‘Accidental Death Of An Anarchist’ <https://www.youtube.com/watch?v=p10xejjf0pw>
‘Acting Scenari - La Commedia Dell’Arte’ <https://sites.google.com/site/italiancommedia/plays-and-scenari/scenari>
Bakhtin, Mikhail, ‘Rabelais and His World’, in The Applied Theatre Reader, ed. by Tim Prentki and Sheila Preston (London: Routledge, 2009), pp. 22–27 <http://www.vlebooks.com/vleweb/product/openreader?id=Bristol&isbn=9780203891315>
Bala, Michael, ‘The Clown’, Jung Journal, 4.1 (2010), 50–71 <https://doi.org/10.1525/jung.2010.4.1.50>
Barber, C. L., Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom, New ed (Princeton, N.J.: Princeton University Press, 2012) <https://bris.idm.oclc.org/login?url=http://princeton.universitypressscholarship.com/view/10.23943/princeton/9780691149523.001.0001/upso-9780691149523>
Beckett, Samuel, Waiting for Godot, 2010 <https://www.dramaonlinelibrary.com/plays/waiting-for-godot-iid-160142/do-9780571293216-div-00000012>
Behan, Tom and dawsonera, Dario Fo: Revolutionary Theatre, Introduction & Mistero Buffo (London: Pluto Press, 2000) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3386066>
Bell, Robert H. and Palgrave Connect (Online service), Shakespeare’s Great Stage of Fools, 1st ed (New York: Palgrave Macmillan, 2011)
Bratton, J. S., Ann Featherstone, and University of Bristol. Theatre Collection. Mander and Mitchenson Theatre Collection, ‘The Victorian Circus’, in The Victorian Clown (Cambridge: Cambridge University Press, 2006), pp. 3–29
Brecht, Bertolt, and Gerhard Nellhaus, Man Equals Man (from: Brecht Collected Plays: 2) <https://www.dramaonlinelibrary.com/plays/man-equals-man-iid-137073/do-9781408161418-div-00000008>
Bryden, Mary, ‘Clowning with Beckett’, in A Companion to Samuel Beckett (Oxford: Wiley-Blackwell, 2010), pp. 358–71
Burgess, Hovey, Circus Techniques (New York: Crowell)
‘Clown Politics: Report on the International Clown-Theatre Congress’ <https://www.jstor.org/stable/pdf/1146206.pdf>
Croft-Cooke, Rupert, and Peter Cotes, Circus: A World History (London: Elek)
Davison, Jon, ‘Clown Theory, Technique and Technology’, in Clown, pp. 137–73
———, Clown Training: A Practical Guide (New York: Palgrave Macmillan, 2015)
———, Clown Training: A Practical Guide (New York: Palgrave Macmillan, 2015)
Disher, M. Willson, Clowns & Pantomimes. (New York,: B. Blom, 1968)
———, Clowns & Pantomimes. (New York,: B. Blom, 1968)
Duncan-Jones, K., ‘The Life, Death and Afterlife of Richard Tarlton’, The Review of English Studies, 65.268 (2014), 18–32 <https://doi.org/10.1093/res/hgs145>
Eldridge, Sears A., and Hollis W. Huston, ‘Actor Training in the Neutral Mask’, in Acting (Re)Considered: A Theoretical and Practical Guide, 2nd ed (London: Routledge, 2002) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=235058>
Farrell, Joseph, ‘Dario Fo: Zanni and Giullare’, The Commedia Dell’arte from the Renaissance to Dario Fo, 6 (1989), 315–29
Findlater, Richard, Grimaldi, King of Clowns (London,: Macgibbon & Kee, 1955)
Fo, Dario, The Tricks of the Trade (London: Methuen Drama)
Frost, Anthony, and Ralph Yarrow, Improvisation in Drama (Basingstoke: Macmillan, 1990)
Frost, Thomas, Circus Life and Circus Celebrities. (London,: Tinsley Bros., 1875)
Fuchs, Elinor, ‘Clown Shows: Anti-Theatricalist Theatricalism in Four Twentieth-Century Plays’ <https://muse.jhu.edu/article/501045/pdf>
