. (RKP, 1985).
49.
Chaney, D. ‘Fragmented Culture and Subcultures’. in After subculture: critical studies in contemporary youth culture 36–48 (Palgrave Macmillan, 2004).
50.
Clarke, G. ’Defending ski jumpers: a critique of theories of youth and subcultures’. in On record: rock, pop and the written word 81–96 (Routledge, 1990).
51.
Cohen, P. ‘Subcultural Conflict and Working Class Community’. in Studying culture: an introductory reader 95–103 (Arnold, 2002).
52.
Colosi, R. A return to the Chicago school? From the ‘subculture’ of taxi dancers to the contemporary lap dancer. Journal of Youth Studies 13, 1–16 (2010).
53.
Hebdige, D. Contemporizing ‘subculture’: 30 years to life. European Journal of Cultural Studies 15, 399–424 (2012).
54.
Hesmondhalgh, D. Subcultures, Scenes or Tribes? None of the Above. Journal of Youth Studies 8, 21–40 (2005).
55.
Hodkinson, P. Chapter 2: ‘Reworking subculture’ in Goth: identity, style and subculture. in Goth: identity, style and subculture vol. Dress, body, culture (Berg, 2002).
56.
Hodkinson, P. Spectacular Youth Cultures and Ageing: Beyond Refusing to Grow Up. Sociology Compass 7, 13–22 (2013).
57.
Hodkinson, P. Chapter 12. in Media, culture and society: an introduction (SAGE, 2011).
58.
Holly Kruse. Subcultural Identity in Alternative Music Culture. Popular Music 12, 33–41 (1993).
59.
Jenks, C. Conclusion: Identity and Dispersion. in Subculture: the fragmentation of the social 129–147 (Sage Publications, 2005).
60.
McRobbie, A. ‘Settling Accounts with Subcultures: A Feminist Critique’. in On record: rock, pop and the written word 66–80 (Routledge, 1990).
61.
Muggleton, D. & Weinzierl, R. The post-subcultures reader. (Berg, 2003).
62.
Stahl, G. ‘Tastefully Renovating Subcultural Theory: Making Space for a New Model’. in The post-subcultures reader 27–40 (Berg, 2003).
63.
Thornton, S. The Distinction of Cultures without Distinction. in Club cultures: music, media and subcultural capital 1–25 (Polity Press, 1995).
64.
Thornton, S. Understanding Hipness: Subcultural Capital as feminist tool. in The popular music studies reader 99–105 (Routledge, 2006).
65.
Thornton, S. & Gelder, K. The subcultures reader. (Routledge, 1997).
66.
Clarke et al, J. Subcultures, Cultures and Class. in Resistance through rituals: youth subcultures in post-war Britain 3–59 (Routledge, 2006).
67.
Atkinson, W. The context and genesis of musical tastes: Omnivorousness debunked, Bourdieu buttressed. Poetics 39, 169–186 (2011).
68.
Paddock, J. Consumption, Class and Taste. in The SAGE Handbook of Consumer Culture 95–114 (SAGE Publications, 2017).
69.
Peterson, R. A. Understanding audience segmentation: From elite and mass to omnivore and univore. Poetics 21, 243–258 (1992).
70.
Bennett, T. & Silva, E. Introduction: Cultural capital, Histories, limits, prospects - main.pdf. Poetics 39, (2011).
71.
Bennett, T. Researching Cultural Capital: Questions of Theory and Method. in Culture, class, distinction vol. Culture, economy and the social 24–39 (Routledge, 2009).
72.
Bennett, T. et al. ‘Cultural Capital and the Cultural Field in Contemporary Britain’ CRESC Working Paper Series Working Paper No. 3.
73.
Bourdieu, P. The Forms of Capital. Handbook of Theory of Research for the Sociology of Education (1986).
74.
Bourdieu, P. & Nice, R. The production of belief: contribution to an economy of symbolic goods. Media, Culture & Society 2, 261–293 (1980).
75.
Bourdieu, P. Chapter 5. in Distinction: a social critique of the judgement of taste vol. Routledge classics (Routledge, 2010).
76.
Bourdieu, P. ‘Social Space and Symbolic Power’. in In other words: essays towards a reflexive sociology (Polity Press, 1990).
77.
Bourdieu, P. & Johnson, R. The field of cultural production: essays on art and literature. (Polity Press, 1993).
78.
