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J. Davison, ‘Clown Theory, Technique and Technology’, in Clown, pp. 137–173.
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P. Louise, ‘Clowns and Clown Play’, in Serious Play, [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089
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R. Henke, ‘Improvisation and characters’, in Performance and literature in the commedia dell’arte, Cambridge: Cambridge University Press, 2002, pp. 12–30.
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L. Peacock, ‘Conflict and slapstick in Commedia dell’Arte — The double act of Pantalone and Arlecchino’, Comedy Studies, vol. 4, no. 1, pp. 59–69, Jan. 2013, doi: 10.1386/cost.4.1.59_1.
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‘Acting Scenari - La Commedia dell’Arte’. [Online]. Available: https://sites.google.com/site/italiancommedia/plays-and-scenari/scenari
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M. Bakhtin, ‘Rabelais and His World’, in The applied theatre reader, T. Prentki and S. Preston, Eds. London: Routledge, 2009, pp. 22–27 [Online]. Available: http://www.vlebooks.com/vleweb/product/openreader?id=Bristol&isbn=9780203891315
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Robert Hornback, The English Clown Tradition from the Middle Ages to Shakespeare. [Online]. Available: https://www.cambridge.org/core/books/english-clown-tradition-from-the-middle-ages-to-shakespeare/687A6E19C65A0A86E351B4B9BCB2521F
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W. Willeford, The fool and his sceptre: a study in clowns and jesters and their audience. London: Edward Arnold, 1969.
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R. E. Peabody, Commedia works. Lanham, MD : University Press of America, 1984.
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P. Thomson, ‘The True Physiognomy of a Man: Richard Tarlton and His Legend’ [Online]. Available: https://muse.jhu.edu/article/473688/pdf
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D. Wiles and Cambridge Books Online (Online service), Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse. Cambridge: Cambridge University Press, 1987 [Online]. Available: https://bris.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553417
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W. Shakespeare, ‘Twelfth Night (Globe on Screen)’, Twelfth Night. Globe on Screen, 2014 [Online]. Available: http://www.dramaonlinelibrary.com/plays/twelfth-night-globe-on-screen-iid-154877
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‘Hamlet Q1’. [Online]. Available: http://stf-theatre.org.uk/wp-content/uploads/2016/02/HAMLET-%E2%80%93-the-1st-Quarto.pdf
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C. L. Barber, Shakespeare’s Festive Comedy: a Study of Dramatic Form and Its Relation to Social Custom, New ed. Princeton, N.J.: Princeton University Press, 2012 [Online]. Available: https://bris.idm.oclc.org/login?url=http://princeton.universitypressscholarship.com/view/10.23943/princeton/9780691149523.001.0001/upso-9780691149523
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R. H. Bell and Palgrave Connect (Online service), Shakespeare’s great stage of fools, 1st ed. New York: Palgrave Macmillan, 2011.
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K. Greif, ‘The stage clown in Shakespeare’s theatre’ [Online]. Available: https://www.jstor.org/stable/pdf/2870589.pdf?refreqid=excelsior%3A2893e8d4f6127996cbd05296ff32b893
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H. F. Lipppincott, ‘The stage clown in Shakespeare’s theatre’ [Online]. Available: https://www.jstor.org/stable/pdf/2869605.pdf?refreqid=excelsior%3Abad1bcc237ca612060b2afc1b7ee0461
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S. Purcell, Popular Shakespeare: simulation and subversion on the modern stage. Basingstoke [England]: Palgrave Macmillan, 2009.
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R. Weimann, H. Higbee, and W. West, Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre, vol. 39. Cambridge: Cambridge University Press, 2000 [Online]. Available: https://bris.idm.oclc.org/login?url=https://doi.org/10.1017/CBO9780511484070
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R. Weimann, Shakespeare and the popular tradition in the theater: studies in the social dimension of the dramatic form and function. Baltimore: Johns Hopkins University Press.