George, David J., and Christopher J. Gossip, Studies in the Commedia Dell’arte (Cardiff: University of Wales Press, 1993) <http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006164342&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA>
Gordon, Mel, ‘Comic Violence/Sadistic Behaviour’, in Lazzi: The Comic Routines of the Commedia Dell’arte, 1st ed (New York: Performing Arts Journal Publications), pp. 14–20
Greenwood, Isaac J., The Circus, Its Origin and Growth Prior to 1835 (New York: B. Franklin, 1970), xii
Greif, Karen, ‘The Stage Clown in Shakespeare’s Theatre’ <https://www.jstor.org/stable/pdf/2870589.pdf?refreqid=excelsior%3A2893e8d4f6127996cbd05296ff32b893>
Grock, Grock, Life’s a Lark, (London,: W. Heinemann)
‘Hamlet Q1’ <http://stf-theatre.org.uk/wp-content/uploads/2016/02/HAMLET-%E2%80%93-the-1st-Quarto.pdf>
Henke, Robert, ‘Improvisation and Characters’, in Performance and Literature in the Commedia Dell’arte (Cambridge: Cambridge University Press, 2002), pp. 12–30
Jando, Dominique, and Linda Granfield, The Circus, 1870s-1950s, ed. by Noel Daniel (Köln: Taschen, 2010)
Kerr, Walter, The Silent Clowns, First edition (New York: Knopf, 1975)
LeBank, Ezra, and David Bridel, Clowns: In Conversation with Modern Masters, First edition (London: Routledge, Taylor & Francis Group, 2015) <https://bris.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781315719757>
Lecoq, Jacques, Jean-Gabriel Carasso, and Jean-Claude Lallias, The Moving Body: Teaching Creative Theatre, Rev. ed (London: Methuen, 2002)
Lipppincott, H.F., ‘The Stage Clown in Shakespeare’s Theatre’ <https://www.jstor.org/stable/pdf/2869605.pdf?refreqid=excelsior%3Abad1bcc237ca612060b2afc1b7ee0461>
Little, Kenneth, ‘Little, Kenneth: Surveilling Cirque Archaos: Transgression and the Spaces of Power in Popular Entertainment’, Journal of Popular Culture, 29.1 (1995) <https://literature.proquest.com/searchFulltext.do?id=R04164226&divLevel=0&queryId=3096512807252&trailId=167E0C7182A&area=criticism&forward=critref_ft>
Louise, Peacock, ‘Clowns and Clown Play’, in Serious Play <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089>
Mitchell, Tony, ‘“Mistero Buffo” - Popular Culture, the Giullari and the Grotesque’, in Dario Fo: People’s Court Jester (London: Methuen, 1984), pp. 10–24
Murray, Simon David, ‘The Texts of Jacques Lecoq’, in Jacques Lecoq (London: Routledge, 2003), pp. 43–94 <http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=1056897&T=F>
Peabody, Ruth E., Commedia Works (Lanham, MD : University Press of America, 1984)
Peacock, Louise, ‘Conflict and Slapstick in Commedia Dell’Arte — The Double Act of Pantalone and Arlecchino’, Comedy Studies, 4.1 (2013), 59–69 <https://doi.org/10.1386/cost.4.1.59_1>
———, Serious Play: Modern Clown Performance (Bristol, UK: Intellect, 2009) <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089>
———, ‘The Development of the Circus Clown: Frame and Content’, in Serious Play: Modern Clown Performance (Bristol, UK: Intellect, 2009), pp. 35–54 <http://public.eblib.com/choice/publicfullrecord.aspx?p=457089>
Purcell Gates, Laura, ‘Locating the Self: Narratives and Practices of Authenticity in French Clown Training’, Theatre, Dance and Performance Training, 2.2 (2011), 231–42 <https://doi.org/10.1080/19443927.2011.553239>
Purcell, Stephen, Popular Shakespeare: Simulation and Subversion on the Modern Stage (Basingstoke [England]: Palgrave Macmillan, 2009)
