‘Accidental Death Of An Anarchist’. Web. <https://www.youtube.com/watch?v=p10xejjf0pw>.
‘Acting Scenari - La Commedia Dell’Arte’. N.p., n.d. Web. <https://sites.google.com/site/italiancommedia/plays-and-scenari/scenari>.
Bakhtin, Mikhail. ‘Rabelais and His World’. The Applied Theatre Reader. Ed. Tim Prentki and Sheila Preston. London: Routledge, 2009. 22–27. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Bristol&isbn=9780203891315>.
Bala, Michael. ‘The Clown’. Jung Journal 4.1 (2010): 50–71. Web.
Barber, C. L. Shakespeare’s Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom. New ed. Princeton, N.J.: Princeton University Press, 2012. Web. <https://bris.idm.oclc.org/login?url=http://princeton.universitypressscholarship.com/view/10.23943/princeton/9780691149523.001.0001/upso-9780691149523>.
Beckett, Samuel. Waiting for Godot. N.p., 2010. Web. <https://www.dramaonlinelibrary.com/plays/waiting-for-godot-iid-160142/do-9780571293216-div-00000012>.
Behan, Tom and dawsonera. Dario Fo: Revolutionary Theatre. London: Pluto Press, 2000. Web. <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3386066>.
Bell, Robert H. and Palgrave Connect (Online service). Shakespeare’s Great Stage of Fools. 1st ed. New York: Palgrave Macmillan, 2011. Print.
Bratton, J. S., Ann Featherstone, and University of Bristol. Theatre Collection. Mander and Mitchenson Theatre Collection. ‘The Victorian Circus’. The Victorian Clown. Cambridge: Cambridge University Press, 2006. 3–29. Print.
Brecht, Bertolt, and Gerhard Nellhaus. Man Equals Man (from: Brecht Collected Plays: 2). N.p. Web. <https://www.dramaonlinelibrary.com/plays/man-equals-man-iid-137073/do-9781408161418-div-00000008>.
Bryden, Mary. ‘Clowning with Beckett’. A Companion to Samuel Beckett. Oxford: Wiley-Blackwell, 2010. 358–371. Print.
Burgess, Hovey. Circus Techniques. New York: Crowell. Print.
‘Clown Politics: Report on the International Clown-Theatre Congress’. n. pag. Web. <https://www.jstor.org/stable/pdf/1146206.pdf>.
Croft-Cooke, Rupert, and Peter Cotes. Circus: A World History. London: Elek. Print.
Davison, Jon. ‘Clown Theory, Technique and Technology’. Clown. N.p. 137–173. Print.
---. Clown Training: A Practical Guide. New York: Palgrave Macmillan, 2015. Print.
---. Clown Training: A Practical Guide. New York: Palgrave Macmillan, 2015. Print.
Disher, M. Willson. Clowns & Pantomimes. New York,: B. Blom, 1968. Print.
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Duncan-Jones, K. ‘The Life, Death and Afterlife of Richard Tarlton’. The Review of English Studies 65.268 (2014): 18–32. Web.
Eldridge, Sears A., and Hollis W. Huston. ‘Actor Training in the Neutral Mask’. Acting (Re)Considered: A Theoretical and Practical Guide. 2nd ed. London: Routledge, 2002. Web. <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=235058>.
Farrell, Joseph. ‘Dario Fo: Zanni and Giullare’. The Commedia dell’arte from the Renaissance to Dario Fo 6 (1989): 315–329. Print.
Findlater, Richard. Grimaldi, King of Clowns. London,: Macgibbon & Kee, 1955. Print.
Fo, Dario. The Tricks of the Trade. London: Methuen Drama. Print.
Frost, Anthony, and Ralph Yarrow. Improvisation in Drama. Basingstoke: Macmillan, 1990. Print.
Frost, Thomas. Circus Life and Circus Celebrities. London,: Tinsley Bros., 1875. Print.
Fuchs, Elinor. ‘Clown Shows: Anti-Theatricalist Theatricalism in Four Twentieth-Century Plays’. n. pag. Web. <https://muse.jhu.edu/article/501045/pdf>.