Bourdieu, P. Chapter 14: ‘The Metamorphosis of Taste’. in Sociology in question vol. Theory, culture&society (Sage, 1993).
79.
Calhoun, C. J., LiPuma, E. & Postone, M. Bourdieu: critical perspectives. (Polity, 1993).
80.
Tak Wing Chan and John H. Goldthorpe. Social Stratification and Cultural Consumption: Music in England. European Sociological Review 23, 1–19 (2007).
81.
Fowler, B. Pierre Bourdieu and cultural theory: critical investigations. vol. Theory, culture&society (Sage, 1997).
82.
Fowler, B. Reading Bourdieu on society and culture. vol. Sociological review monographs (Blackwell, 2000).
83.
Glevarec, H. & Pinet, M. Tablatures of musical tastes in contemporary France: distinction without intolerance. Cultural Trends 21, 67–88 (2012).
84.
Jenkins, R. ‘Culture, Status and Distinction’. in Pierre Bourdieu vol. Key sociologists (Routledge, 2002).
85.
Jenks, C. Chapter 6. in Culture vol. Key ideas (Routledge, 1993).
86.
Harker, R. K., Mahar, C. & Wilkes, C. An introduction to the work of Pierre Bourdieu: the practice of theory. (Macmillan, 1990).
87.
Richard A. Peterson and Roger M. Kern. Changing Highbrow Taste: From Snob to Omnivore. American Sociological Review 61, 900–907 (1996).
88.
Savage, M. The musical field. Cultural Trends 15, 159–174 (2006).
89.
Savage, M. & Gayo-Cal, M. ‘Against the omnivore: assemblages of contemporary musical taste in the United Kingdom’ CRESC Working Paper Series Working Paper No. 72. (2009).
90.
Warde, A., Wright, D. & Gayo-Cal, M. Understanding Cultural Omnivorousness: Or, the Myth of the Cultural Omnivore. Cultural Sociology 1, 143–164 (2007).
91.
Mike Savage, S. F. Cultural Sociology and New Forms of Distinction. Poetics 53, (2015).
93.
Bennett, A. Postmodernism. in Culture and everyday life 32–53 (SAGE, 2005).
94.
Frederik Jameson. The Cultural Logic of Late Capitalism. in Postmodernism, or, The cultural logic of late capitalism (Duke University Press, 1991).
95.
Baudrillard, J. Simulacra and Simulations. in Jean Baudrillard: selected writings 169–187 (Stanford University Press, 2001).
96.
Debord, G. Separation Perfected. in The society of the spectacle 11–24 (Zone Books, 1995).
97.
Storey, J. Chapter 12: Postmodernism’ in Cultural theory and popular culture: an introduction. in Cultural theory and popular culture: an introduction (Pearson, 2012).
98.
Crary, J. Suspensions of perception: attention, spectacle, and modern culture. (MIT Press, 1999).
99.
Boyne, R. & Rattansi, A. Postmodernism and society. vol. Communications and culture (Macmillan Education, 1990).
100.
Connor, S. Postmodernist culture: an introduction to theories of the contemporary. (Blackwell, 1997).
101.
Goodwin, A. Popular music and postmodern theory. Cultural Studies 5, 174–190 (1991).
102.
Iqani, M. Consumer Culture and the Media. in The SAGE Handbook of Consumer Culture (SAGE Publications, 2017).
103.
Jameson, F. Signatures of the visible. vol. Routledge classics (Routledge, 2007).
104.
Jenks, C. Chapter 7. in Culture vol. Key ideas (Routledge, 2005).
105.
Lyotard, J.-F. The postmodern condition: a report on knowledge. vol. Theory and history of literature (Manchester University Press, 1984).
106.
McGuigan, J. Modernity and postmodern culture. vol. Issues in cultural and media studies (Open University Press, 1999).
107.
Sarup, M. & Raja, T. Identity, culture, and the postmodern world. (Edinburgh University Press, 1996).
108.
Smart, B. Postmodernity. vol. Key ideas (Routledge, 1993).
109.
Strinati, D. ‘Chapter 6: Postmodernism, contemporary popular culture and recent theoretical developments’. in An introduction to theories of popular culture (Routledge, 2004).
110.
Swingewood, A. Chapter 10. in A short history of sociological thought (Macmillan, 2000).
111.
Brooker, W. Readings of Racism: Interpretation, stereotyping and The Phantom Menace. Continuum 15, 15–32 (2001).
