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Louise P. Clowns and Clown Play. In: Serious Play. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089
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Henke R. Improvisation and characters. In: Performance and Literature in the Commedia Dell’arte. Cambridge University Press; 2002:12-30.
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Peacock L. Conflict and slapstick in Commedia dell’Arte — The double act of Pantalone and Arlecchino. Comedy Studies. 2013;4(1):59-69. doi:10.1386/cost.4.1.59_1
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Robert Hornback. The English Clown Tradition from the Middle Ages to Shakespeare. https://www.cambridge.org/core/books/english-clown-tradition-from-the-middle-ages-to-shakespeare/687A6E19C65A0A86E351B4B9BCB2521F
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George DJ, Gossip CJ. Studies in the Commedia Dell’arte. University of Wales Press; 1993. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006164342&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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Thomson P. The True Physiognomy of a Man: Richard Tarlton and His Legend. https://muse.jhu.edu/article/473688/pdf
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Wiles D, Cambridge Books Online (Online service). Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. Cambridge University Press; 1987. https://bris.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553417
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Shakespeare W. Twelfth Night (Globe on Screen). Twelfth Night. Published online 2014. doi:10.5040/9790000000014.01
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Barber CL. Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom. New ed. Princeton University Press; 2012. https://bris.idm.oclc.org/login?url=http://princeton.universitypressscholarship.com/view/10.23943/princeton/9780691149523.001.0001/upso-9780691149523
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Bell RH, Palgrave Connect (Online service). Shakespeare’s Great Stage of Fools. 1st ed. Palgrave Macmillan; 2011.
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Greif K. The stage clown in Shakespeare’s theatre. https://www.jstor.org/stable/pdf/2870589.pdf?refreqid=excelsior%3A2893e8d4f6127996cbd05296ff32b893
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Lipppincott HF. The stage clown in Shakespeare’s theatre. https://www.jstor.org/stable/pdf/2869605.pdf?refreqid=excelsior%3Abad1bcc237ca612060b2afc1b7ee0461
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Weimann R, Higbee H, West W. Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre. Vol 39. Cambridge University Press; 2000. https://bris.idm.oclc.org/login?url=https://doi.org/10.1017/CBO9780511484070
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Weimann R. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of the Dramatic Form and Function. Johns Hopkins University Press
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Little, Kenneth. Little, Kenneth: Surveilling Cirque Archaos: Transgression and the spaces of power in popular entertainment. Journal of Popular Culture. 1995;29(1). https://literature.proquest.com/searchFulltext.do?id=R04164226&divLevel=0&queryId=3096512807252&trailId=167E0C7182A&area=criticism&forward=critref_ft
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Behan T, dawsonera. Dario Fo: Revolutionary Theatre. Pluto Press; 2000. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3386066
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Accidental Death Of An Anarchist. https://www.youtube.com/watch?v=p10xejjf0pw
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Mitchell T. ‘Mistero buffo’ - popular culture, the giullari and the grotesque. In: Dario Fo: People’s Court Jester. Methuen; 1984:10-24.
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Routledge P. Sensuous Solidarities: Emotion, Politics and Performance in the Clandestine Insurgent Rebel Clown Army. Antipode. 2012;44(2):428-452. doi:10.1111/j.1467-8330.2010.00862.x
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St John G. Protestival: Global Days of Action and Carnivalized Politics in the Present. Social Movement Studies. 2008;7(2):167-190. doi:10.1080/14742830802283550
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Clown Politics: Report on the International Clown-Theatre Congress. https://www.jstor.org/stable/pdf/1146206.pdf
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Zarrilli PB. Dario Fo: The roar of the clown. In: Acting (Re)Considered: A Theoretical and Practical Guide. 2nd ed. Routledge; 2002. http://site.ebrary.com/id/10099645
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Purcell Gates L. Locating the self: narratives and practices of authenticity in French clown training. Theatre, Dance and Performance Training. 2011;2(2):231-242. doi:10.1080/19443927.2011.553239
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Eldridge SA, Huston HW. Actor Training in the Neutral Mask. In: Acting (Re)Considered: A Theoretical and Practical Guide. 2nd ed. Routledge; 2002. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=235058
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Lecoq J, Carasso JG, Lallias JC. The Moving Body: Teaching Creative Theatre. Rev. ed. Methuen; 2002.
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LeBank E, Bridel D. Clowns: In Conversation with Modern Masters. First edition. Routledge, Taylor & Francis Group; 2015. https://bris.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781315719757
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Yarrow R, Chamberlain F. Jacques Lecoq and the British Theatre. Vol 42. Routledge; 2002. http://ptarpp2.uitm.edu.my/ptarpprack/RAK-14.gif
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Davison J. Clown Training: A Practical Guide. Palgrave Macmillan; 2015.
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Rudlin J. Commedia Dell’arte: An Actor’s Handbook. Routledge; 1994. http://catalogue.londonmet.ac.uk/record=b1682859~S1
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Simon E. The Art of Clowning. 1st ed. Palgrave Macmillan; 2009.
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Wright J. Why Is That so Funny?: A Practical Exploration of Physical Comedy. Nick Hern Books; 2006.
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Beckett S. Waiting for Godot.; 2010. https://www.dramaonlinelibrary.com/plays/waiting-for-godot-iid-160142/do-9780571293216-div-00000012
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Brecht B, Nellhaus G. Man Equals Man (from: Brecht Collected Plays: 2). https://www.dramaonlinelibrary.com/plays/man-equals-man-iid-137073/do-9781408161418-div-00000008
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Bryden M. Clowning with Beckett. In: A Companion to Samuel Beckett. Wiley-Blackwell; 2010:358-371.
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Burgess H. Circus Techniques. Crowell
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Croft-Cooke R, Cotes P. Circus: A World History. Elek
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Disher MW. Clowns & Pantomimes. B. Blom,; 1968.
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Frost T. Circus Life and Circus Celebrities. Tinsley Bros.,; 1875.
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Fuchs E. Clown Shows: Anti-Theatricalist Theatricalism in Four Twentieth-Century Plays. https://muse.jhu.edu/article/501045/pdf
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Kerr W. The Silent Clowns. First edition. Knopf; 1975.
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Peacock L. Serious Play: Modern Clown Performance. Intellect; 2009. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089
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Schechter J. Popular Theatre: A Sourcebook. Routledge; 2003.
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Varro G. Versions of the Clown in Samuel Beckett’s Waiting for Godot and Sam Shepard’s Kicking a Dead Horse. Hungarian Journal of English and American Studies. https://literature.proquest.com/pageImage.do?ftnum=2277183161&fmt=page&area=criticism&journalid=12187364&articleid=R04416069&pubdate=2010