Robert Hornback, The English Clown Tradition from the Middle Ages to Shakespeare <https://www.cambridge.org/core/books/english-clown-tradition-from-the-middle-ages-to-shakespeare/687A6E19C65A0A86E351B4B9BCB2521F>
Routledge, Paul, ‘Sensuous Solidarities: Emotion, Politics and Performance in the Clandestine Insurgent Rebel Clown Army’, Antipode, 44.2 (2012), 428–52 <https://doi.org/10.1111/j.1467-8330.2010.00862.x>
Rudlin, John, Commedia Dell’arte: An Actor’s Handbook (London: Routledge, 1994) <http://catalogue.londonmet.ac.uk/record=b1682859~S1>
Rudlin, John, and Olly Crick, Commedia Dell’arte: A Handbook for Troupes (London: Routledge, 2001)
Schechter, Joel, ‘Brecht’s Clowns: Man Is Man and After’, in The Cambridge Companion to Brecht (Cambridge: Cambridge University Press, 2006), pp. 68–78 <https://doi.org/10.1017/CCOL0521414466.005>
———, Popular Theatre: A Sourcebook (London: Routledge, 2003)
Shakespeare, William, ‘Twelfth Night (Globe on Screen)’, Twelfth Night (Globe on Screen, 2014) <https://doi.org/10.5040/9790000000014.01>
Simon, Eli, The Art of Clowning, 1st ed (New York: Palgrave Macmillan, 2009)
St John, Graham, ‘Protestival: Global Days of Action and Carnivalized Politics in the Present’, Social Movement Studies, 7.2 (2008), 167–90 <https://doi.org/10.1080/14742830802283550>
Swortzell, Lowell, and C. Walter Hodges, Here Come the Clowns: A Cavalcade of Comedy from Antiquity to the Present, 1st ed (New York: Viking Press, 1978)
Tait, Peta, and Katie Lavers, eds., The Routledge Circus Studies Reader, First edition (Abingdon, Oxon: Routledge, 2016)
Thomson, Peter, ‘The True Physiognomy of a Man: Richard Tarlton and His Legend’ <https://muse.jhu.edu/article/473688/pdf>
Toole-Stott, Raymond., Circus and Allied Arts; a World Bibliography, 1500-[1970] Based Mainly on Circus Literature in the British Museum, the Library of Congress, the Bibliothèque Nationale, and on His Own Collection. (Derby, Eng.,: Harpur, distributors, 71AD)
Varro, Gabriella, ‘Versions of the Clown in Samuel Beckett’s Waiting for Godot and Sam Shepard’s Kicking a Dead Horse’, Hungarian Journal of English and American Studies <https://literature.proquest.com/pageImage.do?ftnum=2277183161&fmt=page&area=criticism&journalid=12187364&articleid=R04416069&pubdate=2010>
Weimann, Robert, Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of the Dramatic Form and Function (Baltimore: Johns Hopkins University Press)
Weimann, Robert, Helen Higbee, and William West, Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre (Cambridge: Cambridge University Press, 2000), xxxix <https://bris.idm.oclc.org/login?url=https://doi.org/10.1017/CBO9780511484070>
Wiles, David and Cambridge Books Online (Online service), Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse (Cambridge: Cambridge University Press, 1987) <https://bris.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553417>
Willeford, William, The Fool and His Sceptre: A Study in Clowns and Jesters and Their Audience (London: Edward Arnold, 1969)
Wright, John, Why Is That so Funny?: A Practical Exploration of Physical Comedy (London: Nick Hern Books, 2006)
Yarrow, Ralph, and Franc Chamberlain, Jacques Lecoq and the British Theatre (London: Routledge, 2002), xlii <http://ptarpp2.uitm.edu.my/ptarpprack/RAK-14.gif>
Zarrilli, Phillip B., ‘Dario Fo: The Roar of the Clown’, in Acting (Re)Considered: A Theoretical and Practical Guide, 2nd ed (London: Routledge, 2002) <http://site.ebrary.com/id/10099645>