112.
Storey, J. Race, Racism and Representation. in Cultural Theory and Popular Culture : An Introduction (Routledge, 2018).
113.
Adjusting the contrast: British television and constructs of race. (Manchester University Press, 2018).
114.
hooks, bell. Black looks: race and representation. (Routledge, 2015).
115.
Bhabha, H. ‘The "Other” Question’ Screen 24 (6). (1983).
116.
Dyer, R. The Role of Stereotypes. in The matter of images: essays on representation 11–18 (Routledge, 2002).
117.
Dyer, R. Chapter 13. in The matter of images: essays on representations (Routledge, 1993).
118.
Dwyer, C. Contested identities: challenging dominant representations of young British Muslim Women. in Cool places: geographies of youth cultures 50–65 (1998).
119.
Fanon, F. ‘The Fact of Blackness’. in Black skin, white masks (Grove Press, 2008).
120.
Fraley, T. A man’s gotta have a code: Identity, Racial Codes and HBO’s ‘The Wire’ | darkmatter Journal. (2009).
121.
Gilman, S. L. Difference and pathology: stereotypes of sexuality, race, and madness. (Cornell University Press, 1985).
122.
Gilroy, P. Ali G and the Oscars | openDemocracy. (2002).
123.
Hall, S. The Work of Representation. in Representation vol. Culture, media and identities 1–47 (Open University/ SAGE, 2013).
124.
Hall, S. New Ethnicities. in ‘Race’, culture and difference 252–259 (Sage, 1992).
125.
Hall, S. What is this black in black popular culture? in Stuart Hall: critical dialogues in cultural studies vol. Comedia 465–475 (Routledge, 1996).
126.
Kelly, L. W. Casting ‘The Wire’: Complicating Notions of Performance, Authenticity, and ‘Otherness’ | darkmatter Journal. (2009).
127.
McNeil, D. White Negroes and ‘The Wire’ | darkmatter Journal. (2009).
128.
Malik, S. Representing black Britain: a history of black and Asian images on British television. (SAGE Publications, 2002).
129.
Mercer, K. ‘Reading Racial Fetishism’. in Welcome to the jungle: new positions in black cultural studies (Routledge, 1994).
130.
Parker, D. Rethinking British Chinese identities. in Cool places: geographies of youth cultures (eds. Skelton, T. & et al.) (1998).
131.
Pickering, M. The Concept of the Stereotype. in Stereotyping: the politics of representation 1–21 (Palgrave, 2001).
132.
Ben Pitcher. Stories about Race: Knowledge and Form. in Consuming race 129–143 (Routledge, Taylor & Francis Group, 2014).
133.
Ross, K. Black Fights Back Part I: Black Film-making and Strategies of Opposition in Britain. in Black and white media: black images in popular film and television 33–55 (Polity Press, 1996).
134.
Inglis, D. & Robertson, R. World Music and the Globalisation of Sound. in The sociology of art: ways of seeing 156–170 (Palgrave, 2005).
135.
Grazian, D. Demystifying Authenticity in the Sociology of Culture’. in Routledge handbook of cultural sociology (eds. Grindstaff, L., Lo, M. M. & Hall, J. R.) 191–200 (Routledge, 2019).
136.
Appadurai, A. Disjuncture and Difference in the Global Cultural Economy. Theory, Culture & Society 7, 295–310 (1990).
137.
Barbalet, J. Globalization and cosmopolitanism: Continuity and disjuncture, contemporary and historical. Journal of Sociology 50, 199–212 (2014).
138.
Barrett, J. World Music, Nation and Postcolonialism. Cultural studies. 237–247 (1996).
139.
Biddle, I. & Knights, V. ‘Introduction: National Popular Musics: Betwixt and Beyond the Local and Global’. in Music, national identity and the politics of location: between the global and the local vol. Ashgate popular and folk music series 1–15 (Ashgate, 2007).
140.
Born, G. & Hesmondhalgh, D. ‘Introduction: On Difference, Representation and Appropriation in Music’. in Western music and its others: difference, representation, and appropriation in music (University of California Press, 2000).
141.
Burke, P. Cultural hybridity. (Polity Press, 2009).
142.
Byrne, D. MUSIC - Crossing Music’s Borders In Search Of Identity - ‘I Hate World Music’ - NYTimes.com. (1999).
143.