George, David J., and Christopher J. Gossip. Studies in the Commedia Dell’arte. Cardiff: University of Wales Press, 1993. Web. <http://bvbr.bib-bvb.de:8991/F?func=service&amp;doc_library=BVB01&amp;local_base=BVB01&amp;doc_number=006164342&amp;line_number=0001&amp;func_code=DB_RECORDS&amp;service_type=MEDIA>.
Gordon, Mel. ‘Comic Violence/Sadistic Behaviour’. Lazzi: The Comic Routines of the Commedia Dell’arte. 1st ed. New York: Performing Arts Journal Publications. 14–20. Print.
Greenwood, Isaac J. The Circus, Its Origin and Growth Prior to 1835. Vol. 12. New York: B. Franklin, 1970. Print.
Greif, Karen. ‘The Stage Clown in Shakespeare’s Theatre’. n. pag. Web. <https://www.jstor.org/stable/pdf/2870589.pdf?refreqid=excelsior%3A2893e8d4f6127996cbd05296ff32b893>.
Grock. Grock, Life’s a Lark,. London,: W. Heinemann. Print.
‘Hamlet Q1’. Web. <http://stf-theatre.org.uk/wp-content/uploads/2016/02/HAMLET-%E2%80%93-the-1st-Quarto.pdf>.
Henke, Robert. ‘Improvisation and Characters’. Performance and Literature in the Commedia Dell’arte. Cambridge: Cambridge University Press, 2002. 12–30. Print.
Jando, Dominique, and Linda Granfield. The Circus, 1870s-1950s. Ed. Noel Daniel. Köln: Taschen, 2010. Print.
Kerr, Walter. The Silent Clowns. First edition. New York: Knopf, 1975. Print.
LeBank, Ezra, and David Bridel. Clowns: In Conversation with Modern Masters. First edition. London: Routledge, Taylor & Francis Group, 2015. Web. <https://bris.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781315719757>.
Lecoq, Jacques, Jean-Gabriel Carasso, and Jean-Claude Lallias. The Moving Body: Teaching Creative Theatre. Rev. ed. London: Methuen, 2002. Print.
Lipppincott, H.F. ‘The Stage Clown in Shakespeare’s Theatre’. n. pag. Web. <https://www.jstor.org/stable/pdf/2869605.pdf?refreqid=excelsior%3Abad1bcc237ca612060b2afc1b7ee0461>.
Little, Kenneth. ‘Little, Kenneth:  Surveilling Cirque Archaos: Transgression and the Spaces of Power in Popular Entertainment’. Journal of Popular Culture 29.1 (1995): n. pag. Web. <https://literature.proquest.com/searchFulltext.do?id=R04164226&amp;divLevel=0&amp;queryId=3096512807252&amp;trailId=167E0C7182A&amp;area=criticism&amp;forward=critref_ft>.
Louise, Peacock. ‘Clowns and Clown Play’. Serious Play. N.p. Web. <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089>.
Mitchell, Tony. ‘“Mistero Buffo” - Popular Culture, the Giullari and the Grotesque’. Dario Fo: People’s Court Jester. London: Methuen, 1984. 10–24. Print.
Murray, Simon David. ‘The Texts of Jacques Lecoq’. Jacques Lecoq. London: Routledge, 2003. 43–94. Web. <http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=1056897&amp;T=F>.
Peabody, Ruth E. Commedia Works. Lanham, MD : University Press of America, 1984. Print.
Peacock, Louise. ‘Conflict and Slapstick in Commedia Dell’Arte — The Double Act of Pantalone and Arlecchino’. Comedy Studies 4.1 (2013): 59–69. Web.
---. Serious Play: Modern Clown Performance. Bristol, UK: Intellect, 2009. Web. <https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089>.
---. ‘The Development of the Circus Clown: Frame and Content’. Serious Play: Modern Clown Performance. Bristol, UK: Intellect, 2009. 35–54. Web. <http://public.eblib.com/choice/publicfullrecord.aspx?p=457089>.
Purcell Gates, Laura. ‘Locating the Self: Narratives and Practices of Authenticity in French Clown Training’. Theatre, Dance and Performance Training 2.2 (2011): 231–242. Web.
Purcell, Stephen. Popular Shakespeare: Simulation and Subversion on the Modern Stage. Basingstoke [England]: Palgrave Macmillan, 2009. Print.
