‘Accidental Death Of An Anarchist’ (no date). Available at: https://www.youtube.com/watch?v=p10xejjf0pw.
Acting Scenari - La Commedia dell’Arte (no date). Available at: https://sites.google.com/site/italiancommedia/plays-and-scenari/scenari.
Bakhtin, M. (2009) ‘Rabelais and His World’, in T. Prentki and S. Preston (eds) The applied theatre reader. London: Routledge, pp. 22–27. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Bristol&isbn=9780203891315.
Bala, M. (2010) ‘The Clown’, Jung Journal, 4(1), pp. 50–71. Available at: https://doi.org/10.1525/jung.2010.4.1.50.
Barber, C.L. (2012) Shakespeare’s Festive Comedy: a Study of Dramatic Form and Its Relation to Social Custom. New ed. Princeton, N.J.: Princeton University Press. Available at: https://bris.idm.oclc.org/login?url=http://princeton.universitypressscholarship.com/view/10.23943/princeton/9780691149523.001.0001/upso-9780691149523.
Beckett, S. (2010) Waiting for Godot. Available at: https://www.dramaonlinelibrary.com/plays/waiting-for-godot-iid-160142/do-9780571293216-div-00000012.
Behan, T. and dawsonera (2000) Dario Fo: revolutionary theatre [electronic resource], Introduction & Mistero Buffo. London: Pluto Press. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3386066.
Bell, R.H. and Palgrave Connect (Online service) (2011) Shakespeare’s great stage of fools. 1st ed. New York: Palgrave Macmillan.
Bratton, J.S., Featherstone, A., and University of Bristol. Theatre Collection. Mander and Mitchenson Theatre Collection (2006) ‘The Victorian Circus’, in The Victorian clown. Cambridge: Cambridge University Press, pp. 3–29.
Brecht, B. and Nellhaus, G. (no date) Man equals Man (from: Brecht Collected Plays: 2). Available at: https://www.dramaonlinelibrary.com/plays/man-equals-man-iid-137073/do-9781408161418-div-00000008.
Bryden, M. (2010) ‘Clowning with Beckett’, in A companion to Samuel Beckett. Oxford: Wiley-Blackwell, pp. 358–371.
Burgess, H. (no date) Circus techniques. New York: Crowell.
‘Clown Politics: Report on the International Clown-Theatre Congress’ (no date). Available at: https://www.jstor.org/stable/pdf/1146206.pdf.
Croft-Cooke, R. and Cotes, P. (no date) Circus: a world history. London: Elek.
Davison, J. (2015a) Clown training: a practical guide. New York: Palgrave Macmillan.
Davison, J. (2015b) Clown training: a practical guide. New York: Palgrave Macmillan.
Davison, J. (no date) ‘Clown Theory, Technique and Technology’, in Clown, pp. 137–173.
Disher, M.W. (1968a) Clowns & pantomimes. New York,: B. Blom,.
Disher, M.W. (1968b) Clowns & pantomimes. New York,: B. Blom,.
Duncan-Jones, K. (2014) ‘The Life, Death and Afterlife of Richard Tarlton’, The Review of English Studies, 65(268), pp. 18–32. Available at: https://doi.org/10.1093/res/hgs145.
Eldridge, S.A. and Huston, H.W. (2002) ‘Actor Training in the Neutral Mask’, in Acting (re)considered: a theoretical and practical guide. 2nd ed. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=235058.
Farrell, J. (1989) ‘Dario Fo: Zanni and Giullare’, The Commedia dell’arte from the Renaissance to Dario Fo, 6, pp. 315–329.
Findlater, R. (1955) Grimaldi, king of clowns. London,: Macgibbon & Kee,.
Fo, D. (no date) The tricks of the trade. London: Methuen Drama.
Frost, A. and Yarrow, R. (1990) Improvisation in drama. Basingstoke: Macmillan.
Frost, T. (1875) Circus life and circus celebrities. London,: Tinsley Bros.,.