García Canclini, N., Rosaldo, R., Chiappari, C. L. & López, S. L. Hybrid cultures: strategies for entering and leaving modernity. (University of Minnesota Press, 1995).
144.
Erlmann, V. ‘The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s’, Public Culture 8. 467–487 (1996).
145.
Frith, S. The Discourse of World Music. in Western music and its others: difference, representation, and appropriation in music 305–322 (University of California Press, 2000).
146.
Reebee Garofalo. Culture Versus Commerce: The Marketing of Black Popular Music. Public Culture 7, 275–287 (1994).
147.
Reebee Garofalo. Whose World, What Beat: The Transnational Music Industry, Identity, and Cultural Imperialism. The World of Music 35, 16–32 (1993).
148.
Connell, J. & Gibson, C. World music: deterritorializing place and identity. Progress in Human Geography 28, 342–361 (2004).
149.
Gilroy, P. Sounds Authentic: Black Music, Ethnicity, and the Challenge of a ‘Changing’ Same. Black Music Research Journal 11, (1991).
150.
Gilroy, P. The black Atlantic: modernity and double consciousness. (Verso, 1993).
151.
Haynes, J. Music Affinity. in Music, difference and the residue of race vol. Routledge research in race and ethnicity 113–144 (Routledge, 2013).
152.
Haynes, J. In the Blood:The Racializing Tones of Music Categorization. Cultural Sociology 4, 81–100 (2010).
153.
Haynes, J. World music and the search for difference. Ethnicities 5, 365–385 (2005).
154.
Machin, D. Chapter1 Discourses of Popular Music.pdf.
155.
Hutnyk, J. Hybridity. Ethnic and Racial Studies.
156.
Papastergiadis, N. Hybridity and Ambivalence. Theory, Culture & Society 22, 39–64 (2005).
157.
Pieterse, J. N. Hybridity, So What? Theory, Culture & Society 18, 219–245 (2001).
158.
Massey, D. The spatial construction of youth cultures. in Cool places: geographies of youth cultures (1998).
159.
Taylor, T. D. Global pop: world music, world markets. (Routledge, 1997).
160.
Taylor, T. D. World music, value and memory - Popularmusikforschung42_07_Taylor.pdf.
161.
Fraley, T. I Got a Natural Skill…: Hip-Hop, Authenticity, and Whiteness. Howard Journal of Communications 20, 37–54 (2009).
162.
Rose, T. A Style Nobody Can Deal With: Politics, Style and the PostIndustrial City in Hip-Hop. in Microphone fiends: youth music and youth culture 71–88 (Routledge, 1994).
163.
Barron, L. The sound of street corner society: UK grime music as ethnography. European Journal of Cultural Studies 16, 531–547 (2013).
164.
Bennett, A. The Significance of locality. in Popular music and youth culture: music, identity and place 52–70 (Macmillan, 2000).
165.
Bennett, A. Hip hop am Main: the localization of rap music and hip hop culture. Media, Culture & Society 21, 77–91 (1999).
166.
Brooks, S. & Conroy, T. Hip-Hop Culture in a Global Context: Interdisciplinary and Cross-Categorical Investigation. American Behavioral Scientist 55, 3–8 (2011).
167.
Gibson, M. "That’s hip-hop to me!”: Race, space, and temporal logics of authenticity in independent cultural production | Elsevier Enhanced Reader. Poetics (2014).
168.
Herson, B. A Historical Analysis of Hip-Hop’s Influence in Dakar from 1984 - 2000. American Behavioral Scientist 55, 24–35 (2011).
169.
Ilan, J. ‘The industry’s the new road’: Crime, commodification and street cultural tropes in UK urban music. Crime, Media, Culture: An International Journal 8, 39–55 (2012).
170.
Lipsitz, G. ‘Chapter 2: Diasporic Noise: History, Hip Hop and the Post-Colonial Politics of Sound’. in Dangerous crossroads: popular music, postmodernism, and the poetics of place 23–48 (Verso, 1997).
171.
Qirko, H. Consumer Authentication of Popular Music in the Global Postmodern - 03007766.2013.798552. Popular Music & Society 37, (2014).
172.
Reitsamer, R. & Prokop, R. Keepin’ it Real in Central Europe: The DIY Rap Music Careers of Male Hip Hop Artists in Austria. Cultural Sociology 12, 193–207 (2018).
173.
