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Bala M. The Clown. Jung Journal. 2010 Jan;4(1):50–71.
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Davison J. Clown Theory, Technique and Technology. In: Clown. p. 137–73.
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Louise P. Clowns and Clown Play. In: Serious Play [Internet]. Available from: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=457089
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Henke R. Improvisation and characters. In: Performance and literature in the commedia dell’arte. Cambridge: Cambridge University Press; 2002. p. 12–30.
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Peacock L. Conflict and slapstick in Commedia dell’Arte — The double act of Pantalone and Arlecchino. Comedy Studies. 2013 Jan;4(1):59–69.
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Gordon M. Comic Violence/Sadistic Behaviour. In: Lazzi: the comic routines of the Commedia dell’arte. 1st ed. New York: Performing Arts Journal Publications; p. 14–20.
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Acting Scenari - La Commedia dell’Arte [Internet]. Available from: https://sites.google.com/site/italiancommedia/plays-and-scenari/scenari
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Bakhtin M. Rabelais and His World. In: Prentki T, Preston S, editors. The applied theatre reader [Internet]. London: Routledge; 2009. p. 22–7. Available from: http://www.vlebooks.com/vleweb/product/openreader?id=Bristol&isbn=9780203891315
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Robert Hornback. The English Clown Tradition from the Middle Ages to Shakespeare [Internet]. Available from: https://www.cambridge.org/core/books/english-clown-tradition-from-the-middle-ages-to-shakespeare/687A6E19C65A0A86E351B4B9BCB2521F
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Willeford W. The fool and his sceptre: a study in clowns and jesters and their audience. London: Edward Arnold; 1969.
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Thomson P. The True Physiognomy of a Man: Richard Tarlton and His Legend. Available from: https://muse.jhu.edu/article/473688/pdf
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Wiles D, Cambridge Books Online (Online service). Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse [Internet]. Cambridge: Cambridge University Press; 1987. Available from: https://bris.idm.oclc.org/login?url=http://dx.doi.org/10.1017/CBO9780511553417
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Shakespeare W. Twelfth Night (Globe on Screen) [Internet]. Twelfth Night. Globe on Screen; 2014. Available from: http://www.dramaonlinelibrary.com/plays/twelfth-night-globe-on-screen-iid-154877
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Hamlet Q1 [Internet]. Available from: http://stf-theatre.org.uk/wp-content/uploads/2016/02/HAMLET-%E2%80%93-the-1st-Quarto.pdf
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Barber CL. Shakespeare’s Festive Comedy: a Study of Dramatic Form and Its Relation to Social Custom [Internet]. New ed. Princeton, N.J.: Princeton University Press; 2012. Available from: https://bris.idm.oclc.org/login?url=http://princeton.universitypressscholarship.com/view/10.23943/princeton/9780691149523.001.0001/upso-9780691149523
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Bell RH, Palgrave Connect (Online service). Shakespeare’s great stage of fools. 1st ed. New York: Palgrave Macmillan; 2011.
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Duncan-Jones K. The Life, Death and Afterlife of Richard Tarlton. The Review of English Studies. 2014 Feb 1;65(268):18–32.
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Lipppincott HF. The stage clown in Shakespeare’s theatre. Available from: https://www.jstor.org/stable/pdf/2869605.pdf?refreqid=excelsior%3Abad1bcc237ca612060b2afc1b7ee0461
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Purcell S. Popular Shakespeare: simulation and subversion on the modern stage. Basingstoke [England]: Palgrave Macmillan; 2009.
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Weimann R, Higbee H, West W. Author’s pen and actor’s voice: playing and writing in Shakespeare’s theatre [Internet]. Vol. 39. Cambridge: Cambridge University Press; 2000. Available from: https://bris.idm.oclc.org/login?url=https://doi.org/10.1017/CBO9780511484070
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Weimann R. Shakespeare and the popular tradition in the theater: studies in the social dimension of the dramatic form and function. Baltimore: Johns Hopkins University Press;
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Behan T, dawsonera. Dario Fo: revolutionary theatre [Internet]. Introduction & Mistero Buffo. London: Pluto Press; 2000. Available from: https://ebookcentral.proquest.com/lib/bristol/detail.action?docID=3386066
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Accidental Death Of An Anarchist [Internet]. Available from: https://www.youtube.com/watch?v=p10xejjf0pw
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Mitchell T. ‘Mistero buffo’ - popular culture, the giullari and the grotesque. In: Dario Fo: people’s court jester. London: Methuen; 1984. p. 10–24.
