‘Accidental Death Of An Anarchist’. n.d. https://www.youtube.com/watch?v=p10xejjf0pw.
‘Acting Scenari - La Commedia Dell’Arte’. n.d. https://sites.google.com/site/italiancommedia/plays-and-scenari/scenari.
Bakhtin, Mikhail. 2009. ‘Rabelais and His World’. In The Applied Theatre Reader, edited by Tim Prentki and Sheila Preston, 22–27. London: Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Bristol&isbn=9780203891315.
Bala, Michael. 2010. ‘The Clown’. Jung Journal 4 (1): 50–71. https://doi.org/10.1525/jung.2010.4.1.50.
Barber, C. L. 2012. Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom. New ed. Princeton, N.J.: Princeton University Press. https://bris.idm.oclc.org/login?url=http://princeton.universitypressscholarship.com/view/10.23943/princeton/9780691149523.001.0001/upso-9780691149523.
Beckett, Samuel. 2010. Waiting for Godot. https://www.dramaonlinelibrary.com/plays/waiting-for-godot-iid-160142/do-9780571293216-div-00000012.
Behan, Tom and dawsonera. 2000. Dario Fo: Revolutionary Theatre. Electronic resource. Introduction & Mistero Buffo. London: Pluto Press. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3386066.
Bell, Robert H. and Palgrave Connect (Online service). 2011. Shakespeare’s Great Stage of Fools. 1st ed. New York: Palgrave Macmillan.
Bratton, J. S., Ann Featherstone, and University of Bristol. Theatre Collection. Mander and Mitchenson Theatre Collection. 2006. ‘The Victorian Circus’. In The Victorian Clown, 3–29. Cambridge: Cambridge University Press.
Brecht, Bertolt, and Gerhard Nellhaus. n.d. Man Equals Man (from: Brecht Collected Plays: 2). https://www.dramaonlinelibrary.com/plays/man-equals-man-iid-137073/do-9781408161418-div-00000008.
Bryden, Mary. 2010. ‘Clowning with Beckett’. In A Companion to Samuel Beckett, 358–71. Oxford: Wiley-Blackwell.
Burgess, Hovey. n.d. Circus Techniques. New York: Crowell.
‘Clown Politics: Report on the International Clown-Theatre Congress’. n.d. https://www.jstor.org/stable/pdf/1146206.pdf.
Croft-Cooke, Rupert, and Peter Cotes. n.d. Circus: A World History. London: Elek.
Davison, Jon. 2015a. Clown Training: A Practical Guide. New York: Palgrave Macmillan.
———. 2015b. Clown Training: A Practical Guide. New York: Palgrave Macmillan.
———. n.d. ‘Clown Theory, Technique and Technology’. In Clown, 137–73.
Disher, M. Willson. 1968a. Clowns & Pantomimes. New York,: B. Blom,.
———. 1968b. Clowns & Pantomimes. New York,: B. Blom,.
Duncan-Jones, K. 2014. ‘The Life, Death and Afterlife of Richard Tarlton’. The Review of English Studies 65 (268): 18–32. https://doi.org/10.1093/res/hgs145.
Eldridge, Sears A., and Hollis W. Huston. 2002. ‘Actor Training in the Neutral Mask’. In Acting (Re)Considered: A Theoretical and Practical Guide, 2nd ed. London: Routledge. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=235058.
Farrell, Joseph. 1989. ‘Dario Fo: Zanni and Giullare’. The Commedia Dell’arte from the Renaissance to Dario Fo 6: 315–29.
Findlater, Richard. 1955. Grimaldi, King of Clowns. London,: Macgibbon & Kee,.
Fo, Dario. n.d. The Tricks of the Trade. London: Methuen Drama.
Frost, Anthony, and Ralph Yarrow. 1990. Improvisation in Drama. Basingstoke: Macmillan.
Frost, Thomas. 1875. Circus Life and Circus Celebrities. London,: Tinsley Bros.,.
Fuchs, Elinor. n.d. ‘Clown Shows: Anti-Theatricalist Theatricalism in Four Twentieth-Century Plays’. https://muse.jhu.edu/article/501045/pdf.