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J. S. Bratton, A. Featherstone, and University of Bristol. Theatre Collection. Mander and Mitchenson Theatre Collection, ‘The Victorian Circus’, in The Victorian clown, Cambridge: Cambridge University Press, 2006, pp. 3–29.
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L. Peacock, ‘The Development of the Circus Clown: Frame and Content’, in Serious play: modern clown performance, Bristol, UK: Intellect, 2009, pp. 35–54 [Online]. Available: http://public.eblib.com/choice/publicfullrecord.aspx?p=457089
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M. W. Disher, Clowns & pantomimes. New York,: B. Blom, 1968.
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R. Findlater, Grimaldi, king of clowns. London,: Macgibbon & Kee, 1955.
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Grock, Grock, life’s a lark,. London,: W. Heinemann.
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Little, Kenneth, ‘Little, Kenneth:  Surveilling Cirque Archaos: Transgression and the spaces of power in popular entertainment’, Journal of Popular Culture, vol. 29, no. 1, 1995 [Online]. Available: https://literature.proquest.com/searchFulltext.do?id=R04164226&divLevel=0&queryId=3096512807252&trailId=167E0C7182A&area=criticism&forward=critref_ft
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T. Behan and dawsonera, Dario Fo: revolutionary theatre. London: Pluto Press, 2000 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3386066
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‘Accidental Death Of An Anarchist’. [Online]. Available: https://www.youtube.com/watch?v=p10xejjf0pw
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T. Mitchell, ‘“Mistero buffo” - popular culture, the giullari and the grotesque’, in Dario Fo: people’s court jester, London: Methuen, 1984, pp. 10–24.
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J. Farrell, ‘Dario Fo: Zanni and Giullare’, The Commedia dell’arte from the Renaissance to Dario Fo, vol. 6, pp. 315–329, 1989.
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P. Routledge, ‘Sensuous Solidarities: Emotion, Politics and Performance in the Clandestine Insurgent Rebel Clown Army’, Antipode, vol. 44, no. 2, pp. 428–452, Mar. 2012, doi: 10.1111/j.1467-8330.2010.00862.x.
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G. St John, ‘Protestival: Global Days of Action and Carnivalized Politics in the Present’, Social Movement Studies, vol. 7, no. 2, pp. 167–190, Sep. 2008, doi: 10.1080/14742830802283550.
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‘Clown Politics: Report on the International Clown-Theatre Congress’ [Online]. Available: https://www.jstor.org/stable/pdf/1146206.pdf
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P. B. Zarrilli, ‘Dario Fo: The roar of the clown’, in Acting (re)considered: a theoretical and practical guide, 2nd ed., London: Routledge, 2002 [Online]. Available: http://site.ebrary.com/id/10099645
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D. Fo, The tricks of the trade. London: Methuen Drama.
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S. D. Murray, ‘The Texts of Jacques Lecoq’, in Jacques Lecoq, London: Routledge, 2003, pp. 43–94 [Online]. Available: http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=1056897&T=F
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L. Purcell Gates, ‘Locating the self: narratives and practices of authenticity in French clown training’, Theatre, Dance and Performance Training, vol. 2, no. 2, pp. 231–242, Sep. 2011, doi: 10.1080/19443927.2011.553239.
[42]
J. Davison, Clown training: a practical guide. New York: Palgrave Macmillan, 2015.
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S. A. Eldridge and H. W. Huston, ‘Actor Training in the Neutral Mask’, in Acting (re)considered: a theoretical and practical guide, 2nd ed., London: Routledge, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=235058
[44]
J. Lecoq, J.-G. Carasso, and J.-C. Lallias, The moving body: teaching creative theatre, Rev. ed. London: Methuen, 2002.
[45]
E. LeBank and D. Bridel, Clowns: in conversation with modern masters, First edition. London: Routledge, Taylor & Francis Group, 2015 [Online]. Available: https://bris.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781315719757
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R. Yarrow and F. Chamberlain, Jacques Lecoq and the British theatre, vol. 42. London: Routledge, 2002 [Online]. Available: http://ptarpp2.uitm.edu.my/ptarpprack/RAK-14.gif
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J. Davison, Clown training: a practical guide. New York: Palgrave Macmillan, 2015.