Rose, T. Black noise: rap music and black culture in contemporary America. vol. Music/culture (Wesleyan University Press, 1994).
174.
Thomas Solomon. ‘Living underground is tough’: authenticity and locality in the hip-hop community in Istanbul, Turkey. (2005).
175.
Swedenburg, T. Homies in the Hood: Rap’s Commodification of Insubordination. New formations a journal of culture theory politics. 53–66 (1992).
176.
Cohen, S. ‘Chapter 1: Music and the City: Cultural Diversity in a Global Cosmopolis’. in Decline, renewal and the city in popular music culture: beyond the Beatles vol. Ashgate popular and folk music series 9–40 (Ashgate, 2007).
177.
Connell, J. & Gibson, C. Sounds and Scenes: A Place for Music? in Sound tracks: popular music, identity and place vol. Critical geographies 90–116 (Routledge, 2003).
178.
Dresser, M., Fleming, P., Burton, E., Hillaby, J. & Maisokwadzo, F. Bristol: ethnic minorities and the city 1000-2001. vol. An England’s past for everyone paperback (Phillimore, 2007).
179.
Haynes, J. Embodied minstrelsy, racialization and redemption in reggae. European Journal of Cultural Studies (2019) doi:10.1177/1367549419847111.
180.
Hyder, R. & Henning, M. . ‘Chapter 7: 'Locating the Bristol Sound: archiving the music as everyday life’. in Sites of popular music heritage: memories, histories, places (eds. Cohen, S., Knifton, R., Leonard, M. & Roberts, L.) vol. Routledge studies in popular music (Routledge, Taylor & Francis Group, 2015).
181.
Hyder, R. Black Music and Cultural Exchange in Bristol. in Black popular music in Britain since 1945 (eds. Stratton, J. & Zuberi, N.) vol. Ashgate popular and folk music series 85–99 (Ashgate, 2014).
182.
Johnson, P. Straight outa Bristol: Massive Attack, Portishead, Tricky and the roots of trip-hop. (Sceptre, 1997).
183.
Kruse, H. Local Identity and Independent Music Scenes, Online and Off. Popular Music and Society 33, (2010).
184.
Mitchell, T. Popular music and local identity: rock, pop and rap in Europe and Oceania. (Leicester University Press, 1996).
185.
Webb, P. Interrogating the Production of Sound and Place: The Bristol Phenomenon, from Lunatic Fringe to Worldwide Massive. in Music, space and place: popular music and cultural identity vol. Ashgate popular and folk music series 66–85 (Ashgate, 2004).
186.
Bennett, A. & Peterson, R. A. Music scenes: local, translocal and virtual. (Vanderbilt University Press, 2004).
187.
Doreen Massey. The Spatial Construction of Youth Cultures. in Cool Places: Geographies of Youth Culture (ed. G. Valentine, T. S.) 122–130.
188.
Radano, R. On Ownership and Value - blacmusiresej.30.2.0363.pdf. Black Music Research Journal 30, (2010).
189.
Michael Bull. No dead Air! The iPod and the Culture of Mobile Listening’. Leisure Studies (2005) doi:10.1080/0261436052000330447.
190.
Nick Prior. The Rise of the New Amateurs: Popular Music, Digital Technology and the Fate of Cultural Production. in Handbook of Cultural Sociology (eds. Laura Grindstaff, J. R. H. & Ming Cheng Miriam Lo).
191.
Sexton, J. ‘Digital Music: Consumption, Distribution and Production’. in Digital cultures (McGraw-Hill Open University Press, 2009).
192.
Richard James Burgess. The history of music production. (Oxford University Press, 2014).
193.
Anderson, C. & Anderson, C. The long tail: how endless choice is creating unlimited demand. (Random House Business Books, 2006).
194.
Avdeef, M. ‘Technological Engagement and Musical Eclecticism: An Examination of Contemporary Listening Practices’, Participations, 9(2). (2012).
195.
Bartmanski, D. & Woodward, I. The vinyl: The analogue medium in the age of digital reproduction. Journal of Consumer Culture 15, 3–27 (2015).
196.
Baym, N. K. "Fans or Friends?: Seeing Social Media Audiences as Musicians Do” Participations 9 (2). 286–316 (2012).
197.
Beer, D. Making Friends with Jarvis Cocker: Music Culture in the Context of Web 2.0. Cultural Sociology 2, 222–241 (2008).