Fuchs, E. (no date) ‘Clown Shows: Anti-Theatricalist Theatricalism in Four Twentieth-Century Plays’. Available at: https://muse.jhu.edu/article/501045/pdf.
George, D.J. and Gossip, C.J. (1993) Studies in the commedia dell’arte. Cardiff: University of Wales Press. Available at: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=006164342&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Gordon, M. (no date) ‘Comic Violence/Sadistic Behaviour’, in Lazzi: the comic routines of the Commedia dell’arte. 1st ed. New York: Performing Arts Journal Publications, pp. 14–20.
Greenwood, I.J. (1970) The circus, its origin and growth prior to 1835. New York: B. Franklin.
Greif, K. (no date) ‘The stage clown in Shakespeare’s theatre’. Available at: https://www.jstor.org/stable/pdf/2870589.pdf?refreqid=excelsior%3A2893e8d4f6127996cbd05296ff32b893.
Grock (no date) Grock, life’s a lark,. London,: W. Heinemann.
‘Hamlet Q1’ (no date). Available at: http://stf-theatre.org.uk/wp-content/uploads/2016/02/HAMLET-%E2%80%93-the-1st-Quarto.pdf.
Henke, R. (2002) ‘Improvisation and characters’, in Performance and literature in the commedia dell’arte. Cambridge: Cambridge University Press, pp. 12–30.
Jando, D. and Granfield, L. (2010) The circus, 1870s-1950s. Edited by N. Daniel. Köln: Taschen.
Kerr, W. (1975) The silent clowns. First edition. New York: Knopf.
LeBank, E. and Bridel, D. (2015) Clowns: in conversation with modern masters. First edition. London: Routledge, Taylor & Francis Group. Available at: https://bris.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781315719757.
Lecoq, J., Carasso, J.-G. and Lallias, J.-C. (2002) The moving body: teaching creative theatre. Rev. ed. London: Methuen.
Lipppincott, H.F. (no date) ‘The stage clown in Shakespeare’s theatre’. Available at: https://www.jstor.org/stable/pdf/2869605.pdf?refreqid=excelsior%3Abad1bcc237ca612060b2afc1b7ee0461.
Little, Kenneth (1995) ‘Little, Kenneth:  Surveilling Cirque Archaos: Transgression and the spaces of power in popular entertainment’, Journal of Popular Culture, 29(1). Available at: https://literature.proquest.com/searchFulltext.do?id=R04164226&divLevel=0&queryId=3096512807252&trailId=167E0C7182A&area=criticism&forward=critref_ft.
Louise, P. (no date) ‘Clowns and Clown Play’, in Serious Play. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089.
Mitchell, T. (1984) ‘“Mistero buffo” - popular culture, the giullari and the grotesque’, in Dario Fo: people’s court jester. London: Methuen, pp. 10–24.
Murray, S.D. (2003) ‘The Texts of Jacques Lecoq’, in Jacques Lecoq. London: Routledge, pp. 43–94. Available at: http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=1056897&T=F.
Peabody, R.E. (1984) Commedia works. Lanham, MD : University Press of America.
Peacock, L. (2009a) Serious play: modern clown performance. Bristol, UK: Intellect. Available at: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089.
Peacock, L. (2009b) ‘The Development of the Circus Clown: Frame and Content’, in Serious play: modern clown performance. Bristol, UK: Intellect, pp. 35–54. Available at: http://public.eblib.com/choice/publicfullrecord.aspx?p=457089.
Peacock, L. (2013) ‘Conflict and slapstick in Commedia dell’Arte — The double act of Pantalone and Arlecchino’, Comedy Studies, 4(1), pp. 59–69. Available at: https://doi.org/10.1386/cost.4.1.59_1.
Purcell Gates, L. (2011) ‘Locating the self: narratives and practices of authenticity in French clown training’, Theatre, Dance and Performance Training, 2(2), pp. 231–242. Available at: https://doi.org/10.1080/19443927.2011.553239.
Purcell, S. (2009) Popular Shakespeare: simulation and subversion on the modern stage. Basingstoke [England]: Palgrave Macmillan.