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Farrell J. Dario Fo: Zanni and Giullare. The Commedia dell’arte from the Renaissance to Dario Fo. 1989;6:315–29.
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Routledge P. Sensuous Solidarities: Emotion, Politics and Performance in the Clandestine Insurgent Rebel Clown Army. Antipode. 2012 Mar;44(2):428–52.
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St John G. Protestival: Global Days of Action and Carnivalized Politics in the Present. Social Movement Studies. 2008 Sep;7(2):167–90.
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Clown Politics: Report on the International Clown-Theatre Congress. Available from: https://www.jstor.org/stable/pdf/1146206.pdf
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Zarrilli PB. Dario Fo: The roar of the clown. In: Acting (re)considered: a theoretical and practical guide [Internet]. 2nd ed. London: Routledge; 2002. Available from: http://site.ebrary.com/id/10099645
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Purcell Gates L. Locating the self: narratives and practices of authenticity in French clown training. Theatre, Dance and Performance Training. 2011 Sep;2(2):231–42.
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Davison J. Clown training: a practical guide. New York: Palgrave Macmillan; 2015.
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Lecoq J, Carasso JG, Lallias JC. The moving body: teaching creative theatre. Rev. ed. London: Methuen; 2002.
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LeBank E, Bridel D. Clowns: in conversation with modern masters [Internet]. First edition. London: Routledge, Taylor & Francis Group; 2015. Available from: https://bris.idm.oclc.org/login?url=https://www.taylorfrancis.com/books/9781315719757
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Yarrow R, Chamberlain F. Jacques Lecoq and the British theatre [Internet]. Vol. 42. London: Routledge; 2002. Available from: http://ptarpp2.uitm.edu.my/ptarpprack/RAK-14.gif
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Davison J. Clown training: a practical guide. New York: Palgrave Macmillan; 2015.
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Rudlin J. Commedia dell’arte: an actor’s handbook [Internet]. London: Routledge; 1994. Available from: http://catalogue.londonmet.ac.uk/record=b1682859~S1
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Rudlin J, Crick O. Commedia dell’arte: a handbook for troupes. London: Routledge; 2001.
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Simon E. The art of clowning. 1st ed. New York: Palgrave Macmillan; 2009.
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Wright J. Why is that so funny?: a practical exploration of physical comedy. London: Nick Hern Books; 2006.
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Beckett S. Waiting for Godot [Internet]. 2010. Available from: https://www.dramaonlinelibrary.com/plays/waiting-for-godot-iid-160142/do-9780571293216-div-00000012
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Brecht B, Nellhaus G. Man equals Man (from: Brecht Collected Plays: 2) [Internet]. Available from: https://www.dramaonlinelibrary.com/plays/man-equals-man-iid-137073/do-9781408161418-div-00000008
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Bryden M. Clowning with Beckett. In: A companion to Samuel Beckett. Oxford: Wiley-Blackwell; 2010. p. 358–71.
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Schechter J. Popular theatre: a sourcebook. London: Routledge; 2003.
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Schechter J. Brecht’s clowns: Man is Man and after. In: The Cambridge companion to Brecht [Internet]. Cambridge: Cambridge University Press; 2006. p. 68–78. Available from: https://www.cambridge.org/core/product/identifier/CBO9780511999826A011/type/book_part
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Toole-Stott Raymond. Circus and allied arts; a world bibliography, 1500-[1970] based mainly on circus literature in the British Museum, the Library of Congress, the Bibliothèque Nationale, and on his own collection. Derby, Eng.,: Harpur, distributors; 71AD.
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