198.
Beer, D. THE ICONIC INTERFACE AND THE VENEER OF SIMPLICITY:MP3 players and the reconfiguration of music collecting and reproduction practices in the digital age. Information, Communication & Society 11, 71–88 (2008).
199.
Beer, D. Mobile Music, Coded Objects and Everyday Spaces. Mobilities (2010).
200.
Bennett, L. ‘If we stick together we can do anything’: Lady Gaga fandom, philanthropy and activism through social media - 19392397.2013.813778. Celebrity Studies (2014).
201.
Jesse C. Bockstedt, Robert J. Kauffman and Frederick J. Riggins. The Move to Artist-Led On-Line Music Distribution: A Theory-Based Assessment and Prospects for Structural Changes in the Digital Music Market. International Journal of Electronic Commerce 10, 7–38 (2006).
202.
Bull, M. Sound moves: iPod culture and urban experience. (Routledge, 2007).
203.
Choi, H. & Burnes, B. The internet and value co-creation: the case of the popular music industry. Prometheus 31, 35–53 (2013).
204.
Edmond, M. Here We Go Again. Television & New Media 15, 305–320 (2014).
205.
Frith, S. Art versus technology: the strange case of popular music. Media, Culture & Society 8, 263–279 (1986).
206.
Goodwin, A. ‘Sample and hold: pop music in the digital age of reproduction’. in On record: rock, pop and the written word 258–273 (Routledge, 1990).
207.
Hayes, D. Take Those Old Records Off the Shelf’: Youth and Music Consumption in the Postmodern Age. Popular Music & Society (2006).
208.
Haynes, J. & Marshall, L. Beats and tweets: Social media in the careers of independent musicians. New Media & Society 20, 1973–1993 (2018).
209.
Haynes, J. & Marshall, L. Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry. The British Journal of Sociology 69, 459–482 (2018).
210.
Hesmondhalgh, D. ‘Digitalisation, Music and Copyright’, CRESC Working Paper Series, Working Paper No. 30. (2007).
211.
Hosokawa, S. The walkman effect - walkman_effect.pdf. Popular Music 4, (1984).
212.
Hughes, J. & Lang, K. R. If I had a song: The culture of digital community networks and its impact on the music industry. International Journal on Media Management 5, 180–189 (2003).
213.
IFPI Digital Music Report 2013 Engine of a Digital World.
214.
Jones, S. MUSIC THAT MOVES: POPULAR MUSIC, DISTRIBUTION AND NETWORK TECHNOLOGIES. Cultural Studies 16, 213–232 (2002).
215.
Jones, S. Music and the internet. Popular Music (2000).
216.
Leyshon, A. Scary Monsters? Software Formats, Peer-to-Peer Networks, and the Spectre of the Gift. Environment and Planning D: Society and Space 21, 533–558 (2003).
217.
Leyshon, A., Webb, P., French, S., Thrift, N. & Crewe, L. On the reproduction of the musical economy after the Internet. Media, Culture & Society 27, 177–209 (2005).
218.
Lingel, J. & Naaman, M. You should have been there, man: Live music, DIY content and online communities. New Media & Society 14, 332–349 (2012).
219.
McCourt, T. & Burkart, P. When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution. Media, Culture & Society 25, 333–350 (2003).
220.
Magaudda, P. When materiality ?bites back?: Digital music consumption practices in the age of dematerialization. Journal of Consumer Culture 11, 15–36 (2011).
221.
Marshall, L. Let’s keep music special. Fuck Spotify: on-demand streaming and the controversy over artist royalties. Creative Industries Journal 8, 177–189 (2015).
222.
Marshall, P. D. The promotion and presentation of the self: celebrity as marker of presentational media. Celebrity Studies (2010).
223.
Morris, J. W. Making music behave: Metadata and the digital music commodity. New Media & Society 14, 850–866 (2012).
224.
Marwick, A. & boyd, danah. To See and Be Seen: Celebrity Practice on Twitter. Convergence: The International Journal of Research into New Media Technologies 17, 139–158 (2011).
225.
Nowak, R. The material modalities of music consumption. in Consuming music in the digital age: technologies, roles and everyday life (Palgrave Macmillan, 2016).
226.
Potts, L. ‘Amanda Palmer and the #LOFNOTC: How online fan participation is rewriting music labels’. Participations, 9(2). 360–382 (2012).