Robert Hornback (no date) The English Clown Tradition from the Middle Ages to Shakespeare. Available at: https://www.cambridge.org/core/books/english-clown-tradition-from-the-middle-ages-to-shakespeare/687A6E19C65A0A86E351B4B9BCB2521F.
Routledge, P. (2012) ‘Sensuous Solidarities: Emotion, Politics and Performance in the Clandestine Insurgent Rebel Clown Army’, Antipode, 44(2), pp. 428–452. Available at: https://doi.org/10.1111/j.1467-8330.2010.00862.x.
Rudlin, J. (1994) Commedia dell’arte: an actor’s handbook. London: Routledge. Available at: http://catalogue.londonmet.ac.uk/record=b1682859~S1.
Rudlin, J. and Crick, O. (2001) Commedia dell’arte: a handbook for troupes. London: Routledge.
Schechter, J. (2003) Popular theatre: a sourcebook. London: Routledge.
Schechter, J. (2006) ‘Brecht’s clowns: Man is Man and after’, in The Cambridge companion to Brecht. Cambridge: Cambridge University Press, pp. 68–78. Available at: https://doi.org/10.1017/CCOL0521414466.005.
Shakespeare, W. (2014) ‘Twelfth Night (Globe on Screen)’, Twelfth Night. Globe on Screen. Available at: https://doi.org/10.5040/9790000000014.01.
Simon, E. (2009) The art of clowning. 1st ed. New York: Palgrave Macmillan.
St John, G. (2008) ‘Protestival: Global Days of Action and Carnivalized Politics in the Present’, Social Movement Studies, 7(2), pp. 167–190. Available at: https://doi.org/10.1080/14742830802283550.
Swortzell, L. and Hodges, C.W. (1978) Here come the clowns: a cavalcade of comedy from antiquity to the present. 1st ed. New York: Viking Press.
Tait, P. and Lavers, K. (eds) (2016) The Routledge Circus Studies reader. First edition. Abingdon, Oxon: Routledge.
Thomson, P. (no date) ‘The True Physiognomy of a Man: Richard Tarlton and His Legend’. Available at: https://muse.jhu.edu/article/473688/pdf.
Toole-Stott, Raymond. (71AD) Circus and allied arts; a world bibliography, 1500-[1970] based mainly on circus literature in the British Museum, the Library of Congress, the Bibliothèque Nationale, and on his own collection. Derby, Eng.,: Harpur, distributors.
Varro, G. (no date) ‘Versions of the Clown in Samuel Beckett’s Waiting for Godot and Sam Shepard’s Kicking a Dead Horse’, Hungarian Journal of English and American Studies [Preprint]. Available at: https://literature.proquest.com/pageImage.do?ftnum=2277183161&fmt=page&area=criticism&journalid=12187364&articleid=R04416069&pubdate=2010.
Weimann, R. (no date) Shakespeare and the popular tradition in the theater: studies in the social dimension of the dramatic form and function. Baltimore: Johns Hopkins University Press.
Weimann, R., Higbee, H. and West, W. (2000) Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre. Cambridge: Cambridge University Press. Available at: https://bris.idm.oclc.org/login?url=https://doi.org/10.1017/CBO9780511484070.
Wiles, D. and Cambridge Books Online (Online service) (1987) Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse [electronic resource]. Cambridge: Cambridge University Press. Available at: https://bris.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553417.
Willeford, W. (1969) The fool and his sceptre: a study in clowns and jesters and their audience. London: Edward Arnold.
Wright, J. (2006) Why is that so funny?: a practical exploration of physical comedy. London: Nick Hern Books.
Yarrow, R. and Chamberlain, F. (2002) Jacques Lecoq and the British theatre. London: Routledge. Available at: http://ptarpp2.uitm.edu.my/ptarpprack/RAK-14.gif.
Zarrilli, P.B. (2002) ‘Dario Fo: The roar of the clown’, in Acting (re)considered: a theoretical and practical guide. 2nd ed. London: Routledge. Available at: http://site.ebrary.com/id/10099645.