George, David J., and Christopher J. Gossip. 1993. Studies in the Commedia Dell’arte. Cardiff: University of Wales Press. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006164342&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Gordon, Mel. n.d. ‘Comic Violence/Sadistic Behaviour’. In Lazzi: The Comic Routines of the Commedia Dell’arte, 1st ed, 14–20. New York: Performing Arts Journal Publications.
Greenwood, Isaac J. 1970. The Circus, Its Origin and Growth Prior to 1835. Vol. 12. New York: B. Franklin.
Greif, Karen. n.d. ‘The Stage Clown in Shakespeare’s Theatre’. https://www.jstor.org/stable/pdf/2870589.pdf?refreqid=excelsior%3A2893e8d4f6127996cbd05296ff32b893.
Grock. n.d. Grock, Life’s a Lark,. London,: W. Heinemann.
‘Hamlet Q1’. n.d. http://stf-theatre.org.uk/wp-content/uploads/2016/02/HAMLET-%E2%80%93-the-1st-Quarto.pdf.
Henke, Robert. 2002. ‘Improvisation and Characters’. In Performance and Literature in the Commedia Dell’arte, 12–30. Cambridge: Cambridge University Press.
Jando, Dominique, and Linda Granfield. 2010. The Circus, 1870s-1950s. Edited by Noel Daniel. Köln: Taschen.
Kerr, Walter. 1975. The Silent Clowns. First edition. New York: Knopf.
LeBank, Ezra, and David Bridel. 2015. Clowns: In Conversation with Modern Masters. First edition. London: Routledge, Taylor & Francis Group. https://bris.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781315719757.
Lecoq, Jacques, Jean-Gabriel Carasso, and Jean-Claude Lallias. 2002. The Moving Body: Teaching Creative Theatre. Rev. ed. London: Methuen.
Lipppincott, H.F. n.d. ‘The Stage Clown in Shakespeare’s Theatre’. https://www.jstor.org/stable/pdf/2869605.pdf?refreqid=excelsior%3Abad1bcc237ca612060b2afc1b7ee0461.
Little, Kenneth. 1995. ‘Little, Kenneth:  Surveilling Cirque Archaos: Transgression and the Spaces of Power in Popular Entertainment’. Journal of Popular Culture 29 (1). https://literature.proquest.com/searchFulltext.do?id=R04164226&divLevel=0&queryId=3096512807252&trailId=167E0C7182A&area=criticism&forward=critref_ft.
Louise, Peacock. n.d. ‘Clowns and Clown Play’. In Serious Play. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089.
Mitchell, Tony. 1984. ‘“Mistero Buffo” - Popular Culture, the Giullari and the Grotesque’. In Dario Fo: People’s Court Jester, 10–24. London: Methuen.
Murray, Simon David. 2003. ‘The Texts of Jacques Lecoq’. In Jacques Lecoq, 43–94. London: Routledge. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=1056897&T=F.
Peabody, Ruth E. 1984. Commedia Works. Lanham, MD : University Press of America.
Peacock, Louise. 2009a. Serious Play: Modern Clown Performance. Bristol, UK: Intellect. https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089.
———. 2009b. ‘The Development of the Circus Clown: Frame and Content’. In Serious Play: Modern Clown Performance, 35–54. Bristol, UK: Intellect. http://public.eblib.com/choice/publicfullrecord.aspx?p=457089.
———. 2013. ‘Conflict and Slapstick in Commedia Dell’Arte — The Double Act of Pantalone and Arlecchino’. Comedy Studies 4 (1): 59–69. https://doi.org/10.1386/cost.4.1.59_1.
Purcell Gates, Laura. 2011. ‘Locating the Self: Narratives and Practices of Authenticity in French Clown Training’. Theatre, Dance and Performance Training 2 (2): 231–42. https://doi.org/10.1080/19443927.2011.553239.
Purcell, Stephen. 2009. Popular Shakespeare: Simulation and Subversion on the Modern Stage. Basingstoke [England]: Palgrave Macmillan.