227.
Simun, M. My music, my world: using the MP3 player to shape experience in London. New Media & Society 11, 921–941 (2009).
228.
Rodman, G. B. & Vanderdonckt, C. MUSIC FOR NOTHING OR, I WANT MY MP3. Cultural Studies 20, 245–261 (2006).
229.
Sandywell, B. & Beer, D. Stylistic Morphing: Notes on the Digitisation of Contemporary Music Culture. Convergence: The International Journal of Research into New Media Technologies 11, 106–121 (2005).
230.
Schradie, J. The digital production gap: The digital divide and Web 2.0 collide. Poetics 39, 145–168 (2011).
231.
Serazio, M. The Apolitical Irony of Generation Mash?Up: A Cultural Case Study in Popular Music. Popular Music and Society 31, 79–94 (2008).
232.
Sterne, J. MP3: the meaning of a format. vol. Sign, storage, transmission (Duke University Press, 2012).
233.
Sterne, J. The mp3 as cultural artifact. New Media & Society 8, 825–842 (2006).
234.
Wikström, P. The music industry: music in the cloud. vol. Digital media and society series (Polity, 2009).
235.
Schiermer, B. Late-modern hipsters. Acta Sociologica 57, 167–181 (2014).
236.
Featherstone, M. Theories of Consumer Culture. in Consumer culture and postmodernism vol. Theory, culture&society 13–27 (Sage, 1991).
237.
Lury, C. Material Culture and Consumer Culture. in Consumer culture 10–51 (Polity Press, 1996).
238.
Baudrillard, J. ‘Consumer Society’. in Jean Baudrillard: selected writings 32–59 (Stanford University Press, 2001).
239.
Bocock, R. ‘The Emergence of the Consumer Society’. in The Polity reader in cultural theory (Polity Press in association with Blackwell, 1994).
240.
Bennett, A. Culture and everyday life. (SAGE, 2005).
241.
Chessel, M. & Dubuisson-Ouellier, S. The Making of the Consumer: Historical and Sociological Perspectives. in The SAGE Handbook of Consumer Culture (SAGE Publications, 2017).
242.
MacKinnon, N. The British folk scene: musical performance and social identity. vol. Popular music in Britain (Open University Press, 1993).
243.
Cohen, S. Rock culture in Liverpool: popular music in the making. (Clarendon Press, 1991).
244.
Edwards, T. Contradictions of consumption: concepts, practices and politics in consumer society. (Open University Press, 2000).
245.
Ewen, S. Captains of consciousness: advertising and the social roots of the consumer culture. (BasicBooks, 2001).
246.
Health, J. The structure of hip consumerism. Philosophy & Social Criticism 27, 1–17 (2001).
247.
Heath, J. & Potter, A. Chapter 7: 'From Status Seeking to Coolhunting’. in The rebel sell: how the counterculture became consumer culture (Capstone, 2006).
248.
Jameson, J. ‘Postmodernism and Consumer Society’. in Studying culture: an introductory reader (Arnold, 2002).
249.
Leiss, W. The Icons of the Marketplace. Theory, Culture & Society 1, 10–21 (1983).
250.
Lunt, P. K. & Livingstone, S. M. Mass consumption and personal identity: everyday economic experience. (Open University Press, 1992).
251.
McGuigan, J. Apprentices to Cool Capitalism. Social Semiotics 18,.
252.
McGuigan, J. From cultural populism to cool capitalism. Art & the Public Sphere 1, 7–18 (2011).
253.
Magaudda, P. When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization. Journal of Consumer Culture 11, 15–36 (2011).
254.
McGuigan, J. Cool capitalism. (Pluto, 2009).
255.
Miles, S. The Emergence of Contemporary Consumer Culture. in The SAGE Handbook of Consumer Culture 37–52 (SAGE Publications, 2017).
256.
Miller, D. Consumption and its consequences. (Polity, 2012).
257.
Mullins, P. R. The Materiality of Consumer Culture. in The SAGE Handbook of Consumer Culture (SAGE Publications, 2017).
258.
Paterson, M. Consumption and everyday life. vol. The new sociology (Routledge, 2006).
259.
Sassatelli, R. Consumer culture: history, theory and politics. (SAGE Publications, 2007).
260.
Trentmann, F. The making of the consumer: knowledge, power and identity in the modern world. vol. Cultures of consumption series (Berg, 2006).