Robert Hornback. The English Clown Tradition from the Middle Ages to Shakespeare. N.p. Web. <https://www.cambridge.org/core/books/english-clown-tradition-from-the-middle-ages-to-shakespeare/687A6E19C65A0A86E351B4B9BCB2521F>.
Routledge, Paul. ‘Sensuous Solidarities: Emotion, Politics and Performance in the Clandestine Insurgent Rebel Clown Army’. Antipode 44.2 (2012): 428–452. Web.
Rudlin, John. Commedia Dell’arte: An Actor’s Handbook. London: Routledge, 1994. Web. <http://catalogue.londonmet.ac.uk/record=b1682859~S1>.
Rudlin, John, and Olly Crick. Commedia Dell’arte: A Handbook for Troupes. London: Routledge, 2001. Print.
Schechter, Joel. ‘Brecht’s Clowns: Man Is Man and After’. The Cambridge Companion to Brecht. Cambridge: Cambridge University Press, 2006. 68–78. Web. <https://www.cambridge.org/core/product/identifier/CBO9780511999826A011/type/book_part>.
---. Popular Theatre: A Sourcebook. London: Routledge, 2003. Print.
Shakespeare, William. ‘Twelfth Night (Globe on Screen)’. Twelfth Night 2014. Web. <http://www.dramaonlinelibrary.com/plays/twelfth-night-globe-on-screen-iid-154877>.
Simon, Eli. The Art of Clowning. 1st ed. New York: Palgrave Macmillan, 2009. Print.
St John, Graham. ‘Protestival: Global Days of Action and Carnivalized Politics in the Present’. Social Movement Studies 7.2 (2008): 167–190. Web.
Swortzell, Lowell, and C. Walter Hodges. Here Come the Clowns: A Cavalcade of Comedy from Antiquity to the Present. 1st ed. New York: Viking Press, 1978. Print.
Tait, Peta, and Katie Lavers, eds. The Routledge Circus Studies Reader. First edition. Abingdon, Oxon: Routledge, 2016. Print.
Thomson, Peter. ‘The True Physiognomy of a Man: Richard Tarlton and His Legend’. n. pag. Web. <https://muse.jhu.edu/article/473688/pdf>.
Toole-Stott, Raymond. Circus and Allied Arts; a World Bibliography, 1500-[1970] Based Mainly on Circus Literature in the British Museum, the Library of Congress, the Bibliothèque Nationale, and on His Own Collection. Derby, Eng.,: Harpur, distributors, 71AD. Print.
Varro, Gabriella. ‘Versions of the Clown in Samuel Beckett’s Waiting for Godot and Sam Shepard’s Kicking a Dead Horse’. Hungarian Journal of English and American Studies n. pag. Web. <https://literature.proquest.com/pageImage.do?ftnum=2277183161&amp;fmt=page&amp;area=criticism&amp;journalid=12187364&amp;articleid=R04416069&amp;pubdate=2010>.
Weimann, Robert. Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of the Dramatic Form and Function. Baltimore: Johns Hopkins University Press. Print.
Weimann, Robert, Helen Higbee, and William West. Author’s Pen and Actor’s Voice: Playing and Writing in Shakespeare’s Theatre. Vol. 39. Cambridge: Cambridge University Press, 2000. Web. <https://bris.idm.oclc.org/login?url=https://doi.org/10.1017/CBO9780511484070>.
Wiles, David and Cambridge Books Online (Online service). Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. Cambridge: Cambridge University Press, 1987. Web. <https://bris.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553417>.
Willeford, William. The Fool and His Sceptre: A Study in Clowns and Jesters and Their Audience. London: Edward Arnold, 1969. Print.
Wright, John. Why Is That so Funny?: A Practical Exploration of Physical Comedy. London: Nick Hern Books, 2006. Print.
Yarrow, Ralph, and Franc Chamberlain. Jacques Lecoq and the British Theatre. Vol. 42. London: Routledge, 2002. Web. <http://ptarpp2.uitm.edu.my/ptarpprack/RAK-14.gif>.
Zarrilli, Phillip B. ‘Dario Fo: The Roar of the Clown’. Acting (Re)Considered: A Theoretical and Practical Guide. 2nd ed. London: Routledge, 2002. Web. <http://site.ebrary.com/id/10099645>.