Robert Hornback. n.d. The English Clown Tradition from the Middle Ages to Shakespeare. https://www.cambridge.org/core/books/english-clown-tradition-from-the-middle-ages-to-shakespeare/687A6E19C65A0A86E351B4B9BCB2521F.
Routledge, Paul. 2012. ‘Sensuous Solidarities: Emotion, Politics and Performance in the Clandestine Insurgent Rebel Clown Army’. Antipode 44 (2): 428–52. https://doi.org/10.1111/j.1467-8330.2010.00862.x.
Rudlin, John. 1994. Commedia Dell’arte: An Actor’s Handbook. London: Routledge. http://catalogue.londonmet.ac.uk/record=b1682859~S1.
Rudlin, John, and Olly Crick. 2001. Commedia Dell’arte: A Handbook for Troupes. London: Routledge.
Schechter, Joel. 2003. Popular Theatre: A Sourcebook. London: Routledge.
———. 2006. ‘Brecht’s Clowns: Man Is Man and After’. Electronic resource. In The Cambridge Companion to Brecht, 68–78. Cambridge: Cambridge University Press. https://doi.org/10.1017/CCOL0521414466.005.
Shakespeare, William. 2014. ‘Twelfth Night (Globe on Screen)’. Twelfth Night. Globe on Screen. https://doi.org/10.5040/9790000000014.01.
Simon, Eli. 2009. The Art of Clowning. 1st ed. New York: Palgrave Macmillan.
St John, Graham. 2008. ‘Protestival: Global Days of Action and Carnivalized Politics in the Present’. Social Movement Studies 7 (2): 167–90. https://doi.org/10.1080/14742830802283550.
Swortzell, Lowell, and C. Walter Hodges. 1978. Here Come the Clowns: A Cavalcade of Comedy from Antiquity to the Present. 1st ed. New York: Viking Press.
Tait, Peta, and Katie Lavers, eds. 2016. The Routledge Circus Studies Reader. First edition. Abingdon, Oxon: Routledge.
Thomson, Peter. n.d. ‘The True Physiognomy of a Man: Richard Tarlton and His Legend’. https://muse.jhu.edu/article/473688/pdf.
Toole-Stott, Raymond. 71AD. Circus and Allied Arts; a World Bibliography, 1500-[1970] Based Mainly on Circus Literature in the British Museum, the Library of Congress, the Bibliothèque Nationale, and on His Own Collection. Derby, Eng.,: Harpur, distributors.
Varro, Gabriella. n.d. ‘Versions of the Clown in Samuel Beckett’s Waiting for Godot and Sam Shepard’s Kicking a Dead Horse’. Hungarian Journal of English and American Studies. https://literature.proquest.com/pageImage.do?ftnum=2277183161&fmt=page&area=criticism&journalid=12187364&articleid=R04416069&pubdate=2010.
Weimann, Robert. n.d. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of the Dramatic Form and Function. Baltimore: Johns Hopkins University Press.
Weimann, Robert, Helen Higbee, and William West. 2000. Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre. Vol. 39. Cambridge: Cambridge University Press. https://bris.idm.oclc.org/login?url=https://doi.org/10.1017/CBO9780511484070.
Wiles, David and Cambridge Books Online (Online service). 1987. Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. Electronic resource. Cambridge: Cambridge University Press. https://bris.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553417.
Willeford, William. 1969. The Fool and His Sceptre: A Study in Clowns and Jesters and Their Audience. London: Edward Arnold.
Wright, John. 2006. Why Is That so Funny?: A Practical Exploration of Physical Comedy. London: Nick Hern Books.
Yarrow, Ralph, and Franc Chamberlain. 2002. Jacques Lecoq and the British Theatre. Vol. 42. London: Routledge. http://ptarpp2.uitm.edu.my/ptarpprack/RAK-14.gif.
Zarrilli, Phillip B. 2002. ‘Dario Fo: The Roar of the Clown’. In Acting (Re)Considered: A Theoretical and Practical Guide, 2nd ed. London: Routledge. http://site.ebrary.com/id/10099645.