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J. Rudlin, Commedia dell’arte: an actor’s handbook. London: Routledge, 1994 [Online]. Available: http://catalogue.londonmet.ac.uk/record=b1682859~S1
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J. Rudlin and O. Crick, Commedia dell’arte: a handbook for troupes. London: Routledge, 2001.
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E. Simon, The art of clowning, 1st ed. New York: Palgrave Macmillan, 2009.
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J. Wright, Why is that so funny?: a practical exploration of physical comedy. London: Nick Hern Books, 2006.
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S. Beckett, Waiting for Godot. 2010 [Online]. Available: https://www.dramaonlinelibrary.com/plays/waiting-for-godot-iid-160142/do-9780571293216-div-00000012
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B. Brecht and G. Nellhaus, Man equals Man (from: Brecht Collected Plays: 2). [Online]. Available: https://www.dramaonlinelibrary.com/plays/man-equals-man-iid-137073/do-9781408161418-div-00000008
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M. Bryden, ‘Clowning with Beckett’, in A companion to Samuel Beckett, Oxford: Wiley-Blackwell, 2010, pp. 358–371.
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H. Burgess, Circus techniques. New York: Crowell.
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R. Croft-Cooke and P. Cotes, Circus: a world history. London: Elek.
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M. W. Disher, Clowns & pantomimes. New York,: B. Blom, 1968.
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A. Frost and R. Yarrow, Improvisation in drama. Basingstoke: Macmillan, 1990.
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T. Frost, Circus life and circus celebrities. London,: Tinsley Bros., 1875.
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E. Fuchs, ‘Clown Shows: Anti-Theatricalist Theatricalism in Four Twentieth-Century Plays’ [Online]. Available: https://muse.jhu.edu/article/501045/pdf
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I. J. Greenwood, The circus, its origin and growth prior to 1835, vol. 12. New York: B. Franklin, 1970.
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D. Jando and L. Granfield, The circus, 1870s-1950s. Köln: Taschen, 2010.
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W. Kerr, The silent clowns, First edition. New York: Knopf, 1975.
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L. Peacock, Serious play: modern clown performance. Bristol, UK: Intellect, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089
[65]
J. Schechter, Popular theatre: a sourcebook. London: Routledge, 2003.
[66]
J. Schechter, ‘Brecht’s clowns: Man is Man and after’, in The Cambridge companion to Brecht, Cambridge: Cambridge University Press, 2006, pp. 68–78 [Online]. Available: https://www.cambridge.org/core/product/identifier/CBO9780511999826A011/type/book_part
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L. Swortzell and C. W. Hodges, Here come the clowns: a cavalcade of comedy from antiquity to the present, 1st ed. New York: Viking Press, 1978.
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Raymond. Toole-Stott, Circus and allied arts; a world bibliography, 1500-[1970] based mainly on circus literature in the British Museum, the Library of Congress, the Bibliothèque Nationale, and on his own collection. Derby, Eng.,: Harpur, distributors, 71AD.
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P. Tait and K. Lavers, Eds., The Routledge Circus Studies reader, First edition. Abingdon, Oxon: Routledge, 2016.
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G. Varro, ‘Versions of the Clown in Samuel Beckett’s Waiting for Godot and Sam Shepard’s Kicking a Dead Horse’, Hungarian Journal of English and American Studies [Online]. Available: https://literature.proquest.com/pageImage.do?ftnum=2277183161&fmt=page&area=criticism&journalid=12187364&articleid=R04416069&pubdate=2010